Canon’s 2025 lineup has something for everyone—from beginners to professionals and every creator in between. After a slow start in the mirrorless race, Canon now offers a wide range of EOS R models designed for every type of shooter.

Choosing the right camera depends on how you work and what matters most: sensor size, autofocus, speed, video features, and price. A good camera should feel intuitive, deliver consistent results, and leave room to grow.

Canon’s EOS R system now spans twelve models, from the compact R100 to the flagship R1. This guide organizes them by use and experience level to help you find the perfect fit for your needs.

Best Canon Cameras: Our Picks at a Glance

Key Takeaways

Canon’s 2025 mirrorless lineup spans everyone from first-time creators to full-time professionals. The EOS R50 remains our go-to entry camera thanks to its compact body and autofocus inherited from higher-end models. Stepping up, the EOS R8 provides full-frame performance for hybrid shooters who want pro-level image quality in a lightweight design. The EOS R6 Mark II delivers the speed and stabilization for sports, events, and general versatility of the flagship EOS R1. The EOS R5 Mark II leads the range with its 45-megapixel sensor, 8K video, and advanced subject detection.

Canon Full-Frame All-Rounders

What I like to call “all-rounders” are those that can handle any subject, without paying more for features they don’t need. These models excel at both stills and video without favoring one creator’s style over another.

Canon EOS R6 Mark II

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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Not only is this Canon’s best mirrorless camera, I think it’s one of Canon’s best cameras.

The R6 Mark II delivers 24.2MP full-frame resolution with a crazy 40 fps with electronic shutter shooting and unlimited video recording in all modes. Its 8-stop in-body image stabilization works with any RF lens. Canon’s excellent subject detection autofocus tracks people, animals, and vehicles automatically.’

I’ve used this camera for both stills and video projects, and what I like is how it performs in any shooting situation. It’s fast enough for sports, just high enough resolution for portraits, and it’s a video monster.

The 24.2-megapixel full-frame sensor delivers beautiful images with Canon’s excellent “color science.” Canon’s Dual Pixel CMOS AF II system is among the best autofocus systems you’ll find in this price range, and in any system.

It has Canon’s subject-detection system, which locks focus onto people, animals, birds, and other subjects quickly and accurately. Canon’s Eye Detect AF is precise and stays locked on.

Combined with 12 frames per second using the mechanical shutter (or 40 fps with the electronic shutter), it’s a strong performer for sports, events, or wildlife work.

Video shooters get just as much love. The R6 Mark II records oversampled 4K60 footage with full sensor readout and 10-bit color, and it avoids the heavy crop and overheating issues that plagued earlier Canon models. The inclusion of in-body image stabilization makes handheld video smooth and steady, even when walking or shooting run-and-gun footage. For vloggers and solo creators, that’s a huge advantage.

There are some tradeoffs, of course. The camera isn’t as small or light as the R8, and you might feel the extra weight when carrying it all day. It’s also more expensive, putting it out of reach for casual shooters who don’t need its burst speed or advanced stabilization. But for photographers who split their time between stills and video–or anyone who wants professional-level performance in a body that’s still compact, the R6 Mark II hits a near-perfect balance.

Canon EOS R8

Bottom Line

The R8 delivers full-frame 24.2MP sensor performance in a compact 461g body at Canon’s most accessible full-frame price point. It shares the same sensor and autofocus system as the R6 Mark II but removes in-body stabilization and uses a smaller battery to achieve its compact size and lower cost.

What We Think

The Canon EOS R8 brings full-frame performance to a compact, travel-friendly body, ideal for creators who want pro-level image quality without the bulk. Featuring a 24.2MP sensor and DIGIC X processor (the same as the R6 Mark II), it delivers superb dynamic range, fast autofocus, and impressive low-light capability.

With 40fps burst shooting and oversampled 4K 60p video, it’s a strong choice for hybrid shooters. Despite its lightweight build, it feels premium and reliable in hand. The bottom line is that the R8 is perfect for enthusiasts, vloggers, and travelers who want Canon’s renowned full-frame quality in a body that won’t weigh them down.

Reasons to Buy

• Houses the same full-frame sensor and processor as the much more expensive EOS R6 Mark II.
• Great autofocusing abilities.
• Lightweight for a full-frame camera.
• Solid video capabilities, including uncropped, oversampled 4K/60p.

Reasons to Avoid

• Lacks in-body image stabilization (IBIS).
• Shorter battery time due to the smaller LP-E17.
• Lacks a dedicated AF joystick.
• Single SD card slot.

Specifications

• Sensor: 24.2MP Full-Frame CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), Full HD (1080p)/180p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM), supports Canon Log 3.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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I’ve recommended the Canon EOS R8 to many YouTube creators looking for a reliable studio camera without spending flagship-level money.

It’s a perfect example of how Canon’s lower-cost models can still deliver professional results, even though they have some limitations. In the case of the EOS R8, that limitation is the lack of In-Body Image Stabilization (IBIS), making the camera more prone to blur from hand shake or slow shutter speed.

But, in a controlled environment, like in a studio, the lack of in-body image stabilization isn’t really an issue. For creators recording talking-head videos, product demos, or streaming setups, it’s one of the best entry points into Canon’s full-frame ecosystem.

Outside the studio, the R8 holds its own surprisingly well. Its 24.2-megapixel full-frame sensor is the same one found in the higher-end R6 Mark II, producing sharp, detailed images with Canon’s “color science. I think the autofocus system is great, tracking subjects in both stills and video use. Because it’s so lightweight–just 461 grams–it’s an easy camera to pack for landscapes, travel, or casual wildlife photography, where you’ll likely be shooting from a tripod or monopod anyway.

Again, the tradeoff for that compact design is the lack of an IBIS system. While Canon’s digital stabilization can help a bit, it’s not a substitute for optical correction inside the body, but it’s not a dealbreaker for most use.

Handheld video shooters will notice camera shake, and vloggers trying to film while walking will struggle to get smooth footage, but the camera can be paired with optically stabilized lenses for shake reduction.

Canon designed the R8 as its most accessible full-frame body, and it succeeds at that goal. By removing the stabilization system and using a smaller battery, Canon kept the size and cost down without sacrificing image quality or autofocus. The result is a camera that feels like a serious step up from APS-C models but remains affordable for beginner full-frame shooters.

Canon Compact Cameras

Compact cameras offer image quality in pocketable packages, making them perfect for travel, street photography, and situations where larger cameras would be impractical. These models feature fixed lenses but offer convenience and portability that interchangeable lens cameras can’t match.

Canon PowerShot G7X Mark III

Bottom Line

I love this compact camera because it combines a 1-inch sensor with a 24-100mm equivalent f/1.8-2.8 lens in a 304g body that easily fits in a jacket pocket. Its flip-up LCD and built-in streaming capabilities make it a great small camera for YouTube and social media creators, and the autofocus is best in class. YouTube streaming directly from the camera is a feature I wish all compact cameras had. The only limitation is the lack of a viewfinder, which can make framing more difficult in bright light.

Reasons to Buy

• Large 1-inch sensor delivers excellent image quality for its size
• Fast f/1.8-2.8 lens provides good low-light performance
• Versatile 24-100mm zoom range covers most shooting situations
• Live streaming capability directly to YouTube
• Ultra-compact design fits in a shirt pocket

Reasons to Avoid

• No electronic viewfinder limits use in bright sunlight
• The small NP-BX1 battery provides only 235 shots
• Limited zoom range compared to superzoom alternatives
• Complex menu system for a point-and-shoot camera

Specifications

• Sensor20.1MP 1-inch stacked CMOS: 20.1MP 1-inch stacked CMOS
• Processor: DIGIC 8
• Lens: 24-100mm f/1.8-2.8 equivalent (4.2x zoom)
• Autofocus: Dual Pixel CMOS AF with face detection

• Video: 4K 30p, 1080p 120p
• Viewfinder: None
• LCD: 3.0” flip-up touchscreen (180°)
• Battery: NP-BX1 (235 shots)
• Burst Rate: 20fps RAW burst, 30fps JPEG
• Dimensions: 4.1 x 2.4 x 1.6″ (105 x 61 x 41mm)
• Weight: 0.7 lb (304g) with battery

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The Canon PowerShot G7 X Mark III is one of those cameras I find myself recommending years after its release, especially for creators who want solid image quality without dealing with interchangeable lenses.

It’s compact, discreet, and easy to use, which is why I recommend it to vloggers, people on vacation, and anyone who needs a capable pocket camera for both photo and video work.

I’ve used the G7 X Mark III in situations where carrying a larger setup just isn’t practical, and it consistently punches above its weight. The 1-inch, 20.1-megapixel sensor produces crisp, detailed images with vivid color and balanced skin tones. The built-in 24-100 mm equivalent zoom lens lets it cover everything from wide-angle landscapes to portraits, although the background blur isn’t as nice as that of an APS-C or full-frame camera.

The tilting touchscreen makes it easy to shoot at awkward low or high angles, and it flips around forward for selfie-recording.

For video, it captures uncropped 4K30 and 1080p120 slow motion. It doesn’t have 4K/60 but most people don’t need that frame rate anyhow. The built-in ND filter is great when shooting outdoors, and the autofocus–while not at the level of Canon’s Dual Pixel system–is quick enough for casual vlogging or handheld travel footage.

That said, there are a few tradeoffs. Without in-body stabilization, handheld video can look a bit shaky. The lack of an electronic viewfinder can make bright outdoor shooting tricky because the screen washes out in bright light easily. Battery life is also mediocre, so you’ll want a spare or two if you’re recording long sessions.

