Sony spent years building a full portfolio of cameras for every niche—from high-resolution portrait work to sports, travel, and video production. Its lineup is extensive but can feel confusing, since Sony keeps older models available alongside new ones.

All Sony cameras offer strong video performance and deep customization, letting you tailor buttons, menus, and settings more than any rival system. With unmatched lens compatibility and support from countless third-party brands, Sony gives creators more flexibility than anyone else.

Most of Sony’s entry-level options are APS-C rather than full-frame, so choosing the right model takes some thought. We’ve tested nearly every current camera to help you find the perfect Sony for your style, budget, and goals.Sony spent years building a full portfolio of cameras for every niche—from high-resolution portrait work to sports, travel, and video production. Its lineup is exte/nsive but can feel confusing, since Sony keeps older models available alongside new ones.

All Sony cameras offer strong video performance and deep customization, letting you tailor buttons, menus, and settings more than any rival system. With unmatched lens compatibility and support from countless third-party brands, Sony gives creators more flexibility than anyone else.

Most of Sony’s entry-level options are APS-C rather than full-frame, so choosing the right model takes some thought. We’ve tested nearly every current camera to help you find the perfect Sony for your style, budget, and goals.

Best Sony Cameras: Our Top Picks at a Glance

The A9 III represents a breakthrough in camera technology as the world’s first full-frame global shutter camera, eliminating rolling shutter distortion while delivering 120fps burst shooting.

The a7R V’s 61-megapixel sensor captures incredible detail for landscapes and studio work with cutting-edge AI autofocus. At the same time, the A1 II delivers professional flagship performance with 30fps burst shooting for sports and wildlife photographers.

Content creators will love the a6700’s hybrid capabilities, combining APS-C portability with 4K 120p video and advanced autofocus, while the ZV-E10 II offers professional video features in an affordable, user-friendly package.

For those seeking maximum value, legacy models like the a7 III continue to provide exceptional performance, proving that older Sony cameras age gracefully and remain competitive choices at attractive prices.

Sony Full-Frame All-Rounders

Sony’s lineup has many specialized bodies, but for most people, it’s the daily walk-around camera that’s the best camera. I considre a good all-around camera to be one you can pick up for any subject. They might not be the most powerful cameras, but they’re a great choice to capture whatever comes your way.

These models excel at both stills and video, making them ideal for photographers who need one camera that can handle any situation, from portraits and landscapes to professional video work.

For more, and more affordable all-around Sony cameras, see the Sony Vlogging and Social Media category, where some of Sony’s best values can be found.

Sony a7C II

Bottom Line

My review of the a7C II called it one of the best travel cameras ever made, and the best full-frame travel camera on the market today. I used the a7C II and the higher resolution a7C R on a photo safari to Brazil, and the performance was as good as the image quality.  The a7C II proves that good things come in small packages, combining the same 33-megapixel sensor as the a7 IV in a remarkably compact rangefinder-style body.  Even though it has the same sensor as the a7 V, it has Sony’s most recent AI-based autofocus, and in my… Read more

What We Think

My review of the a7C II called it one of the best travel cameras ever made, and the best full-frame travel camera on the market today. I used the a7C II and the higher resolution a7C R on a photo safari to Brazil, and the performance was as good as the image quality. 

The a7C II proves that good things come in small packages, combining the same 33-megapixel sensor as the a7 IV in a remarkably compact rangefinder-style body. 

Even though it has the same sensor as the a7 V, it has Sony’s most recent AI-based autofocus, and in my tests, it rarely misses a shot. There are human, animal, bird, insect, and vehicle autofocus subject recognitions. 

The a7 C II is so small that it doesn’t stand out, which is important when you’re travelling or walking around with it over your shoulder.

Reasons to Buy

• Incredibly compact design for full-frame performance
• Same excellent 33MP sensor as the a7 IV
• Outstanding AI-powered autofocus with subject recognition
• 7-axis image stabilization (best in class)
• Professional 4K 60p video with 10-bit recording
• Front control dial added for better ergonomics
• Weather-sealed magnesium alloy construction

Reasons to Avoid

• Small EVF can feel cramped for extended use
• Single SD card slot only (no CFexpress support)
• A compact grip is less comfortable with large lenses
• No built-in flash
• Premium pricing despite compact positioning

Specifications

• Sensor: 33MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Video: 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 7-axis in-body stabilization
• Viewfinder: 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (530 shots)
• Burst Rate: 10fps continuous with AF/AE
• Dimensions: 4.9 x 2.8 x 2.5″ (124 x 71 x 63mm)
• Weight: 1.1 lb (514g) with battery

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Sony A7 IV

Reasons to Buy

• Excellent 33MP full-frame sensor with great dynamic range
• Great for hybrid shooters
• Fast, accurate autofocus with real-time subject tracking

Reasons to Avoid

• Slightly heavier than some mirrorless competitors
• No built-in flash
• Can seem pricey

Specifications

• Sensor: 33 MP full‑frame (back‑illuminated)
• Processor: BIONZ XR
• Autofocus: Phase Detection: 759, Contrast Detection: 425
• Video: 4K up to 60p (crop mode) / 4K 30p full‑frame; 10‑bit 4:2:2 internal

• Lens Mount: Sony E-mount

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It feels strange to me how long the a7 IV has been Sony’s entry-level full-frame camera. But if it works, don’t mess with it, right? Many Sony fans are hoping for an a7 V, but I think this camera is here to stay. Even if an a7 V comes out, the a7 IV will still be a semi-affordable workhorse. 

The a7 IV stands as Sony’s most accomplished hybrid camera, combining a high-resolution 33-megapixel sensor with professional video capabilities. It’s not the least expensive camera in Sony’s full-frame lineup, that distinction goes to the Sony a7C. 

The a7 IV has sony’s EyeAF and subject detection capabilities, but lacks the full AI-based autofocus of its newer cameras. It’s still a powerful AF system, considered the most powerful AF on the market when the camera was released, but it’s not quite as powerful as the newer AI-based tracking.

Sony a6700

Reasons to Buy

• Class-leading auto-focusing abilities.
• Excellent video capabilities.
• 5-axis in-body image stabilization (IBIS)
• Good Image Quality.

Reasons to Avoid

• The menu system can be a little counterintuitive.
• Significant crop at 4K/120p slow-motion mode.
• Single SD card slot.
• A rolling shutter might be visible when panning quickly.