Still, for its size and image quality, the G7 X Mark III remains a strong choice for anyone who wants a compact, all-in-one camera with great image quality, something I still appreciate even with far more advanced gear sitting in my camera bag.

Canon PowerShot G5X Mark II

Bottom Line

The G5X Mark II adds a pop-up electronic viewfinder and weather sealing to the 1-inch sensor formula, creating a more traditional camera experience in a compact package. Its 24-120mm equivalent lens provides slightly more reach than the G7X series.

Reasons to Buy

• Pop-up EVF enables precise composition in bright light
• Longer 120mm telephoto reach than the G7X series
• A fully articulating LCD is more versatile than a flip-up design
• Weather sealing protects against light rain and dust
• Comprehensive manual controls in a compact body

Reasons to Avoid

• Larger and heavier than ultra-compact alternatives
• Same limited battery life as other 1-inch compacts
• Pop-up EVF mechanism adds complexity and potential failure point
• Premium pricing for the compact camera category

Specifications

• Sensor: 20.1MP 1-inch stacked CMOS
• Processor: DIGIC 8
• Lens:: 24-120mm f/1.8-2.8 equivalent (5x zoom)
• Autofocus: Dual Pixel CMOS AF with face detection

• Video: 4K 30p, 1080p 120p
• Viewfinder: Pop-up 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-BX1 (230 shots)
• Burst Rate: 20fps RAW burst, 30fps JPEG
• Dimensions: 4.3 x 2.4 x 1.8″ (110 x 61 x 46mm)
• Weight: 0.8 lb (370g) with battery

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The Canon PowerShot G5 X Mark II is like a still-photography-first version of the G7 X Mark II. It balances portability with just enough manual control to feel like a “real” camera. It uses the same 20.1-megapixel, 1-inch sensor as the G7 X Mark III but adds a pop-up electronic viewfinder, which makes it far easier to compose shots in bright sunlight.

The 24-120 mm equivalent f/1.8-2.8 lens gives it a touch more zoom range and better low-light performance than many compact competitors. Image quality is excellent for a camera of this size, and Canon’s color rendering on this camera looks just like their larger mirrorless siblings.

It’s not ideal for serious video work since it lacks a microphone input and advanced recording options, but as a compact travel or everyday camera, it delivers great stills and solid 4K footage without the need to carry extra gear. It’s the kind of camera I’d bring in my bag for when I want to shoot but not break out the bigger body and long lenses of my mirrorless setup.

Canon Vlogging and Social Media Creator Cameras

Content creators need cameras optimized for video quality, ease of use, and creator-friendly features. These models prioritize flip-out screens, good autofocus tracking, and streamlined operation for solo shooting scenarios.

Canon EOS R50

Bottom Line

(See full details and specs in the Best Canon Budget Camera section)

My list of excellent vlogging cameras always includes the R50. The R50’s combination of advanced autofocus, 4K video, flip-out screen, and ultra-compact size makes it ideal for content creators. 

At 328g, it’s light enough for extended handheld shooting, and it features Canon’s legendary autofocus.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon EOS R50 is designed for people who are just starting to take photography or video seriously. It’s lightweight, (relatively) simple to operate, and produces results that look better than what you’ll get from your smartphone, especially with the right lenses. I’ve recommended it to beginners who want to learn the fundamentals without being overwhelmed by complex controls or menus.

The R50 uses a 24.2-megapixel APS-C sensor and Canon’s Dual Pixel CMOS AF II system, which means autofocus performance that is nearly as fast and accurate as Canon’s more expensive bodies.

It can shoot bursts up to 15 frames per second using the electronic shutter, and it has Canon’s “color science,” which means images are vivid, with bright colors and accurate skin tones.

If you’re looking for a great video camera, the R50 has you covered as well, in fact I think it’s a better camera for capturing video than stills.

The R50 capture oversampled 4K/30 from 6K footage, and can do Full-HD high-speed catpure at 120fps. It can even capture 10-bit footage, for the most amount of color and lighting data in your video. This is great for editing after capture.

A “Demo Mode” allows you to create product unboxing and demonstration videos easily. In this mode, when you hold something in front of the camera, focus jumps to the object and then jumps back to the face as soon as the item leaves the frame.

There are limitations, of course. The camera lacks in-body image stabilization (IBIS), and while digital IS can help a bit, handheld footage can still look shaky. This is a camera better suited to a studio than to a walk-and-talk vlogger.

Rolling shutter, an effect mostly seen in video where the image seems to warp, is noticeable when panning quickly, and the smaller body doesn’t leave much room for physical controls or larger batteries. But for new creators or photographers stepping up from a smartphone, I think it’s one of the most straightforward ways to enter Canon’s mirrorless system.

Canon EOS R10

Bottom Line

The R10 provides more physical controls and faster burst shooting than the R50, making it suitable for creators who want traditional camera operation alongside video capabilities. Its APS-C sensor offers a 1.6x crop that can be useful for tighter framing, but makes it harder to shoot wide scenes without a specialized lens.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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The Canon EOS R10 is one of my favorite recommendations for photographers who want something faster and more capable than an entry-level body but still small enough to take anywhere. It feels like the sweet spot in Canon’s APS-C lineup, offering better controls, slightly more customization, and strong autofocus performance. The price is still way below Canon’s full-frame models.

I’ve used the R10 for travel and casual landscape work, and it delivers nice images from its 24.2-megapixel sensor. The autofocus system is the same Dual Pixel CMOS AF II design used in Canon’s higher-end cameras (and in the R50), which means subject detection and tracking are excellent for both stills and video. The mechanical shutter can shoot at 15 frames per second, and the electronic shutter increases that speed to 23 fps, which makes it one of the more capable sports or action cameras in its class.

Video performance is solid too, with oversampled 4K60 footage that looks great, especially for such a small camera body. Like most entry-level camras, the R10 doesn’t have in-body image stabilization, so handheld video can be shaky, especially when panning or shooting in low light, but pairing it with stabilized lenses works well enough for travel or walk-and-talk vlogs. Even though I think the small grip will be too small for some, it makes it easy to carry all day.

The R10 sits in a comfortable middle ground. It’s not as stripped down as the R50, and it doesn’t try to compete with full-frame models like the R8 or R6 Mark II. Instead, it’s a compact, well-rounded camera that gives you most of Canon’s best features at a reasonable price, which is why I often point new photographers toward it when they’re ready to move beyond their smartphone.

Canon High-Resolution Cameras

High-resolution cameras prioritize maximum detail and image quality for applications requiring large prints, heavy cropping, or commercial work. These models feature sensors with 45MP or higher resolution along with advanced stabilization to manage the demands of high-resolution capture.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

I’ve shot this camera more than any other Canon mirrorless, and a lot more than some of the Canon DSLRs I owned. The R5 Mark II features a 45MP stacked sensor with eye-control autofocus that allows focus point selection just by looking through the viewfinder at your subject.

 Its pre-capture feature records images before the shutter is pressed, a feature that changes the way wildlife and bird photographers work. 8K video recording provides future-proof video capability.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon EOS R5 Mark II is the camera I think most photographers and hybrid shooters will look at when they want one body that can handle just about anything. I took it on a trip to Japan and spent days wandering around, capturing photos and videos with it, and they all look great.

It takes the already excellent R5 and improves on it in all the ways that matter. From faster processing to smarter autofocus and improved thermal control for video, the R5 Mark II feels like an entirely new camera. I like that it feels like a camera built for professionals, but still usable enough that experienced enthusiasts can get the most out of it.

The 45-megapixel full-frame sensor produces amazing detail, dynamic range, and Canon’s “color science,” making it a great choice for landscapes, wildlife, sports portraits, and commercial work. Basically, any subject you might shoot is perfect for the R5 Mark II.

Canon’s new DIGIC accelerator and Dual Pixel CMOS AF II system make the autofocus faster and more intelligent, tracking subjects with precision even in low light. Continuous shooting hits up to 30 frames per second electronically or 12 with the mechanical shutter, so it’s no surprise this camera is showing up at sports events and wildlife shoots alongside Canon’s more expensive (and larger) flagships. It’s also the perfect primary or backup camera for a wedding photographer.

For video, the R5 Mark II is a major upgrade. It records full-width 8K60 in RAW or 4K120 with minimal rolling shutter, and it can output 12-bit 8K via HDMI to external recorders. That’s

The passive cooling design reduces the overheating limitations of the original R5, which makes this a perfect choice for professional video production. It makes an amazing studio camera, and since the in-body image stabilization (IBIS) system is one of the best I’ve used, it’s great for handheld footage that looks smooth even with longer lenses. Pair it with a lens that has optical image stabilization and it’s unshakable.

The R5 Mark II isn’t a casual purchase, with a huge price tag. It’s expensive, and its resolution and file sizes are overkill for some workflows. But for hybrid creators, working professionals, or anyone who needs uncompromising quality in both stills and video, this is the camera that represents Canon’s best balance of performance, reliability, and creative flexibility, which is why it’s my go-to choice for the best all-around Canon model.

Canon EOS R5

Bottom Line

This is my recommendation for Canon shooters looking to upgrade to a high-resolution camera without breaking the bank on the R5 Mark II. The original R5 delivers 45MP resolution and 8K video at a lower price point than the Mark II. Although it lacks the eye-control autofocus and pre-capture features of the newer model, it still provides the same core image quality with proven reliability. It’s the greatest camera for wedding and portrait photographers.

Reasons to Buy

• Same 45MP sensor as Mark II at a lower cost
• 8K video capability for high-resolution video work
• Proven reliability over several years in the market
• Extensive lens compatibility with the RF system
• Professional weather sealing and build quality

Reasons to Avoid

• Video recording limits in warm conditions
• Lacks eye-control autofocus of newer models
• Premium pricing, even as the previous generation
• Large files require significant storage investment

Specifications

• Sensor: 45MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 8K 30p, 4K 120p (with recording limits)

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 20fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The original Canon EOS R5 is still one of the best full-frame cameras Canon has ever made, and it’s now an even better value thanks to the release of the R5 Mark II. I’ve tell camera buyers that unless you specifically need the newest updates in the R5 Mark II, the R5 remains one of the smartest ways to step into Canon’s high-resolution lineup without paying flagship prices.

The 45-megapixel full-frame sensor still delivers stunning image quality, with excellent color reproduction and plenty of dynamic range. The Dual Pixel CMOS AF II system is fast and accurate. In-body image stabilization keeps both stills and handheld video steady, and the R5’s overall ergonomics and build quality feel every bit as premium as Canon’s newest models.

Where the R5 Mark II pulls ahead is in processing power, autofocus subject recognition, and video record times.

Canon Hybrid Video Cameras

Video-focused cameras balance high-quality recording capabilities with photographic excellence, making them ideal for hybrid creators who refuse to compromise between stills and motion. These models feature advanced codecs, unlimited recording, and professional video features.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II’s unlimited video recording in all modes and  6K oversampling make it a powerhouse. The 24MP sensor provides excellent low-light video performance, and the fully articulating screen enables flexible shooting angles.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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The Canon EOS Mark II is an exceptional hybrid camera. Read our take on the R6 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II adds 8K 60p recording and advanced video features to its high-resolution photography capabilities. The higher resolution sensor suffers more “noise” than the R6 II, but still has excellent low-light performance.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is another exceptional Canon hybrid camera. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Sports & Wildlife Camera

Sports and wildlife photography demand exceptional autofocus tracking, fast burst rates, and telephoto-friendly features. These cameras prioritize speed and reliability over resolution, with advanced subject detection optimized for moving subjects.

Canon EOS R1

Bottom Line

Canon’s flagship otupaces just about every other flagship on the market. It delivers 40 fps burst shooting with advanced subject detection and professional connectivity features. This camera is in our testing studio for lens performance tests, and Canon can take it back over my cold, dead hands. 

Its 24MP sensor prioritizes speed and low-light performance over maximum resolution. This is the top of the top in Canon cameras, and the top of the line out of almost all cameras.

What We Think

The Canon EOS R1 is Canon’s flagship mirrorless camera and designed for professionals who need uncompromising speed, durability, and autofocus precision. Featuring a next-generation stacked full-frame CMOS sensor and dual DIGIC X processors, it delivers lightning-fast performance up to 40fps with blackout-free shooting.

Canon’s advanced AI-driven autofocus intelligently tracks subjects, even in challenging light, which makes it great for sports and wildlife photography. Its rugged, weather-sealed body, dual CFexpress slots, and high-capacity battery make it built for demanding fieldwork. From the sidelines to the studio, the R1 a great balance of power, reliability, and image quality in Canon’s lineup.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Professional-grade weather sealing and build quality
• Exceptional battery life (2,100 shots)
• Advanced networking features for professional workflows
• 9.44M-dot EVF provides exceptional clarity and refresh rate

Reasons to Avoid

• Premium pricing limits to the professional market
• 24MP resolution is lower than high-resolution alternatives
• Large size and weight require professional handling
• Specialized features may be excessive for enthusiast use

Specifications

• Sensor: 24MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with advanced subject detection
• Video: 6K 60p RAW, 4K 120p

• Image Stabilization: 8.5-stop in-body stabilization
• Viewfinder: 9.44M-dot OLED EVF with 120fps refresh
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E19 (2,100 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 6.2 x 4.4 x 3.6″ (158 x 111 x 92mm)
• Weight: 2.2 lb (1,015g) with battery

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The Canon EOS R1 is the company’s long-awaited flagship mirrorless camera, and it takes the best of Canon’s mirrorless and DSLR systems and combines them in one professional platform, albeit a pricey system.

We have one in our testing labs to check out lens focus speeds, so I’ve spent a good amount of time shooting with it, and it’s clear this camera represents the absolute best of what Canon can build right now. Everything about it is designed for performance, speed, and durability.

The R1 uses a new 30.3-megapixel global-shutter full-frame sensor. A global shutter reads data off the entire sensor each shot, which makes performance faster than standard shutters, and it eliminates the image-distorting rolling shutter effect. On the R1 and Sony’s a9 III use a full frame global shutter.

Global shutter changes how you can shoot fast action, since every pixel is captured simultaneously. It also means you can use flash at any shutter speed, something no previous mirrorless camera (aside from Sony’s) could do. The camera can shoot up to 40 frames per second with full autofocus and exposure tracking, and the new Dual DIGIC X processor keeps it responsive even shooting super-long bursts.

Canon’s autofocus has been reengineered for the R1 with a new AI-trained recognition system that tracks subjects in nearly any lighting condition, even when they’re partially obscured. Image quality is as good as you’d imagine for a flagship, with excellent color depth, dynamic range, and low-light performance. The in-body image stabilization works with IS-equipped lenses to provide up to 8.5 stops of compensation, which makes handheld shooting possible even in extremely low light.

This is a serious investment, and the size and cost put it firmly in professional territory. But for sports, wildlife, or commercial photographers who need uncompromising performance, the R1 is Canon’s new benchmark. It’s the mirrorless successor to the DSLR 1D series, and it feels every bit as dependable and refined as that legacy suggests.

Canon EOS R3

Bottom Line

The R3 provides professional-level performance with 30fps burst shooting and eye-control autofocus at a lower price point than the R1. It’s my go-to sports camera since it’s less expensive than the R1 and offers almost all of the R1’s features. Its integrated vertical grip and professional ergonomics feel great when I’m shooting sports or wildlife.

Reasons to Buy

• 30fps burst with eye-control autofocus
• Integrated vertical grip for portrait orientation
• Professional build quality and weather sealing
• Eye-control AF enables rapid focus point changes
• 6K RAW video for professional productions

Reasons to Avoid

• Large size limits portability for casual use
• 24MP resolution restricts heavy cropping capability
• Premium pricing above the enthusiast camera range
• A complex operation requires professional experience

Specifications

• Sensor: 24MP full-frame stacked CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 6K 60p RAW, 4K 120p

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E19 (860 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.9 x 4.4 x 3.3″ (150 x 111 x 85mm)
• Weight: 2.0 lb (916g) with battery

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The Canon EOS R3 is a camera I suggest for when someone needs reliability above all else, but doesn’t want to spend the money on an R1, or finds the R1 overkill.

It’s built for professionals who shoot fast-moving subjects and can’t afford to miss a moment. Everything about it feels made for speed, from the rugged, integrated-grip design to the lightning-fast autofocus. The only thing I think is missing from this camera is pre-capture, a feature where your camera starts to buffer images before you press the shutter release.

Its 24.1-megapixel full-frame stacked CMOS sensor isn’t about resolution, though it has more than enough pixels for great-looking images. The R3 can shoot up to 30 frames per second with the electronic shutter. Blackout is the term for the viewfinder turning off briefly between shots, and the R3 has blackout-free shooting. This functionality makes it easy to track fast subjects through the viewfinder.
The autofocus system features Canon’s eye-control AF, which lets you select focus points simply by looking at them in the viewfinder. It’s surprisingly intuitive once you get used to it, although some people find it less accurate than just moving the focus point around. I’d suggest trying this out before you buy the camera, but it can be disabled as well.

For video, the R3 records 6K60 RAW internally or oversampled 4K/120, both with minimal rolling shutter effects. The build quality is pro. It’s weather-sealed and made to withstand the kind of environments where you wouldn’t bring a non-weather-resistant camera.

It’s a heavy and expensive camera, and the resolution won’t satisfy landscape photographers who need massive prints, but the R3 isn’t meant for that. It’s a workhorse built for sports, wildlife, and photojournalism.

Canon Portrait Cameras

Portrait photography demands excellent subject detection, a high-resolution sensor for image quality, and for cropping. It also needs excellent color rendition. These cameras excel at eye detection autofocus and provide the image quality required for professional portrait work.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II’s eye-control autofocus and 45MP resolution make it exceptional for portrait work. The eye-control system allows photographers to select focus points by looking through the viewfinder, while the high resolution captures fine detail in skin, hair, and clothing textures.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is a great Canon camera for portraits. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II’s exceptional low-light performance and advanced subject detection make it ideal for wedding and event portraits. Its 24MP resolution provides excellent image quality while maintaining fast burst rates for capturing fleeting expressions.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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The Canon R6 Mark II is a great Canon camera for portraits, although the R5 Mark II has the megapixel count for cropping or super-high res portraits. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Landscape Cameras

Landscape photography requires maximum resolution, excellent dynamic range, and robust image stabilization for handheld shooting. These cameras prioritize image quality and detail capture over speed.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II’s 45MP sensor captures exceptional landscape detail, while its 8.5-stop image stabilization enables sharp handheld shots even with telephoto lenses. The high resolution allows for significant cropping while maintaining image quality. I’ve combined this camera with ultra-wide-angle lenses for spectacular shots that I can still crop into a panorama.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is a great Canon camera for landscapes, urban landscapes, and more. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R5

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The original R5 provides the same 45MP resolution as the Mark II at a lower price point. Its 8-stop stabilization and weather sealing make it well-suited for outdoor landscape photography.