Specifications

• Sensor: 26.0MP APS-C Exmor R BSI CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), 4K/120p (with 1.58x crop), Full HD (1080p)/240p.
• Codecs: XAVC S, XAVC HS (H.265/HEVC, H.264/MPEG-4), supports S-Log3, S-Cinetone, HLG.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: BIONZ XR Processor & AI Processing Unit, 5-Axis In-Body Image Stabilization (IBIS), AI-powered subject recognition AF, vari-angle touchscreen.

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The Sony a6700’s combination of professional video features, compact size, and excellent autofocus makes it a compelling choice for creators who want traditional camera controls alongside advanced video capabilities, but in the smaller APS-C format. 

The a6700 is Sony’s “flagship” APS-C camera, with almost as many features as Sony’s higher end full-frame cameras. This was the first APS-C in Sony’s lineup with the company’s AI-based autofocus, and the control layout is improved over the previous top-end APS-C the Sony a6600. 

Creators can choose between Sony’s high-quality video formats  S-Log3, S-Cinetone, and HLG. If those terms don’t mean anything, just know that this camera packs the image and color reproduction of Sony’s high-end cinema cameras.  

The a6700 also features AI-based subject recognition for reliable tracking and has excellent with in-body image stabilization for smoother handheld footage. It offers unlimited recording time, digital audio through Sony’s Multi Interface Shoe, and full support for external microphones and HDMI output for professional workflows.

Sony A6600

What We Think

Though replaced by the a6700, the a6600 remains a compelling choice for photographers who prioritize still image quality and battery life over the latest video features. With in-body stabilization and exceptional battery performance, it’s particularly appealing at current discounted prices.

Reasons to Buy

• Exceptional battery life (720 shots per charge)
• 5-axis in-body stabilization works with any lens
• Weather-sealed construction for outdoor shooting
• Real-time Eye AF works during video recording
• 3.5mm headphone jack for audio monitoring
• No recording time limits for video

Reasons to Avoid

• Limited to 8-bit 4K video recording
• A tilting screen is less versatile than a fully articulating design
• Significant rolling shutter in 4K modes
• Older processor lacks AI subject recognition
• Smaller buffer than the a6500 predecessor

Specifications

• Sensor: 24.2MP APS-C Exmor CMOS
• Processor: BIONZ X
• Autofocus: 425-point phase detection with Real-time Eye AF
• Video: 4K 30p, 8-bit internal recording

• Image Stabilization: 5-axis in-body stabilization (5 stops)
• Viewfinder: 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” tilting touchscreen (922k dots)
• Battery: NP-FZ100 (720 shots, 140 min video)
• Burst Rate: 11fps continuous with AF/AE
• Dimensions: 4.7 x 2.6 x 2.7″ (120 x 67 x 69mm)
• Weight: 1.1 lb (503g) with battery
• Price: $1,198-1,398 (varies by retailer)

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Though replaced by the a6700, the a6600 remains a compelling choice for photographers who prioritize still image quality and battery life over the latest video features. With in-body stabilization, it’s particularly appealing at current discounted prices.

Sony Compact/Travel Cameras

When you need ultimate portability without sacrificing image quality, Sony’s compact cameras deliver professional features in pocket-sized packages. These cameras are perfect for travel, street photography, and situations where you need exceptional performance in the smallest possible form factor.

Sony a7C II

What We Think

My review of the a7C II called it one of the best travel cameras ever made, and the best full-frame travel camera on the market today. I used the a7C II and the higher resolution a7C R on a photo safari to Brazil, and the performance was as good as the image quality. 

The a7C II proves that good things come in small packages, combining the same 33-megapixel sensor as the a7 IV in a remarkably compact rangefinder-style body. 

Even though it has the same sensor as the a7 V, it has Sony’s most recent AI-based autofocus, and in my tests, it rarely misses a shot. There are human, animal, bird, insect, and vehicle autofocus subject recognitions. 

The a7 C II is so small that it doesn’t stand out, which is important when you’re travelling or walking around with it over your shoulder.

Reasons to Buy

• Incredibly compact design for full-frame performance
• Same excellent 33MP sensor as the a7 IV
• Outstanding AI-powered autofocus with subject recognition
• 7-axis image stabilization (best in class)
• Professional 4K 60p video with 10-bit recording
• Front control dial added for better ergonomics
• Weather-sealed magnesium alloy construction

Reasons to Avoid

• Small EVF can feel cramped for extended use
• Single SD card slot only (no CFexpress support)
• A compact grip is less comfortable with large lenses
• No built-in flash
• Premium pricing despite compact positioning

Specifications

• Sensor: 33MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Video: 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 7-axis in-body stabilization
• Viewfinder: 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (530 shots)
• Burst Rate: 10fps continuous with AF/AE
• Dimensions: 4.9 x 2.8 x 2.5″ (124 x 71 x 63mm)
• Weight: 1.1 lb (514g) with battery

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The a7C II’s remarkably compact rangefinder design makes it one of the best travel cameras available, ever. It combines full-frame image quality with a body barely larger than APS-C competitors. Its 33-megapixel sensor and professional features in an ultra-portable package make it ideal for serious travel photography. 

If you prioritize capture speed and want a sensor with better low-light performance, the a7CR, below, is a better choice. For more of our thoughts on the Sony a7C II, see the Best Sony Full-Frame All-Arounder section, above.

Sony a7CR

What We Think

I took this camera and the Sony a9 II with me to Brazil to photograph jaguars, and I ended up nearly exclusively using this camera. That’s because the resolution gave me the room to crop a photo without losing detail. The 200-600mm lens I brought was more like a 200mm-800mm lens, thanks to the ability to crop in.

The autofocus in the a7CR is better than the then-current a9 II, so I only used the a9 II when I needed its blazing burst rates.

Sony’s high-resolution compact full-frame camera packs a massive 61-megapixel sensor into the same tiny body as the a7C II. It’s the ultimate travel camera for photographers who need maximum detail and resolution while maintaining portability.