For landscape photography, this is one of the best deals in the Canon lineup. It will give you an image every bit as good as the R5 Mark II, without features you don’t need for landscapes.

Reasons to Buy

• Same 45MP sensor as Mark II at a lower cost
• 8K video capability for high-resolution video work
• Proven reliability over several years in the market
• Extensive lens compatibility with the RF system
• Professional weather sealing and build quality

Reasons to Avoid

• Video recording limits in warm conditions
• Lacks eye-control autofocus of newer models
• Premium pricing, even as the previous generation
• Large files require significant storage investment

Specifications

• Sensor: 45MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 8K 30p, 4K 120p (with recording limits)

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 20fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 is a great Canon camera for landscapes, and since the higher frame rates and autofocus improvements of the R5 Mark II are less important in landscape shots, it might be the better choice. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Travel Cameras

Full-frame travel cameras balance image quality with portability, providing excellent performance without the bulk of traditional professional cameras. These models offer weather sealing and long battery life for extended shooting.

Canon EOS R8

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R8’s compact 461g body makes it the most portable full-frame option in Canon’s lineup. Despite its small size, it delivers the same 24MP image quality and autofocus performance as larger cameras.

What We Think

The Canon EOS R8 brings full-frame performance to a compact, travel-friendly body, ideal for creators who want pro-level image quality without the bulk. Featuring a 24.2MP sensor and DIGIC X processor (the same as the R6 Mark II), it delivers superb dynamic range, fast autofocus, and impressive low-light capability.

With 40fps burst shooting and oversampled 4K 60p video, it’s a strong choice for hybrid shooters. Despite its lightweight build, it feels premium and reliable in hand. The bottom line is that the R8 is perfect for enthusiasts, vloggers, and travelers who want Canon’s renowned full-frame quality in a body that won’t weigh them down.

Reasons to Buy

• Houses the same full-frame sensor and processor as the much more expensive EOS R6 Mark II.
• Great autofocusing abilities.
• Lightweight for a full-frame camera.
• Solid video capabilities, including uncropped, oversampled 4K/60p.

Reasons to Avoid

• Lacks in-body image stabilization (IBIS).
• Shorter battery time due to the smaller LP-E17.
• Lacks a dedicated AF joystick.
• Single SD card slot.

Specifications

• Sensor: 24.2MP Full-Frame CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), Full HD (1080p)/180p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM), supports Canon Log 3.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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The Canon R8 is a nearly perfect travel camera. If it had In-Body Image Stabilization (IBIS) it would be my pick for best travel camera in the mirrorless market. _See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II provides weather sealing and exceptional battery life alongside excellent image quality, making it ideal for extended travel photography where reliability is essential.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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If your travel plans are centered around photography or videography, the R6 Mark II is one of the best cameras you could own. It has all the features you need for great shots, no matter the subject. See our take on the R6 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R50

Bottom Line

(See full details and specs in the Best Canon Budget Camera section)

The R50’s ultra-compact 328g body and advanced autofocus make it ideal for travel photography. Its small size means it can be carried all day without fatigue, while the flip-out screen enables various shooting angles.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon EOS R50 is an incredibly small, light camera. It’s small enough to go in a day bag, and still takes better images than a smartphone. See our take on the R50 in the Canon Budget camera guide, above.

Canon EOS R10

Bottom Line

(See full details and specs in the Best Canon Vlogging and Social Media Creator Cameras section)

The R10 adds weather sealing and more physical controls to the APS-C travel formula. Its larger battery provides better endurance for all-day shooting, while the dual command dials enable quick setting changes.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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Just a bit more sophisticated than the R50, the R10 is an excellent choice for travel photography where you need more settings and power than the R50 can give you. See our take on the R10 in the Canon Budget camera guide, above.

Canon APS-C Cameras

APS-C cameras provide excellent image quality in compact bodies with smaller, lighter lenses. The 1.6x crop factor extends telephoto reach, making these cameras particularly appealing for wildlife and sports photography while maintaining portability.

Canon EOS R10

Bottom Line

(See full details and specs in the Best Canon Vlogging and Social Media Creator Cameras section)

The R10 delivers 23fps burst shooting with advanced subject detection in a weather-sealed APS-C body. Its dual command dials and comprehensive controls provide traditional camera operation in a compact package.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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Canon EOS R7

Bottom Line

The R7 provides the highest resolution and fastest performance in Canon’s APS-C lineup, with 32.5MP resolution and professional features including dual card slots and extensive weather sealing. This is essentially the APS-C version of the R3, but without a vertical grip.

Specifications

• Sensor: 32.5MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p uncropped, 1080p 120p

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E6NH (660 shots)

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The Canon EOS R7 is one of my favorite APS-C cameras in the market because it feels like a pro camera that’s been scaled down. It consistently delivers results that rival Canon’s full-frame models. APS-C suffers a bit in low-light conditions compared to full-frame, but that’s a small price to pay for the size and performance of APS-C.

The camera is fast, feels as rugged as most of Canon’s full-frame bodies, and compact. It has a nice mix of controls that you won’t find in entry-level bodies.

The 32.5-megapixel APS-C sensor gives you extra reach for telephoto work, which makes it great for birding or sports on a budget. The autofocus system is the same Dual Pixel CMOS AF II design found in Canon’s higher-end cameras, so subject tracking for people, animals, and birds feels confident and snappy. With 15 frames per second using the mechanical shutter or 30 fps electronically, it’s a genuinely capable action camera.

In-body image stabilization (IBIS) is a major advantage over the R10, keeping handheld shots sharp even with slower shutter speeds or longer lenses. Those lower shutter speeds help balance out the low-light performance hit of APS-C. Video performance is excellent too, with oversampled 4K60 footage and 10-bit recording. The R7 feels like a smaller, more affordable version of the R6 Mark II, and that’s exactly why I like it so much.

It’s not perfect–the smaller body can feel a little cramped with big lenses, and rolling shutter is visible at higher frame rates–but for anyone who wants speed, reach. Professional autofocus in a compact form, the R7 is an easy recommendation.

Canon Budget Cameras

Budget cameras prove you don’t need premium pricing for excellent image quality or high-resolution video. This category features some of my favorite Canon models, as today’s “budget” cameras significantly outpace previous DSLR cameras.

Canon EOS R50

Bottom Line

If you’re looking for a great entry-level APS-C camera, this is the one. I think this has some of the best ergonomics in the APS-C market, and it’s a features powerhouse in a body that’s smaller than full frame.

The R50 packs advanced subject detection, autofocus, and 4K video into a 328g body that’s Canon’s smallest interchangeable lens camera. Despite its budget positioning, the autofocus is as good as Canon’s full-frame bodies.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon R50 is one of our picks for the best travel camera due to its small size and low price. See our thoughts on the R50, earlier in this guide.

Canon EOS R100

Bottom Line

Canon’s entry-level RF APS-C camera delivers basic mirrorless functionality at the lowest possible price point. While it lacks modern features like subject detection and 4K video, it provides access to Canon’s RF lens ecosystem and is often available for under $500.

What We Think

The Canon EOS R100 is the easiest and most affordable way to start using Canon’s RF cameras. It has a 24MP APS-C sensor and a simple design that’s easy to learn, even for beginners. The controls are straightforward, and the image quality is a big step up from a phone.

It’s a minimalistic camera designed for learning photography basics and capturing moments without distractions. Autofocus is consistent, exposure metering is reliable, and Canon’s color science helps make images look natural straight out of camera. Though limited in video features, the R100 provides an affordable path into the RF ecosystem with upgrade potential as a user’s skills grow.

Reasons to Buy

• Affordable
• Compact
• Excellent Canon color science

Reasons to Avoid

• No IBIS
• Limited 4K (24p only)
• Fixed screen

Specifications

• Sensor: 24.1MP APS-C CMOS
• Lens mount: Canon RF
• Video: 4K/24p (cropped), Full HD 60p
• Screen: 3.0-inch fixed LCD

• Audio: No mic input, no headphone jack
• Stabilization: None
• Dimensions: 116 × 86 × 69 mm (4.6 × 3.4 × 2.7 in)
• Weight: 356 g (0.78 lbs) with battery and card

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The Canon R100 is a great choice for travel if you’d rather put your budget into your hotel than you camera. It has a low price, a small body, and takes great photos, though the price introduces compromises. See our thoughts on this camera earlier in this guide.

Comparison Chart

Full Frame or APS-C?

One of the biggest decisions when choosing a new camera is whether to go with a full-frame or APS-C sensor. I’ve shot extensively with both, and each has advantages depending on how and what you photograph.

Full-frame sensors are physically larger, which means they collect more light and produce cleaner images with less noise, especially at higher ISOs. You’ll get better dynamic range, shallower depth of field, and smoother tonal transitions than an APS-C sensor of the same resolution. The tradeoff is that full-frame bodies and lenses tend to be larger and more expensive.

APS-C sensors use a smaller imaging area with a 1.6x crop factor, which effectively gives your lenses more reach. That’s a major benefit for wildlife, sports, or any situation where you need to fill the frame from farther away. The smaller sensor also allows for lighter and more compact camera designs, which is why APS-C bodies are great travel companions. The downside is more noise in low light conditions and slightly less control over background blur.

Understanding Canon’s AF Systems

Canon’s autofocus technology has evolved since the company’s DSLR days, and different models have different level autofocus technologies. Confusingly, both use the Duel Pixel CMOS AF name.

The company’s Dual Pixel CMOS AF system gives every pixel on the image sensor the ability to perform both imaging and phase-detection focusing. That design allows for incredibly fast and smooth autofocus without the “hunting” you used to see in older systems. It’s especially useful for video, where autofocus transitions look natural and deliberate rather than mechanical.

In newer cameras, Dual Pixel CMOS AF II brings advanced subject detection powered by machine learning (often referred to as being AI-based, though technically it’s not.) It can recognize people, animals, birds, insects, and even vehicles, automatically locking onto and tracking them across the frame.

Dual Pixel CMOS AF is an excellent focusing system, and Dual Pixel CMOS AF II is more powerful, but only found on Canon’s higher-end cameras.

FAQs

The post Best Canon Cameras: The Complete Buyer’s Guide for Every Photographer appeared first on Imaging Resource.

The question I get most often from new YouTube creators is “What camera should I buy?” A lot of creators start off using their phones, and then when they start to look for better image quality and more lens choices, they move up to a mirrorless camera. 

The problem is that cameras are expensive. The purchase of a good interchangeable lens camera is usually the first major purchase a channel makes. 

YouTube creators require cameras that strike a balance between video quality and affordability. These features are all found in high-end hybrid cameras, but they’re harder to come by in budget cameras. 

Usually, entry-level cameras make some compromises. Sometimes it’s that their autofocus isn’t flagship-quality, and sometimes it’s older video formats. But these are all cameras I’ve recommended to aspiring YouTubers and social media creators. Yes, you’ll have to make careful choices about your gear, but this guide is designed to help you make the best camera while still leaving money in your wallet. 

Best Budget Cameras for YouTube: Our Picks At A Glance

The Canon EOS R100 and Sony ZV-E10 are two excellent cameras explicitly designed for vlogging and studio YouTube creators, and both offer impressive lens collections. For hybrid shooters who value both photography and videography, the Fujifilm X-S10 and Nikon Z30 are strong mid-range options with excellent handling.

Two of the best interchangeable lens cameras are the Canon EOS R50 and the Sony ZV-E10, both of which provide great autofocus and even better image quality. For creators on tighter budgets, older models like the Olympus OM-D E-M10 Mark IV and the Panasonic Lumix G100D still deliver excellent value in 2025, with the G100D offering particularly strong audio features for vloggers.

Best Budget Mirrorless Cameras

Canon EOS R100

Bottom Line

Canon’s most affordable RF-mount camera features a 24.1MP APS-C sensor with Dual Pixel autofocus, all in a compact, beginner-friendly package. It shoots uncropped 4K video. The 4K footage is limited to 24p, which means this isn’t a good camera for shooting slow-motion footage, but that’s not something most creators typically need.  To keep the cost down, it lacks features like in-body stabilization and a fully articulating screen.  Since it lacks IBIS, I typically recommend this to YouTubers looking for a studio setup or who plan to use the camera on a gimbal. It also lacks some of the convenient features… Read more

What We Think

The Canon EOS R100 is the easiest and most affordable way to start using Canon’s RF cameras. It has a 24MP APS-C sensor and a simple design that’s easy to learn, even for beginners. The controls are straightforward, and the image quality is a big step up from a phone.

It’s a minimalistic camera designed for learning photography basics and capturing moments without distractions. Autofocus is consistent, exposure metering is reliable, and Canon’s color science helps make images look natural straight out of camera. Though limited in video features, the R100 provides an affordable path into the RF ecosystem with upgrade potential as a user’s skills grow.

Reasons to Buy

• Affordable
• Compact
• Excellent Canon color science

Reasons to Avoid

• No IBIS
• Limited 4K (24p only)
• Fixed screen

Specifications

• Sensor: 24.1MP APS-C CMOS
• Lens mount: Canon RF
• Video: 4K/24p (cropped), Full HD 60p
• Screen: 3.0-inch fixed LCD

• Audio: No mic input, no headphone jack
• Stabilization: None
• Dimensions: 116 × 86 × 69 mm (4.6 × 3.4 × 2.7 in)
• Weight: 356 g (0.78 lbs) with battery and card

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Fujifilm X-S10

Bottom Line

The Fujifilm X-S10 is one of the most balanced APS-C cameras in its price class, partially because Fujifilm’s X-series cameras are all APS-C. All cameras in the X series share Fujifilm’s highly regarded image and video “looks,” which simulate classic film types.  The X-S10 also features excellent in-body image stabilization and ergonomic design. It’s one of the best cameras in this guide for videographers on the move. It’s a favorite among creators who want a compact yet powerful hybrid camera. One important reason I recommend the X-S10 to people is that it can use all of Fujifilm’s excellent lenses. While… Read more

Reasons to Buy

• IBIS
• Excellent color science
• Strong ergonomics

Reasons to Avoid

• Pricier than entry-level rivals
• Limited battery life

Specifications

• Sensor: 26.1MP APS-C X-Trans BSI CMOS 4
• Lens mount: Fujifilm X
• Video: 4K/30p, Full HD 240p
• Screen: 3.0-inch vari-angle LCD

• Audio: Stereo mics; 3.5mm mic input; headphone jack
• Stabilization: 5-axis IBIS, up to 6 stops

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Nikon Z30

Bottom Line

The Nikon Z30 is designed with vloggers and casual creators in mind. It offers uncropped 4K, excellent autofocus, and nice ergonomics in an affordable package. Unlike pricier full-frame Z-mount models, it lacks a viewfinder and IBIS, but I particularly like the articulating flip screen, and there is digital image stabilization. Digital stabilization crops the sensor to stabilize the footage, making it most effective when the camera is used on a tripod.

If you need to capture slow-motion videos, you can get 120fps here in full HD and livestream at up to 60p, making this great for Twitch streamers.

What We Think

The Nikon Z30 is an APS-C mirrorless camera designed for vloggers and content creators who need interchangeable lenses and better image control than a smartphone can provide. It uses a 20.9-megapixel DX-format CMOS sensor paired with the EXPEED 6 processor and records 4K UHD video up to 30 fps with no crop. The camera includes a fully articulating touchscreen, eye- and face-detection autofocus, built-in stereo microphones, and USB-C power delivery for extended shooting. It lacks an electronic viewfinder but remains lightweight and compact for handheld or tripod-mounted use.

Reasons to Buy

Compact and lightweight body ideal for vlogging

No crop in 4K recording

Fully articulating screen with good touch response

Reliable autofocus with eye detection

USB-C power delivery for long shooting sessions

Reasons to Avoid

No in-body image stabilization

No viewfinder for traditional shooting

Single card slot with slower UHS-I speeds

Limited weather sealing

Shorter battery life compared to larger Z bodies

Specifications

• Sensor: 20.9MP APS-C CMOS
• Lens mount: Nikon Z
• Video: 4K/30p, Full HD 120p
• Screen: 3.0-inch vari-angle LCD

• Audio: Stereo mics; 3.5mm mic input; headphone jack
• Stabilization: Digital only
• Dimensions: 128 × 73.5 × 59.5 mm (5.04 × 2.89 × 2.34 in)
• Weight: 405 g (0.89 lbs) with battery and card

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OM Systems OM-D E-M10 Mark IV

Bottom Line

One of the best-value YouTube cameras is the Micro Four Thirds OM-D E-M10 Mark IV. Micro Four Thirds sensors are smaller than APS-C, which means the cameras can be smaller. It combines portability with impressive features for its size and price. It includes 5-axis IBIS, a flip-down screen, and access to the extensive MFT lens library. While its smaller sensor isn’t as strong in low light as an APS-C sensor, it remains an excellent compact option. OM Systems hasn’t released as many cameras since the company transitioned from the legendary Olympus into the new brand, so your future upgrade path… Read more

What We Think

The OM-D E-M10 Mark IV is one of the smallest interchangeable-lens cameras with in-body stabilization and a capable 20-megapixel Micro Four Thirds sensor in a lightweight body. On one hand, it’s built for convenience—quick to start, easy to operate, and compact enough to fit in a small bag… Yet it still provides strong image quality and reliable autofocus for casual photography.

Its strengths are accessibility and consistency rather than professional speed. Featuring a flip-up touchscreen for selfies or vlogging, strong battery life, and built-in Wi-Fi for instant sharing, it’s ideal for travelers and creators who want a balanced mix of portability and creative control without technical complexity.

Reasons to Buy

• Lightweight
• 5-axis IBIS
• Access to Micro Four Thirds lenses

Reasons to Avoid

• Smaller sensor than APS-C
• Limited low-light performance

Specifications

• Sensor: 20.3MP Micro Four Thirds Live MOS
• Lens mount: Micro Four Thirds
• Video: 4K/30p, Full HD 120p
• Screen: 3.0-inch tilting LCD

• Audio: No mic input, no headphone jack
• Stabilization: 5-axis IBIS, up to 4.5 stops
• Dimensions: 121.7 × 84.6 × 49 mm (4.79 × 3.33 × 1.93 in)
• Weight: 383 g (0.84 lbs) with battery and card

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Panasonic Lumix G100D

Bottom Line

Panasonic’s most affordable mirrorless camera features a 20.3MP Micro Four Thirds sensor with advanced audio technology, all in a compact, vlogger-friendly package designed for content creators upgrading from smartphones. It shoots 4K at 30p plus Full HD at 60p for smoother motion, but has a 10-minute recording limit. To keep the cost down, it lacks in-body image stabilization, which could be a dealbreaker for handheld video work. The vari-angle touchscreen makes it particularly appealing for solo content creators.