Reasons to Buy

• Massive 61MP resolution in a remarkably compact body
• Same AI-powered autofocus as flagship cameras
• 8-axis image stabilization (best in class)
• Professional video features in travel-friendly package
• Weather-sealed construction for outdoor adventures
• Excellent dynamic range for challenging lighting

Reasons to Avoid

• Premium pricing for a high-resolution sensor
• Large 61MP files require significant storage and processing power
• A single SD card slot may limit professional workflows
• The small EVF and grip are less comfortable for extended use
• Reduced burst rate compared to lower-resolution models

Specifications

• Sensor: 61MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Video: 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 8-axis in-body stabilization
• Viewfinder: 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (490 shots)
• Burst Rate: 8fps continuous with AF/AE
• Dimensions: 4.9 x 2.8 x 2.5″ (124 x 71 x 63mm)
• Weight: 1.1 lb (515g) with battery

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I took this camera and the Sony a9 II with me to Brazil to photograph jaguars, and I ended up nearly exclusively using this camera. That’s because the resolution gave me the room to crop a photo without losing detail. The 200-600mm lens I brought was more like a 200mm-800mm lens, thanks to the ability to crop in. 

The autofocus in the a7CR is better than the then-current a9 II because this model has the AI-based subject tracking of newer models, so I only used the a9 II when I needed its blazing burst rates. 

Sony’s high-resolution compact full-frame camera packs a massive 61-megapixel sensor into the same tiny body as the a7C II. It’s the ultimate travel camera for photographers who need maximum detail and resolution while maintaining portability.

If you prioritize capture speed, and want a sensor with better low-light performance, the a7C II is a better choice. 

Sony RX100 VII

What We Think

My favorite truly compact camera of all time, the RX100 VII, looks like a point-and-shoot, but it has every feature you would want in a pocketable travel camera. The image quality is good enough to capture anything from portraits to a kid’s soccer game. 

It crams a 1-inch sensor and 24-200mm equivalent zoom lens into a body smaller (at least width and length) than many smartphones, and the image quality is better than a smartphone to boot. 

Reasons to Buy

• Incredible 24-200mm zoom range in a tiny package
• 1-inch sensor delivers excellent image quality
• Lightning-fast 0.02-second autofocus
• Real-time Eye AF and tracking for humans and animals
• Pop-up EVF provides precise framing in bright light
• Professional features like 4K video and RAW capture
• 20fps blackout-free shooting

Reasons to Avoid

• Premium pricing for a compact camera
• SA smallgrip can be difficult for larger hands
• Battery life is limited with the tiny NP-BX1 battery
• No built-in flash (pop-up removed for EVF)
• A complex menu system requires a learning curve
• Corner softness at the telephoto end

Specifications

• Sensor: 20.1MP 1” stacked Exmor RS CMOS
• Processor: BIONZ X with front-end LSI
• Lens: 24-200mm f/2.8-4.5 ZEISS Vario-Sonnar T*
• Autofocus: 357 phase-detection + 425 contrast-detection points

• Video: 4K 30p, Full HD 120p for slow motion
• Viewfinder: Pop-up 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” tilting touchscreen (921k dots)
• Burst Rate: 20fps continuous, 90fps single burst
• Image Stabilization: 4-stop Optical SteadyShot
• Dimensions: 4.0 x 2.3 x 1.7″ (102 x 58 x 43mm)
• Weight: 0.67 lb (302g) with battery

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My favorite truly compact camera of all time, the RX100 VII, looks like a point-and-shoot, but it has every feature you would want in a pocketable travel camera. The image quality is good enough to capture anything from portraits to a kid’s soccer game. 

It crams a 1-inch sensor and 24-200mm equivalent zoom lens into a body smaller (at least width and length) than many smartphones, and the image quality is better than a smartphone to boot. 

Because Sony’s newest all-in-one bodies are so video-centric, this might be the last true all-around compact body from Sony. Luckily it’s still in production, so it will be available for size-concious shooters for years to come. 

Sony ZV-1 II

Reasons to Buy

• High Quality Sony video.
• Compact and lightweight.
• Reliable Autofocusing abilities.
• Fully articulating screen.
• Solid built-in stereo microphone and a port for an external microphone.

Reasons to Avoid

• No Image Stabilization (IBIS).
• Lack of an Electronic Viewfinder.
• Limited manual controls and buttons.
• No headphone jack to monitor audio levels.

Specifications

• Sensor: 20.1MP 1″, Type Exmor RS BSI CMOS Sensor.
• Lens: ZEISS Vario-Sonnar T* 18-50mm (35mm Equivalent) f/1.8-4 Lens.
• Video: 4K/30p, Full HD (1080p)/120p.
• Codecs: XAVC S (H.264).

• Features: Cinematic Vlog setting, Product Showcase mode, Background Defocus, Soft Skin Effect, Multi-Face Recognition.
• Audio: Built-in 3-capsule directional microphone with windscreen, 3.5 mm external mic input.
• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC/Memory Stick Duo Hybrid card slot.

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The ZV-1 II brings vlogging-focused features to the travel camera market with its ultra-wide 18-50mm lens and content creator optimizations. While designed for video, it’s also an excellent compact camera for casual photography and travel documentation. If you’re looking to prioritize video over still, this is the camera. If you are a photo-first shooter, the RX100 VI is the same body size, but more tailored to stills.

The ZV-1 II dropped the In-Body Image Stabilization found on the ZV-1, a real shame in my opinion as handheld vlogging really needs good stabilization to make good footage. There is digital image stabilization, which is good but crops the footage. 

But it’s a perfect APS-C camera for the creator mostly doing studio work with occasional walk-and-talk shooting. 

The ZV-1, whic is still on the market, has IBIS, so might be a better choice if you’re giong to do mostly selfie-style videos.

Sony Vlogging and Social Media Creator Cameras

Content creators need cameras that prioritize video quality, ease of use, and creator-friendly features. Sony’s ZV series was explicitly designed for vloggers and content creators, offering flip-out screens, directional microphones, and streamlined controls that make solo shooting effortless.

Sony ZV-E10 II

What We Think

The ZV-E10 II transforms Sony’s vlogging expertise into an exceptional entry-level camera that excels at both content creation and traditional photography. With the same 26-megapixel sensor found in Sony’s premium a6700, this camera delivers far more performance than its price suggests, making it our top budget pick.

I typically recommend this to YouTube and social media creators, but it’s also a great entry-level camera for photographers and videographers. The ergonomics are definitely aimed at video, so this one is best for someone shooting more video than stills. 

Because of the high-end video features, this one isn’t exactly “budge,t” but it’s a tremendous entry point for someone looking for a well-priced YouTube studio camera. 

Reasons to Buy

• Same advanced sensor as the $1,400 a6700
• Excellent 4K video quality with 10-bit recording
• Outstanding battery life with NP-FZ100
• Built-in directional microphone and vlogging features
• Compact, lightweight design perfect for travel

Reasons to Avoid

• No electronic viewfinder limits bright daylight use
• No in-body image stabilization
• Can overheat during extended 4K recording
• An electronic-only shutter causes rolling shutter issues

Specifications

• Sensor: 26MP APS-C Exmor R BSI CMOS
• Processor: BIONZ XR
• Autofocus: 759-point phase detection with Real-time Eye AF
• Video: 4K 60p, 10-bit internal recording

• Viewfinder: None (LCD only)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (610 shots, 195 min video)
• Dimensions: 4.76 x 2.68 x 2.13″ (121 x 68 x 54mm)
• Weight: 0.83 lb (377g) with battery

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This is a camera I often recommend for the new YouTube or social media creator. The significant upgrades over the original model include 4K/60p recording with 10-bit color depth, a larger battery that provides much longer shooting time  and advanced subject tracking that rivals much more expensive cameras. 

The camera delivers professional video quality that competes with dedicated cinema cameras, while the comprehensive creator features like LUT support and S-Cinetone make post-production effortless.

If those terms aren’t familar to you, it just means the video features on this camera come right from Sony’s dedicated Cinema-style cameras. This is an APS-C vido powerhouse that’s perfect for the beginner YouTube or social media creator.

Sony ZV-E1

What We Think

Sony’s full-frame entry into the vlogging market combines exceptional low-light performance with AI-powered features explicitly designed for solo creators. Until this camera came out, the ZV-E10 II was my pick for best video camera, and it still is for someone who wants the benefits of the APS-C sensor. But this has replaced that in my top pick for vlogging and social media creators. 

The ZV-E1 brings cinema-quality video capabilities in a surprisingly compact full-frame body. The full-frame sensor delivers exceptional low-light performance that excels in indoor and nighttime scenarios.

The ZV-E1 has creator tools that most of Sony’s full-frame cameras don’t have. The AI Auto Framing feature automatically crops and tracks subjects. There’s also a product showcase mode and, if you’re feeling a bit wrinkly, a soft portrait mode. 

The camera records professional 4K 120p video with 10-bit color depth for maximum post-production flexibility, and the Cinematic Vlog Setting provides cinema-quality color grading with minimal effort required. The 5-axis in-body stabilization produces smooth handheld footage without external gimbals, which is excellent for your video, though the premium pricing places it well above typical vlogging camera budgets.

Reasons to Buy

• The full-frame sensor provides exceptional low-light performance that outclasses all APS-C alternatives
• The AI Auto Framing automatically tracks and crops subjects, maintaining perfect composition
• The professional 4K 120p recording with 10-bit color rivals dedicated cinema cameras

Reasons to Avoid

• The premium pricing exceeds most content creators ‘ budgets at over $2,000
• The lack of a viewfinder severely limits usability in bright outdoor conditions
• The 12MP resolution restricts cropping flexibility and detailed still photography

Specifications

• Sensor: 12.1MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Image Stabilization: 5-axis in-body stabilization (5 stops)

• Viewfinder: None
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (400 shots, 95 min video)
• Features: AI Auto Framing, Cinematic Vlog Setting, S-Cinetone
• Dimensions: 4.8 x 2.8 x 2.1″ (121 x 71 x 54mm)
• Weight: 1.0 lb (483g) with battery

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Sony’s full-frame entry into the full-frame interchangeable lens vlogging market (the ZV-1 was their first vlog-style camera) combines exceptional low-light performance with AI-powered features designed for solo creators. Until this camera came out, the ZV-E10 II was my pick for best video camera, and it still is for someone who wants the benefits of the APS-C sensor. But this has replaced that in my top pick for vlogging and social media creators. 

The ZV-E1 brings cinema-quality video capabilities in a surprisingly compact full-frame body. The full-frame sensor delivers exceptional low-light performance that excels in indoor and nighttime scenarios.

The ZV-E1 has creator tools that most of Sony’s full-frame cameras don’t have. The AI Auto Framing feature automatically crops and tracks subjects. There’s also a product showcase mode and, if you’re feeling a bit wrinkly, a soft portrait mode. 

The camera records professional 4K 120p video with 10-bit color depth for maximum post-production flexibility, and the Cinematic Vlog Setting provides cinema-quality color grading with minimal effort required. The 5-axis in-body stabilization produces smooth handheld footage without external gimbals, which is excellent for your video, though the premium pricing places it well above typical vlogging camera budgets.

Sony a6700

Reasons to Buy

• Class-leading auto-focusing abilities.
• Excellent video capabilities.
• 5-axis in-body image stabilization (IBIS)
• Good Image Quality.

Reasons to Avoid

• The menu system can be a little counterintuitive.
• Significant crop at 4K/120p slow-motion mode.
• Single SD card slot.
• A rolling shutter might be visible when panning quickly.

Specifications

• Sensor: 26.0MP APS-C Exmor R BSI CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), 4K/120p (with 1.58x crop), Full HD (1080p)/240p.
• Codecs: XAVC S, XAVC HS (H.265/HEVC, H.264/MPEG-4), supports S-Log3, S-Cinetone, HLG.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: BIONZ XR Processor & AI Processing Unit, 5-Axis In-Body Image Stabilization (IBIS), AI-powered subject recognition AF, vari-angle touchscreen.

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While not specifically designed for vlogging, the a6700’s combination of professional video features, compact size, and excellent autofocus makes it a goog choice for creators who want traditional camera controls and advanced video capabilities. 

It’s a 4K 120p recording, and AI subject recognition provides professional-grade features in an APS-C body.

For more of our specs and thoughts about the a6700, see the Best All-Arounder, above.

Sony High-Resolution Cameras

For photographers who need maximum detail and resolution, Sony’s R-series cameras deliver exceptional image quality with sensors ranging from 42 to 61 megapixels. These cameras excel at landscape photography, architectural work, commercial shooting, and any application where fine detail and heavy cropping capability are essential.

Sony A7R V

What We Think

This is the camera I use for my YouTube video studio work, and I use it to test most of the Sony-format lenses we review.

The a7R V has the best of Sony’s high-resolution technology, combining a 61-megapixel sensor with AI subject detection. The camera delivers exceptional image quality with improved noise performance over its predecessor, while the dedicated AI processing unit provides subject recognition that rivals Sony’s flagship sports cameras. I took this camera to shoot wildlife before the a9 III was launched, since the a7R V had better subject detection.

The enhanced 8-axis in-body stabilization system (most of Sony’s cameras have five stops of stabilization) compensates for the challenges of shooting with such high resolution. The camera also offers comprehensive video capabilities, including 8K recording and 4K oversampling, making it surprisingly versatile for my hybrid work despite its resolution focus.