What We Think

The Lumix G100D targets content creators and casual videographers who want a straightforward camera that still delivers clean, detailed results. Thanks to its 20-megapixel Micro Four Thirds sensor and OZO Audio system, it automatically adjusts sound pickup based on the subject’s position, something that’s useful for quick recording setups.

It lacks in-body stabilization and relies on lens-based IS. But the combination of compact size, solid 4K/30 p recording, strong built-in audio, and fully articulating screen makes it a good choice for travel vlogs, educational content, and family projects. Overall, it’s an approachable camera that offers a step up in quality without the complexity of professional gear.

Reasons to Buy

• Affordable entry into professional mirrorless system
• Advanced OZO Audio system
• Vari-angle touchscreen perfect for vlogging

Reasons to Avoid

• No in-body image stabilization
• Short 4K recording time (10min limit)
• Limited to 30fps in 4K

Specifications

• Sensor: 20.3MP Micro Four Thirds CMOS
• Video Resolution: 4K 30p (10min limit), Full HD 60p
• Screen: 3.0-inch vari-angle touchscreen LCD
• Audio: 3.5mm mic input, OZO Audio system

• Stabilization: Electronic only
• Lens Mount: Micro Four Thirds
• Dimensions: 115.6 × 82.5 × 54.2 mm
• Weight: 345 g body only

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Sony ZV-E10

Bottom Line

Sony’s budget APS-C mirrorless camera is marketed for vloggers, but it also doubles as a versatile budget hybrid camera, as it features great autofocus and produces excellent images. Sony has released an updated ZV-E10 II, but it has a higher price point, putting it out of the range of a “budget” mirrorless camera. The ZV-E10 offers oversampled 4K video, which means the 4K footage is super-sharp. While it lacks a viewfinder and in-body stabilization, the ZV-E10 is an affordable way to get started in Sony’s ecosystem. I’ve used this body extensively on location and in studios, and it’s got a… Read more

Reasons to Buy

• Interchangeable lenses
• Oversampled 4K
• Excellent autofocus

Reasons to Avoid

• No IBIS
• No viewfinder
• Rolling shutter at 4K

Specifications

• Sensor: 24.2MP APS-C CMOS
• Lens mount: Sony E
• Video: 4K/30p, Full HD 120p
• Screen: 3.0-inch vari-angle LCD

• Audio: Stereo mics; 3.5mm mic input; headphone jack; wireless mic support
• Stabilization: Digital only

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Comparison Chart

FAQ

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Any passionate photographer will tell you the same thing: 2014 was an amazing year to be a photographer. Sony brought us the world’s first full-frame camera with in-body image stabilization in the A7 II, as well as the A6000 with its amazing feature set for the price. Canon’s 7D Mark II improved on the incredible Dual Pixel focusing technology first found in the 70D, and Nikon’s D750 brought more of the D810 features to a lower price point than we thought would be possible. In addition, there were a few terrific offerings in the lens world including the Olympus 40-150mm f/2.8 Pro, while brand new technologies like Panasonic’s Depth from Defocus demonstrate the mirrorless players have plenty of room to improve focusing technology.
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Best Entry-Level Cameras of 2014

But while 2014 was a great year to be a photographer, it was an incredible year to be a beginning photographer. The level of functionality available in even the most entry-level of cameras is really unparalleled in photo history. And not only is image quality as high as it’s ever been, but the quality of video output continues to increase by leaps and bounds. For this reason we’re kicking our Camera of the Year awards off at the so-called ‘low’ end. While gear hounds like us salivate over the latest-and-greatest empty-the-pocketbooks cameras and lenses, the most remarkable thing for us was just how good the most affordable cameras have become.
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Camera of the Year, Best Entry-Level DSLR: Nikon D3300

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With the Nikon D3200Â (D3200 vs D3300) taking the top spot in our 2012 Camera of Year Awards for Best Entry-Level ILC, it’s no surprise that the follow-up to this excellent little camera is taking the crown for Best Entry-Level DSLR yet again. The Nikon D3300, while sporting a relatively similar exterior design and control layout to its predecessor, offers better ergonomics and lower weight with a carbon fiber-reinforced construction. Under the hood, Nikon transferred much of the D5300’s technology into the D3300, including the same faster EXPEED 4 processor and a 24.2-megapixel sensor without an optical low-pass filter similar to that in the D5300Â (D5300 vs D3300).

The filterless sensor is quite unique for a consumer-oriented camera. It risks increasing moiré and aliasing (which we didn’t encounter in real-world shooting), but the benefit is excellent sharpness and resolution. The new sensor and faster image processor together give the D3300 exceptional image quality as well as excellent high ISO capabilities, especially for an entry-level model. The dynamic range is also very good, the buffer capacity is large for good continuous burst shooting, and battery life is above average. Nikon also beefed-up video recording features by adding an external mic jack and support for 1080p video recording at 60fps.

Bottom line, the Nikon D3300 is impressively feature-packed for what’s still classified as an ‘entry-level’ camera, offered at a very affordable price. It borrows a lot of amenities from Nikon’s higher-end DSLRs, and while certain aspects are a little underwhelming — low-light AF can be slow and it lacks both auto-exposure bracketing and built-in Wi-Fi — the Nikon D3300 is nevertheless an excellent, budget-friendly DSLR. It’s well-built, comfortable and easy to use for novice photographers, though it has the image quality performance and video-shooting chops that might pique the interest of more advanced users on a budget or needing a capable back-up to their higher-end DSLR. This is a great entry-point to the Nikon line; it’s an affordable, easy-to-use camera, yet one that’s full-featured enough to keep you happy for years to come, as your skills evolve.

Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of Distinction, Entry-Level DSLR: Canon T5

The entry-level Canon DSLRs have always provided great bang-for-your-buck in terms of feature set, autofocus performance and image quality at a budget-friendly price point. With the Canon Rebel T5, the long-awaited update to the Rebel T3, Canon continues this winning formula by updating the imaging sensor, improving HD video resolution, and giving the exterior design a little makeover, with rubberized handgrip a la the T5i.

While other features and specs remain largely unchanged compared to the previous model, the Canon T5 produces very good image quality, with excellent color and hue accuracy and decent performance with fast single-shot cycle times and quick autofocus. While it might not be a speed demon at burst shooting and higher ISO performance is not as good as some competitors or higher-end models, the Canon Rebel T5 is nevertheless a comfortable, easy to use camera at a great price. The Canon T5 also serves as an inexpensive entry point into Canon’s vast range of EF and EF-S lenses.

Buy from Adorama | Buy from Amazon | Buy from B&H Photo
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Camera of the Year, Best Entry-level Mirrorless:
Olympus E-M10

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Olympus made big waves with the first OM-D camera, the E-M5Â (E-M5 vs E-M10), helping to popularize the technologically-advanced yet retro-styled camera. The E-M5 was a smash hit, even winning our Compact System Camera of the Year award in 2012. Olympus followed with the professional-level E-M1Â (E-M1 vs E-M10), with more advanced features, such as on-chip phase detect AF and a faster image processor. The E-M1 took our ‘Best Professional Camera of the Year‘ award for 2013. While the E-M5 was in the mid-range price-wise and the E-M1 being undoubtedly the pricier, flagship model, more entry-level photographers were left out of the OM-D family. Olympus soon had the solution, though, with the OM-D E-M10 — the “OM-D for all” as they called it.

The Olympus E-M10 is a unique camera that blends features from the flagship E-M1 camera and the earlier E-M5. It’s got the faster image processor and higher-precision AF area grid, as well as a similar AA-filterless sensor of the E-M1. The E-M10 then borrows the more compact size of the E-M5 — although the E-M10 is slightly smaller — making it an excellent go-anywhere, carry-all-the-time kind of camera. And although it uses the slower contrast-detect AF system, the E-M10 is perfectly enjoyable and super snappy for almost all subject matter. The E-M10 also includes built-in Wi-Fi and is the first OM-D camera with a built-in pop-up flash.

All told, the Olympus E-M10 is a solid camera at an outstanding budget-friendly price point. It has excellent image quality and is an all-around fast and capable performer. The E-M10 lowers the cost to the expansive world of interchangeable lenses for the Micro Four Thirds ecosystem, without compromising on image quality or performance. If you’re looking to upgrade to an interchangeable lens camera system and aren’t sure if you want the bulk of a DSLR, the E-M10 is our choice for the best entry-level mirrorless camera for 2014.

Body only:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo
Kit with 14-42mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of Distinction, Entry-level Mirrorless: Sony A5100

Sony A5100 is another terrific option in the entry-level mirrorless category. It’s quite small and lightweight, and has a zoom toggle surrounding the shutter button that will be familiar to most users stepping up from traditional point-and-shoot cameras (the kit lens has “power zoom” capabilities and can therefore be controlled via the camera body). And with a 180° flip-up screen and a built-in flash, the camera has the basics covered for anyone interested in taking their smartphone or point-and-shoot chops to the next level.

And yet, the A5100 houses the same sensor and image processor as in the extremely popular Sony A6000Â (A6000 vs A5100), with virtually identical overall image quality and ISO performance, making it a more powerful imaging tool than its unassuming body would convey at first glance. This makes it not only a good option for step-up users but also for A6000 shooters looking for a capable back-up for a bit less out of the bank (it retails for $100 less than the A6000, though street prices may vary). Add to this both Wi-Fi and NFC capabilities, as well the ability to control the camera remotely from a smart device, and you have quite a capable little shooter indeed.