Reasons to Buy

• The massive 61MP resolution provides unmatched detail and cropping flexibility for demanding applications
• The AI-powered subject recognition delivers flagship-level autofocus performance for wildlife and sports
• The 8-axis stabilization system is the most advanced available, crucial for handheld high-resolution work

Reasons to Avoid

• The enormous file sizes require substantial storage space and powerful processing hardware
• The premium pricing exceeds $3,500, making it accessible only to serious professionals
• The battery life decreases significantly when using full resolution with all stabilization features active

Specifications

• Sensor: 61MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 693-point phase detection with AI subject recognition
• Video: 8K 24p, 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 8-axis in-body stabilization (8 stops)
• Viewfinder: 0.90” OLED EVF (9.44M dots, 120fps)
• LCD: 3.2” 4-axis multi-angle touchscreen (2.10M dots)
• Battery: NP-FZ100 (530 shots)
• Burst Rate: 10fps continuous with AF/AE
• Dynamic Range: ~15 stops
• Dimensions: 5.2 x 3.9 x 3.2″ (131 x 97 x 82mm)
• Weight: 1.6 lb (723g) with battery

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This is the camera I use for my YouTube video studio work, and I use it to test most of the Sony-format lenses we review.

The a7R V has the best of Sony’s high-resolution technology, combining a 61-megapixel sensor with AI subject detection. The camera delivers exceptional image quality with improved noise performance over its predecessor, while the dedicated AI processing unit provides subject recognition that rivals Sony’s flagship sports cameras. I took this camera to shoot wildlife before the a9 III was launched, since the a7R V had better subject detection.

The enhanced 8-axis in-body stabilization system (most of Sony’s cameras have five stops of stabilization) compensates for the challenges of shooting with such high resolution. The camera also offers comprehensive video capabilities, including 8K recording and 4K oversampling, making it surprisingly versatile for my hybrid work despite its resolution focus.

Sony a7CR

What We Think

I took this camera and the Sony a9 II with me to Brazil to photograph jaguars, and I ended up nearly exclusively using this camera. That’s because the resolution gave me the room to crop a photo without losing detail. The 200-600mm lens I brought was more like a 200mm-800mm lens, thanks to the ability to crop in.

The autofocus in the a7CR is better than the then-current a9 II, so I only used the a9 II when I needed its blazing burst rates.

Sony’s high-resolution compact full-frame camera packs a massive 61-megapixel sensor into the same tiny body as the a7C II. It’s the ultimate travel camera for photographers who need maximum detail and resolution while maintaining portability.

Reasons to Buy

• Massive 61MP resolution in a remarkably compact body
• Same AI-powered autofocus as flagship cameras
• 8-axis image stabilization (best in class)
• Professional video features in travel-friendly package
• Weather-sealed construction for outdoor adventures
• Excellent dynamic range for challenging lighting

Reasons to Avoid

• Premium pricing for a high-resolution sensor
• Large 61MP files require significant storage and processing power
• A single SD card slot may limit professional workflows
• The small EVF and grip are less comfortable for extended use
• Reduced burst rate compared to lower-resolution models

Specifications

• Sensor: 61MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Video: 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 8-axis in-body stabilization
• Viewfinder: 0.39” OLED EVF (2.36M dots)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (490 shots)
• Burst Rate: 8fps continuous with AF/AE
• Dimensions: 4.9 x 2.8 x 2.5″ (124 x 71 x 63mm)
• Weight: 1.1 lb (515g) with battery

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Sony’s high-resolution compact full-frame camera packs the same massive 61-megapixel sensor as the a7R V into the remarkably compact a7C body design. The a7CR proves that maximum resolution doesn’t require maximum size. 

It’s the ultimate travel camera for photographers who need exceptional detail in an ultra-portable package. The seven stops of image stabilization and AI-powered autofocus provide the same performance as the larger a7R V. At the same time, the compact rangefinder design makes it far more practical for extended handheld shooting and travel photography.

For our thoughts about the a7CR, see the Best Sony Compact/Travel Camera section, above.

Sony A7R IV

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The a7R IV marked Sony’s first leap to 61-megapixel resolution and remains an excellent high-resolution option at increasingly attractive used prices. While lacking the AI processing and advanced stabilization of newer models, it delivers the same core 61MP image quality that made it a professional favorite for several years.

If you’re a photographer looking for the highest resolution in Sony’s ecosystem, but doesn’t need the ultra-accurate AI-based subject tracking the a7R IV may be the perfect camera. In a portrait studio or out shooting landscapes, the AF is more than powerful enough to tackle your work. 

This is one of the few cameras of a prior-generation I think is still a good choice for the target user, since it packs most of the features of the a7R V into a body that’s usually around $1000 cheaper than the a7R V. 

Sony Video Cameras

Hybrid shooters need cameras that excel equally at both stills and video without compromise. Sony’s full-frame cameras lead the industry in hybrid capability, offering professional video features alongside exceptional still image quality, making them the go-to choice for content creators who refuse to choose between photography and videography excellence.

Sony A7S III

Bottom Line

Sony’s low-light video specialist brings exceptional sensitivity and professional video features in a camera that also delivers excellent still image performance despite its modest 12-megapixel resolution.  When the a7S III arrived, it had the most cutting-edge video features of any Sony camera. Many of the features of this camera are found in Sony’s more recent hybrid cameras, but the a7S III stands out for its low-light performance.  Since the a7S III excels in challenging lighting conditions where other cameras struggle, it is invaluable for event photography, wedding receptions, and video work in available light situations.  The full-frame sensor provides outstanding… Read more

What We Think

Sony’s low-light video specialist brings exceptional sensitivity and professional video features in a camera that also delivers excellent still image performance despite its modest 12-megapixel resolution. 

When the a7S III arrived, it had the most cutting-edge video features of any Sony camera. Many of the features of this camera are found in Sony’s more recent hybrid cameras, but the a7S III stands out for its low-light performance. 

The low-light performance is good enough that in XXXX I used the a7S III to photograph the comet XXXX while handholding the camera. That’s a spectacular level of performance. 

 

Since the a7S III excels in challenging lighting conditions where other cameras struggle, it is invaluable for event photography, wedding receptions, and video work in available light situations. The full-frame sensor provides outstanding low-light performance up to ISO 25,600 and beyond, while the advanced video features include 4K 120p recording and comprehensive professional controls. The 12-megapixel resolution may seem limiting, but it delivers exceptional image quality with large individual pixels that capture incredible detail and dynamic range, making it surprisingly capable for still photography when ultimate resolution isn’t required.

Reasons to Buy

• The exceptionally low-light performance allows shooting in conditions impossible for other cameras
• The professional 4K 120p video recording with 10-bit color rivals dedicated cinema cameras
• The large individual pixels deliver outstanding dynamic range and image quality despite lower resolution

Reasons to Avoid

• The 12MP resolution limits cropping flexibility and detailed enlargement capabilities.
• The premium pricing reflects its specialized low-light and video focus
• The advanced video features may be overwhelming for photographers focused primarily on stills

Specifications

• Sensor: 12.1MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR
• Autofocus: 759-point phase detection with Real-time Eye AF
• Video: 4K 120p, 10-bit 4:2:2 internal recording

• Image Stabilization: 5-axis in-body stabilization (5.5 stops)
• Viewfinder: 0.78” OLED EVF (9.44M dots, 120fps)
• LCD: 3.0” fully articulating touchscreen (1.44M dots)
• Battery: NP-FZ100 (600 shots, 95 min video)
• Burst Rate: 10fps continuous with AF/AE
• ISO Range: 80-102,400 (expandable to 40-409,600)
• Dimensions: 5.0 x 3.8 x 3.0″ (129 x 97 x 78mm)
• Weight: 1.4 lb (699g) with battery

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Sony A7 IV (Old listing)

What We Think

It feels strange to me how long the a7 IV has been Sony’s entry-level full-frame camera. But if it works, don’t mess with it, right? Many Sony fans are hoping for an a7 V, but I think this camera is here to stay. Even if an a7 V comes out, the a7 IV will still be an affordable workhorse. 

The a7 IV stands as Sony’s most accomplished hybrid camera, combining a high-resolution 33-megapixel sensor with professional video capabilities.

Reasons to Buy

• Outstanding 33MP resolution, perfect for detailed work and cropping
• Excellent 4K 60p video with professional 10-bit recording
• Best Sony-in-class autofocus with Real-time Eye AF for humans, animals, and birds
• Superb low-light performance up to ISO 12,800
• Fully articulating screen ideal for video work
• Weather-sealed magnesium alloy construction
• Dual memory card slots (CFexpress Type A + SD)

Reasons to Avoid

• Premium pricing puts it near professional camera territory
• 10fps burst rate limited to lossy compression for full performance
• Rolling shutter effects in silent mode with moving subjects
• Large file sizes with 33MP resolution eat storage quickly

Specifications

• Sensor: 33MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR
• Autofocus: 759-point phase detection with Real-time Eye AF
• Video: 4K 60p, 10-bit 4:2:2 internal recording

• Image Stabilization: 5.5-axis in-body stabilization
• Viewfinder: 0.78” OLED EVF (3.68M dots, 120fps)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (580 shots)
• Burst Rate: 10fps continuous with AF/AE
• Dynamic Range: ~15 stops
• Dimensions: 5.2 x 3.8 x 3.1″ (131 x 96 x 80mm)
• Weigh: 1.4 lb (658g) with battery

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The a7 IV stands as Sony’s most accomplished hybrid camera, combining a high-resolution 33-megapixel sensor with professional video capabilities. This camera is getting older, but it is still the best “do everything” camera Sony makes. 

It’s a perfect pick for someone looking to do a studio setup. It captures 4K 60p video recording with 10-bit color depth that’s easy to color grade. 

The fully articulating touchscreen and comprehensive video features make it equally comfortable for photography sessions and video productions. At the same time, the outstanding autofocus system ensures sharp results whether shooting moving subjects or tracking focus during video recording.

See full details and specs in the Best Sony Full-Frame All-Rounder section.

Sony FX2

What We Think

Sony’s newest cinema camera combines the 33-megapixel sensor from the a7 IV with dedicated video features and an innovative tilting EVF design. 

The FX2 clearly represents Sony’s vision for hybrid filmmaking, offering genuine dual-mode operation with a dedicated switch between video and still photography modes. I wouldn’t recommend this to a photos-first creator, but for someone shooting video with the need for high-quality product shots or b-roll images, it’s a great choice. 

The camera delivers exceptional 4K video quality through 7K oversampling in full-frame mode, while the dual base ISO of 800/4000 provides excellent low-light performance in S-Log3. The built-in tilting EVF and deeper grip make it more ergonomic than previous FX models, while the AI-powered autofocus with real-time subject recognition is the same in Sony’s flagship cameras. The FX2 excels at extended recording sessions with enhanced cooling and can capture high-quality 33-megapixel stills when needed, making it a true hybrid tool for professional creators.

Reasons to Buy

• The 33MP sensor delivers exceptional 4K video quality through 7K oversampling while providing high-resolution stills capability
• The innovative tilting EVF and cinema-focused ergonomics improve usability for professional video work
• The genuine dual-mode operation with dedicated photo/video switch makes it a true hybrid camera

Reasons to Avoid

• The 4K 60p recording is limited to Super 35 crop mode, reducing full-frame advantages.
• The rolling shutter performance lags behind competitors for fast-moving subjects.s
• The premium pricing approaches dedicated cinema camera territory while lacking some professional features.

Specifications

• Sensor: 33MP full-frame Exmor R BSI CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: AI-powered Real-time Recognition AF
• Video: 4K 60p (Super 35 crop), 4K 30p (full-frame), 10-bit 4:2:2 internal

• Image Stabilization: Active Mode and Dynamic Active Mode
• Viewfinder: 3.68M-dot OLED EVF (tilting 0-90°)
• LCD: 3.0” touchscreen
• Battery: NP-FZ100 (150 min video recording)
• Features: S-Cinetone, 16 user LUTs, dual base ISO 800/4000
• Dimensions: 5.1 x 2.9 x 3.3″ (129 x 73 x 84mm)
• Weight: 1.3 lb (594g) with battery

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Sony’s newest hybrid-style cinema camera combines the 33-megapixel sensor from the a7 IV with dedicated video features and an innovative tilting EVF design. 

The FX2 clearly represents Sony’s vision for hybrid filmmaking. I wouldn’t recommend this to a photos-first creator, but for someone shooting video with the need for high-quality product shots or b-roll images, it’s a great choice. 

The camera delivers exceptional 4K video quality through 7K oversampling in full-frame mode. That oversampling means the 4K footage comes form a much-higher-resolution sensor, and when scaled down to 4K in camera, the result is better looking than a camera that captures natively in 4K. 