Body Only:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo
Kit with 16-50mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of Distinction, Entry-level Mirrorless: Samsung NX3000

Samsung clearly wants to make your acquaintance if you’re a cellphone or compact camera user interested in expanding your photography horizons, as it continues to develop products with excellent performance to cost ratios. The NX3000 falls squarely into this category, sporting a large 20.3MP APS-C sensor and yet retailing (with a 16-50mm power zoom kit lens!) for only ~$360 as of this writing. That is a lot of bang for the buck, folks, which made this camera a no-brainer for our value category in these awards as well (shown below).

And if all that isn’t enough to tempt you, this camera also ships with Adobe’s Lightroom 5 in the box! Not only do you get powerful post-processing that would usually run you $139 right out of the gate, but you get a camera easily the equal of models $100 more expensive; that should leave plenty of money to spare for a capable prime lens to go along with this kit. (To see images shot with not only the 16-50mm PZ kit lens but also Samsung’s 45mm f/1.8 and 60mm f/2.8 macro lens, please visit our Samsung NX3000 gallery page!)

Kit with 16-50mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo
Kit with 20-50mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of the Year, Best Superzoom Camera: Nikon P600

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When you sport the longest maximum optical focal length of any currently offered superzoom camera (1440mm) and then back that tremendous reach with the best image quality in the class, you’re going to turn some heads in the superzoom world. The Nikon P600 turned our heads the first time we pixel-peeped a full telephoto test image, and continued doing so for most of our Superzoom Shootout 2014Â testing.

While it offers neither the weather resistance nor the super-solid build quality of the Fujifilm S1 (below; detailed comparison: S1 vs P600), and is also rather slow while writing to the SD card after a burst of continuous shots, we felt the overall image quality still trumped the competition enough to merit this award. The P600 also not surprisingly took the top honors in our Best Superzoom 2014 competition, one of only three models we put on the “recommended” list (the other cameras included the Fujifilm S1Â and Canon’s SX50 HSÂ from 2012).

As we stated in our superzoom shootout summary page: “The difference in image quality between the P600 and some of its competitors is frankly astonishing. If you can live with its slow buffer clearing for full-resolution bursts and you don’t need much in the way of weather resistance, there’s no better choice currently on the market.”

Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of Distinction, Superzoom Camera: Fujifilm S1

The Fujifilm S1 features both weather resistance and a professional build quality, giving it an exterior that’s at the same time rugged, attractive and also enjoyable to hold. High-quality image stabilization and great burst-shooting performance provide the beginnings of the perfect superzoom camera in our book.

But that’s only half the book, while the other half contains a few notable issues that, while not deal-breakers, kept this camera from taking the top slot, both in these awards and also in our Best Superzoom 2014 competition. The biggest issue is that its JPEG engine produces over-sharpened, contrasty images with no way to dial the processing down internally, basically making it for most uses a RAW-files only camera (so it’s fortunate that it does provide RAW file support!). That said, you can get some gorgeous images from its RAW files. Finally, Fujifilm S1 doesn’t actually zoom out to its stated 1200mm equivalent range; it came out closer to ~1100mm in our tests.

We thus found the S1 a bit more limited in its abilities than the Nikon P600 (P600 vs S1). That being said, though, if you need a camera that can stand up to the harsh elements, don’t mind a somewhat shorter (though still absurdly long) zoom range and prefer to work from RAW files, this model would be the better bet between the two. And again, it sure does feel good in the hands!

Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Camera of the Year, Best Value: Sony A6000

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The Sony A6000 isn’t the cheapest camera on the market and we already named its little brother, the A5100 (A5100 vs A6000), a camera of distinction for ‘entry-level mirrorless.’ So why have we given the A6000 our Camera of the Year award in the ‘Best Value’ category? Simple: The functionality it offers for $600 including the kit lens is simply unprecedented.

The A6000 is one of the few interchangeable lens camera with an EVF available in a kit for $600 [The E-M10Â (E-M10 vs A6000) was available briefly for the price, but those deals were limited to Black Friday specials. And Panasonic’s excellent GX7Â (GX7 vs A6000)Â currently offers the feature at this price, but was released last year and is thus ineligible for the award in 2014].

We lauded the A6000 for its excellent image quality, high resolution and very good dynamic range. And we were as impressed with the camera’s video capabilities as we were its image quality.

The A6000 acquires focus blazingly fast and phase-detect points cover about 84% of its sensor (unusually high, so you’ll enjoy the fast focus acquisition most anywhere in the frame). We found its autofocus gave us about 4-6 sharp “keepers” per second; it has an 11fps burst speed, but somewhere around 50% of our shots of fast-moving burst-mode subjects were sharply focused. So while we didn’t get 100% keepers at the A6000’s full 11fps burst speed, 4-6 keepers per second is good enough for most action shooting, and pretty amazing to find in a $600 camera.

All in all, the A6000 is an incredibly impressive camera for the price. Judging by the traffic to its review on our site and sales information from our affiliates, a huge number of our readers agreed: The A6000 in its body-only and kit bundles have outsold every other camera this holiday season.

Body only:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo
Kit with 16-50mm lens:Â Buy from Adorama | Buy from Amazon | Â Buy from B&H Photo

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Camera of Distinction, Best Value: Samsung NX3000

The Samsung NX3000 is a camera of distinction this year in our Best Entry-level Mirrorless category, shown above, and for good reason given its large sensor and overall capabilities as a quality imager. But it’s the unbelievable ongoing street price of roughly $360 (with the 16-50mm PZ kit lens!) that warrants its inclusion in this budget category. As we stated in the mirrorless write-up, that’s a lot of bang for the buck! Throw in a free copy of Adobe Lightroom 5 and you’ve got quite a bit of horsepower for a humble $360 indeed.

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(To see images shot with not only the 16-50mm PZ kit lens but also Samsung’s 45mm f/1.8 and 60mm f/2.8 macro lens, please visit our Samsung NX3000 gallery page!)

Kit with 16-50mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo
Kit with 20-50mm lens:Â Buy from Adorama | Buy from Amazon | Buy from B&H Photo

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Imaging Resource Cameras and Lenses of the Year Awards

This is only the first round in our multi-part Cameras and Lenses of the Year Awards for 2014. We’re also announcing the best lenses of the year today, with our picks for the best compact cameras of 2014 coming on the 26th. Look for our awards for best professional and enthusiast cameras of 2014 and our overall choice for the Camera of the Year next week.

Best Entry-Level Cameras of 2014Â (this page)

Best Lenses of 2014

Best Compact Cameras of 2014

Best Professional &Â Enthusiast Cameras of 2014

Camera of the Year, 2014Â (and Special Awards)Â coming soon

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The post Cameras of the Year: Best Entry-level Cameras of 2014 appeared first on Imaging Resource.

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Is this “the year of mirrorless”? It might well be, with a literally unprecedented array of capable, affordable models available. While DSLRs still command the bulk of sales, mirrorless cameras’ svelte size and excellent image quality are drawing more and more fans as time goes on. As we wrote in an article earlier this year, all of us at IR actually own and shoot with at least one of each type, and feel both have their place, but there’s no denying that there are some really superb mirrorless cameras on the market, to be had at some incredible prices this holiday season!

On the first page of this little “best-of” trilogy, we unveiled our picks for the best DSLR systems at this price point. Now, we’ll take a turn around the mirrorless world, and look at five phenomenal packages for the same $1,000 price point. Note that there are some important differences in not only the cameras, but the packages we’ve assembled around them, so read on to see which one best suits your own taste and shooting style!

Options by Dave Pardue and William Brawley

Best mirrorless camera and lens combination

Sony A6000 with 16-50mm PZ kit lens + 50mm f/1.8 prime lens

No camera in recent years has been remotely close to as popular with our readers as the Sony A6000, and for good reason. To quote our review: “The Sony A6000 is a very versatile mid-level to advanced camera, able to handle everything from high-resolution landscape shooting to family vacations and fast-moving sports. It’s easy to carry, a strong performer, a pleasure to use, and, best of all, at around US$700 with a lens, it’s a pretty fantastic value.”

And to quote Eamon Hickey, one of our most experienced camera reviewers: “All in all, I think Sony has a real hit with the Alpha 6000. It offers a good, advanced user interface, with previous flaws (from the NEX-6) now fixed, excellent versatility, very good overall performance, highly competitive autofocus for both stationary and moving subjects, excellent video capabilities and great images. What’s more, it’s all wrapped up in a very compact package at a terrific price, and that’s a pretty compelling recipe.”

What’s even better is that with the street price of the camera and 16-50mm PZ kit lens, you’ll have about $300 left over from your G-note, allowing you to add the Sony 50mm f/1.8 prime lens to your arsenal. With a 75mm eq. focal range and a relatively fast aperture you’ll be “primed” for great portrait shooting at a fantastic price. Head to our lens testing site SLRGear.com for more on the 50mm f/1.8, and for (much) more on the Sony A6000 head to our full review and our shooter’s reports from Eamon! If the literally hundreds of thousands of readers who’ve flocked to our review are any indication, you’ll have a lot of company when you’re out shooting with your Sony A6000!

Purchase:

• Sony A6000 + 16-50mm f/3.5-5.6 Power Zoom Kit, $698: Amazon, Adorama, B&H

• Sony E 50mm f/1.8 OSS, $298: Amazon, Adorama, B&H
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Sony A6000 + 16-50mm PZ kit lens – sample gallery image
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Sony A6000 + 50mm f/1.8 – sample gallery image

[Click here for our full Sony A6000 sample gallery!]