The built-in tilting EVF and deeper grip make it more ergonomic than previous FX models, while the AI-powered autofocus with real-time subject recognition is the same in Sony’s flagship cameras. The FX2 excels at extended recording sessions with enhanced cooling and can capture high-quality 33-megapixel stills when needed, making it a true hybrid tool for professional creators.

As part of Sony’s FX lineup, this camera has every video feature you could need, and footage is identical to that captured on the more expensive FX cameras.

Sony’s cinema-focused APS-C camera brings professional video features to a more affordable price point while maintaining excellent still image capability. The FX30 offers many of the same video features as full-frame cinema cameras but in a more compact and budget-friendly APS-C package, making professional video production accessible to more creators.

This is essentially the FX-3 (above) scaled down to a smaller APS-C form. This is an absolutely ideal camera for video creators, especially studio shooters or wedding and event producers. It has excellent image quality, great In-Body Image Stabilization, and customizable buttons all over the body, which allows for detailed customizability.

Sony Sports & Wildlife Cameras

Sports and wildlife photographers need cameras that combine blazing-fast burst rates, exceptional autofocus tracking, and professional build quality to capture fleeting moments.

Sony’s flagship cameras lead the industry in speed and subject detection, making them the top choice for photographers who demand split-second timing and reliability in challenging shooting conditions.

Sony A9 III

Bottom Line

The Sony a9 III is the world’s first global shutter full-frame camera. A global shutter eliminates rolling shutter distortion while delivering unprecedented flash sync speeds and 120fps burst capabilities.  I’ve shot extensively with the a9 III, and it’s a game-changing experience. AF is crazily good, and the image quality is superb. If you’re primarily a sports, fast-moving wildlife, or aviation photographer, this is the body for you.  The A9 III represents a fundamental breakthrough in camera technology, allowing photographers to use flash at any shutter speed and capture action with zero distortion. The 24.6-megapixel sensor isn’t the highest resolution on… Read more

What We Think

The Sony a9 III is the world’s first global shutter full-frame camera. A global shutter eliminates rolling shutter distortion while delivering unprecedented flash sync speeds and 120fps burst capabilities. 

I’ve shot extensively with the a9 III, and it’s a game-changing experience. AF is crazily good, and the image quality is superb. If you’re primarily a sports, fast-moving wildlife, or aviation photographer, this is the body for you. 

The A9 III represents a fundamental breakthrough in camera technology, allowing photographers to use flash at any shutter speed and capture action with zero distortion. The 24.6-megapixel sensor isn’t the highest resolution on the market, but that makes it a superb camera for low light, something encountered by a lot of wildlife photographers.

Reasons to Buy

• The global shutter technology eliminates rolling shutter distortion completely during fast action
• The unlimited flash sync speed capability opens new creative possibilities for mixed lighting scenarios
• The incredible 120fps burst rate captures moments impossible with traditional cameras

Reasons to Avoid

• The 24MP resolution limits cropping flexibility compared to higher-resolution alternatives
• The premium pricing matches the A1 II while offering lower resolution for specialized advantages.
• The shorter battery life requires careful power management during extended shooting sessions

Specifications

• Sensor: 24.6MP full-frame global shutter Exmor RS CMOS
• Processor: BIONZ XR with dedicated AI processing unit
• Autofocus: 759-point phase detection with AI subject recognition
• Video: 4K 120p, 10-bit 4:2:2 internal recording

• Image Stabilization: 8-axis in-body stabilization (8 stops)
• Viewfinder: 0.90” OLED EVF (9.44M dots, 240fps)
• LCD: 3.2” 4-axis multi-angle touchscreen (2.10M dots)
• Battery: NP-FZ100 (400 shots)
• Burst Rate: 120fps continuous with AF/AE (blackout-free)
• Flash Sync: Any shutter speed (global shutter advantage)
• Dimensions: 5.4 x 3.8 x 3.2″ (136 x 97 x 83mm)
• Weight: 1.6 lb (759g) with battery

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The Sony a9 III is the world’s first global shutter full-frame camera. A global shutter eliminates rolling shutter distortion while delivering unprecedented flash sync speeds and 120fps burst capabilities. 

I’ve shot extensively with the a9 III, and it’s a game-changing experience. AF is crazily good, and the image quality is superb. If you’re primarily a sports, fast-moving wildlife, or aviation photographer, this is the body for you. 

The A9 III represents a fundamental breakthrough in camera technology, allowing photographers to use flash at any shutter speed and capture action with zero distortion. The 24.6-megapixel sensor isn’t the highest resolution on the market, but that makes it a superb camera for low light, something encountered by a lot of wildlife photographers.

Sony A9 II

What We Think

The A9 II is Sony’s professional workhorse built for pure speed, durability, and reliable autofocus. It retains the stacked full-frame sensor of the original A9 but upgrades its processor, shutter, connectivity, and workflow tools to meet pro demands. Burst shooting, refined body design, and faster transfer options make it ideal for fast action and environments where timing and consistency matter most. If you’re shooting sports, wildlife, or events, the A9 II gives you what you need reliably—even if it doesn’t chase every newer video gimmick.

Reasons to Buy

• Excellent speed: 20 fps electronic + 10 fps mechanical with full AF/AE tracking keeps up in fast action scenarios.
• Superb autofocus system: 693 PD points + updated algorithms + Eye-AF/Real-time Tracking.
• Improved ergonomics, durability, and shutter design: better sealing, refined grip, more durable shutter mechanism ($\sim$500K actuations).
• Strong connectivity and pro workflow features: gigabit Ethernet, fast Wi-Fi, voice memo/tagging, dual UHS-II cards.
• Effective IBIS ($\approx$5.5 stops) helps with handheld shooting, especially useful with telephoto lenses.

Reasons to Avoid

• Moderate video capabilities: 4K only up to 30 fps; lacks cutting-edge video features like high frame rates, advanced log profiles.
• Relatively heavy and large compared to travel/hybrid Sony models; less ideal for lightweight or stealth shooting.
• Fixed buffer limits in RAW during very high burst sequences; storage demands are high given large files.
• No 8K video support; newer models may offer more future-proof video specs. (Note: depending on marketplace or firmware)
• Interface/menu system still dated compared to newer Sony cameras with more intuitive UX or AI features.