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Olympus E-PL7 w/ 14-42mm II kit lens + 40-150mm telephoto or 45mm f/1.8 prime

The Olympus E-PL7 takes the mid-range PEN line to a whole new level. While we loved its predecessor the E-PL5, the E-PL7 looks and feels more like the higher-end E-P5. There’s now a top-deck control dial, and both it and the mode dial have the precision feel we loved on the E-P5. Throw in an attractive look and the image quality we’ve come to expect from the PENs, and this is simply a terrific camera for the money.

The camera with its basic kit lens is available for ~$700, or for ~$900 there’s a fantastic kit available through our affiliate partner Adorama, which pairs the E-PL7 with both the 14-42mm II kit lens as well as the 40-150mm M.Zuiko Digital ED lens, one that we here at IR are quite fond of. That’s a kit that will give you an impressive 28-300mm eq. zoom range, plus some extra goodies, in the form of a lens bag, mini-messenger bag, 16GB class 10 card and a Tiffen digital filter software package. And you’re still left with $100 for gas money to get you to a scenic location for your shoot!

If you don’t need that telephoto zoom range but like to shoot portraits, another intriguing option would be to get the kit with the 14-42mm II lens, and then add the Olympus 45mm f/1.8 portrait lens (90mm eq.) This is a fabulous little lens that not only tested quite well on our lens testing site SLRGear.com, but one that we here at IR use on a regular basis for portrait work. The 45/1.8 lens currently ranges from ~$250 to $350, so depending on the deal you’re able to find, you should be able to acquire it and the basic kit for somewhere right around the $1000 mark.

Want to hear more about the E-PL7? Just head over to our overview, and read our shooter’s report section, to see what fun we had shooting with it. Thanks to strong contributions from both Olympus and Panasonic, the Micro Four Thirds platform has a huge range of really great optics available – And the E-PL7 is an ideal and affordable way to buy into this great system!

Purchase:

• Olympus E-PL7 + 14-42mm II  Kit, $699: Amazon, Adorama, B&H

• Olympus E-PL7 + 14-42mm II & 40-150mm f/4-5.6 R Bundle, $899: Adorama Exclusive

• Olympus 45mm f/1.8, $349: Amazon, Adorama, B&H
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Olympus E-PL7 + 14-42mm II kit lens – sample gallery image
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Olympus E-PL7 + 45mm f/1.8 – sample gallery image

[Click here for our full Olympus E-PL7 sample gallery!]

Fuji X-M1 (body-only) with Fujinon XF 27mm f/2.8 pancake prime

Here’s an intriguing way to spend $1000: Grab a Fuji rangefinder-styled X-M1 body and pair it with a fast, high quality 27mm (41mm eq.) f/2.8 Fujinon lens. Your street-shooting career has begun! The X-M1 is light on its feet thanks to tough polycarbonate in place of the metal found in its higher-priced siblings like the X-Pro 1, and the 27mm f/2.8 prime lets you catch fleeting movement on the street even in partial light. And being a pancake lens on a lightweight body, your coat or vest pockets have seldom been more useful!

The X-M1 offers a quality build with user-interface amenities like twin command dials, a feature we’re quite fond of here at IR, and know that many of our readers appreciate as well. And Fujifilm’s unique X-trans sensor lets them ditch the resolution-robbing lowpass filter without risking introducing moiré into your shots. Plus, you get Fuji’s terrific palette of film simulation modes, another unique feature that delivers a range of gorgeous “looks” for your photography; changing color rendering in subtle and complex ways that would be difficult to achieve in Photoshop. We’ve been wanting to do an article on Fujifilm’s film simulation modes for quite a while now, but the constant press of new cameras to test has kept us from getting around to it. They’re really pretty unique, though, and do a really great job of bringing back the look of favorite emulsions from the film era. (Seriously, check them out!)

It’s true that with this recommendation, you’re limited to just a single single focal length, something that only a true street shooter might settle for, but the X-M1 offers plenty of resolution for cropping as needed, so the wider angle will be a friend here. And if that’s not enough, for just $100 more you can grab the 16-50mm kit lens, and it’s one of the finer kit lenses we’ve tested at our lens test site SLRGear.com. Or for $200 more you can get the 18-55mm kit lens, also an excellent optic for the price.

To read more on the Fujifilm X-M1 please visit our overview page, and for more on the Fujinon 27mm f/2.8 pancake prime please click here.. If you’re an aspiring street shooter, and appreciate the discipline enforced by prime shooting, this Fuji X-M1 package should be on your (very) short list!

Purchase:

• Fujifilm X-M1 body-only, $499: Amazon, Adorama, B&H

• Fujifilm XF 27mm f/2.8, $449: Amazon, Adorama, B&H
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Fuji X-M1 + 16-50mm kit lens – sample gallery image

[Click here for our full Fujifilm X-M1 sample gallery!]

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Samsung NX300 kit w/ 18-55mm lens + 50-200mm f/4-5.6 + 45mm f/1.8 prime

Wow – here’s yet another unbelievable deal! The Samsung NX300 hails from 2013 but it remains Samsung’s top-level APS-C model in a small form factor. Our reviewer Dan Havlik loved shooting with it, the images from our lab looked quite good and we gave it a Dave’s Pick without hesitation. Quoting our review of the camera: “The Samsung NX300 is among the better compact system cameras on the market, especially when its price tag and image quality are factored into the equation. The NX300 is a great looking camera, with a portable design that combines classic rangefinder style with a modern digital camera.”

In fact, we were so impressed with the Samsung NX300 that we named it a Camera of Distinction in the Enthusiast Mirrorless category, in our 2013 annual COTY (Camera of the Year) awards!

We obviously enjoyed our own time with the NX300, and from the very start have heartily recommended it to any of our readers looking for high quality in a small form factor. But just look at the price it’s selling for these days! With the price including the 18-55mm kit lens hovering at just $485, your coffers are free to add not one but two additional, choice lenses to the package. First, the 50-200mm f/4-5.6 ED OIS II, which provides a generous 77-308 eq. range, means you’re covered for most general shooting needs. And second, you still have enough to add the 45mm f/1.8 portrait lens (~70mm eq) for all of your portrait shooting needs!

You’re now at $1006, and we didn’t think anyone would care that we splurged an extra $6 for such an incredible package. There’s a lot to love about a high quality camera and three good lenses all for ~$1000! For much more on the Samsung NX300, please visit our full review. Or, if you’re already convinced, click and buy one with the affiliate links below. (Buying your cameras through our affiliates directly benefits IR, and helps keep our reviews coming!)

Purchase:

• Samsung NX300 + 18-55mm Kit, $399-$495: Amazon, Adorama, B&H (Price depends on color and retailer)

• Samsung 50-200mm f/4-5.6 ED OIS II: Amazon ($224, black; $275, white), Adorama ($269, black; $275, white), B&H ($264, black; $275, white)

• Samsung 45mm f/1.8, $256: Amazon, Adorama, B&H
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Samsung NX300 + 45mm f/1.8 – sample gallery image

[Click here for our full Samsung NX300 sample gallery!]

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Best compact ILC

Panasonic GM5 with 12-32mm Kit

If you’re interested in the smallest, lightest camera possible, yet still want the flexibility of interchangeable lenses and the image quality that comes from a large sensor, then there’s no better option than the Panasonic GM5 “mini” Micro Four Thirds camera. It’s an update to, but not technically a replacement for the GM1 — a camera that inspired us to create a “Best Pocket ILC” category for the first time in our Camera of the Year awards last year — the GM5 has a number of tweaks and improvements that address some of the minor quirks and gripes that we found with the GM1.

Sporting a built-in EVF, hot-shoe (and bundled mini detachable flash), more customizable function buttons and a raised thumb rest for a better grip, the new GM5 is more comfortable to use, to hold, and provides more customizability than the GM1, should you want that extra flexibility.

The internals, while nearly identical to the GM1, are still impressive, and result in excellent image quality at both low and higher ISOs for this class of camera. While the GM1’s AF speed was already pretty speedy to begin with, it’s been further improved in the GM5. The included 12-32mm lens is very sharp and very compact, making the entire kit easily small enough to fit in your jacket pocket. And the best part is that it all fits well within our budget with a current price of just $897.99 for the kit, leaving you some room left over for accessories. If you want a really compact camera, but don’t want to sacrifice image quality or flexibility in the bargain, the Panasonic GM5 should be an easy choice! (Just buy it, you’ll be happy!

Purchase:

• Panasonic GM5 + 12-32mm Kit, (PRE-ORDER) $897.99: Amazon, Adorama, B&H
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Panasonic GM5 + 12-32mm kit lens – sample gallery image

[Click here for our full Panasonic GM5 sample gallery!]

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Your shopping clicks make a difference!

If this article or any of our other efforts here on this site have helped you decide which camera you’re going to spend your hard-earned cash on, we’d appreciate it so much if you’d use one of the links we’ve provided above to make your actual purchase. Doing so doesn’t cost you a dime, but makes a huge difference to us, helping to keep our informed, unbiased tests and opinions coming! Thank you!

(Also, don’t hesitate on these deals; some of them are tied to Black Friday/Cyber Monday holiday promotions, so may not last!)

Navigation

This page is one of three detailing our picks for the best camera packages under $1,000 in the 2014 holiday season. Click below, for our choices in the other two categories!

The post Best camera under 1,000 dollars: Best mirrorless camera appeared first on Imaging Resource.