Specifications

• Sensor: 24.2 MP full-frame Exmor RS CMOS stacked sensor
• Processor: Upgraded BIONZ X + front-end LSI chip
• Autofocus / AF Points: 693-point phase-detect + 425 contrast-detect; Real-time Eye AF, Real-time tracking
• Burst Shooting: 20 fps (electronic shutter), 10 fps (mechanical shutter) with AF/AE tracking

• In-Body Stabilization: 5-axis IBIS, about 5.5 stops effective compensation
• Video: 4K up to 30 fps; Full HD up to 120 fps
• Viewfinder / Screen: $\sim$3.69-3.76M-dot OLED EVF; 3.0-inch tilting touchscreen LCD ($\sim$1.44-1.44M dots)
• Media Slots: Dual UHS-II SD card slots
• Connectivity: Gigabit Ethernet (1000BASE-T), 5 GHz WiFi, USB-C (USB 3.2 Gen 1), voice memos / FTP transfer capabilities

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If you have an unlimited budget, I can’t think of a better choice for you. The A1 II stands as Sony’s most advanced camera, combining a 50-megapixel sensor with 30fps burst shooting and cutting-edge AI-powered autofocus that can track subjects with fantastic accuracy. 

The low-light performance isn’t as good as the a9 III, and it does occasionally suffer from rolling shutter, but the mechanical shutter eliminates rolling shutter issues. 

The camera delivers professional-grade performance across every metric, from the lightning-fast subject detection that locks onto eyes even when partially obscured, to the 30 frames-per-second burst capabilities that capture 30 full-resolution RAW files without EVF blackout. 

The enhanced in-body stabilization rated at 8.5 stops helps manage telephoto lenses essential for wildlife work, while the professional build quality and dual card slots ensure reliability during critical shoots. The AI processing unit provides subject recognition for humans, animals, birds, vehicles, and insects, making it equally capable whether shooting Olympic sprinters or a moose on the loose.

Sony A9 II

What We Think

The A9 II is Sony’s professional workhorse built for pure speed, durability, and reliable autofocus. It retains the stacked full-frame sensor of the original A9 but upgrades its processor, shutter, connectivity, and workflow tools to meet pro demands. Burst shooting, refined body design, and faster transfer options make it ideal for fast action and environments where timing and consistency matter most. If you’re shooting sports, wildlife, or events, the A9 II gives you what you need reliably—even if it doesn’t chase every newer video gimmick.

Reasons to Buy

• Excellent speed: 20 fps electronic + 10 fps mechanical with full AF/AE tracking keeps up in fast action scenarios.
• Superb autofocus system: 693 PD points + updated algorithms + Eye-AF/Real-time Tracking.
• Improved ergonomics, durability, and shutter design: better sealing, refined grip, more durable shutter mechanism ($\sim$500K actuations).
• Strong connectivity and pro workflow features: gigabit Ethernet, fast Wi-Fi, voice memo/tagging, dual UHS-II cards.
• Effective IBIS ($\approx$5.5 stops) helps with handheld shooting, especially useful with telephoto lenses.

Reasons to Avoid

• Moderate video capabilities: 4K only up to 30 fps; lacks cutting-edge video features like high frame rates, advanced log profiles.
• Relatively heavy and large compared to travel/hybrid Sony models; less ideal for lightweight or stealth shooting.
• Fixed buffer limits in RAW during very high burst sequences; storage demands are high given large files.
• No 8K video support; newer models may offer more future-proof video specs. (Note: depending on marketplace or firmware)
• Interface/menu system still dated compared to newer Sony cameras with more intuitive UX or AI features.

Specifications

• Sensor: 24.2 MP full-frame Exmor RS CMOS stacked sensor
• Processor: Upgraded BIONZ X + front-end LSI chip
• Autofocus / AF Points: 693-point phase-detect + 425 contrast-detect; Real-time Eye AF, Real-time tracking
• Burst Shooting: 20 fps (electronic shutter), 10 fps (mechanical shutter) with AF/AE tracking

• In-Body Stabilization: 5-axis IBIS, about 5.5 stops effective compensation
• Video: 4K up to 30 fps; Full HD up to 120 fps
• Viewfinder / Screen: $\sim$3.69-3.76M-dot OLED EVF; 3.0-inch tilting touchscreen LCD ($\sim$1.44-1.44M dots)
• Media Slots: Dual UHS-II SD card slots
• Connectivity: Gigabit Ethernet (1000BASE-T), 5 GHz WiFi, USB-C (USB 3.2 Gen 1), voice memos / FTP transfer capabilities

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The A9 II remains an excellent budget alternative to the flagship A9 III, offering many of the same core advantages at a significantly lower price point. While lacking the revolutionary global shutter technology, the A9 II delivers exceptional performance with its high-speed sensor readout that minimizes rolling shutter effects and enables 20fps blackout-free shooting. 

The autofocus system was outstanding for its time, with reliable subject tracking, though it lacks the AI-powered subject recognition found in current models. The A9 II provides flagship-level speed and performance at a much more accessible price.

Best Sony Budget Cameras

Sony’s entry-level cameras prove you don’t need to spend thousands to get professional-quality images and video. These models combine Sony’s renowned autofocus technology with user-friendly features, making them perfect for beginners who want room to grow.

Sony A7 III

What We Think

A flagship-grade AF in a camera you can actually afford

Despite being succeeded by the a7 IV, the a7 III remains one of the best camera values available. I’d say it offers about 70 percent of Sony’s modern camera performance at significantly lower cost. Its combination of excellent image quality, outstanding autofocus, and legendary battery life makes it perfect for budget-conscious professionals and enthusiasts.

The autofocus in the a7 III feels particularly old when I use it compared to the current crop of cameras. However, it is still an excellent value in portrait, landscape, or astrophotography cameras. If you’re looking to dip your toes in the Sony waters, this is my pick for the best place to start.

Reasons to Buy

• Exceptional value for full-frame performance
• Outstanding autofocus system with 693 phase-detection points
• Incredible battery life (710 shots per charge)
• Excellent low-light performance up to ISO 12,800
• 4K video oversampled from 6K for sharp footage
• Proven reliability after years in the field
• Strong ecosystem of affordable lenses

Reasons to Avoid

• Limited to 8-bit 4K video recording at 30fps maximum
• Tilting LCD are less versatile than fully articulating screens
• The menu system feels dated compared to newer models
• Lower resolution sensor limits heavy cropping flexibility

Specifications

• Sensor: 24.2MP full-frame Exmor R BSI CMOS
• Processor: BIONZ X
• Autofocus: 693-point phase detection with Eye AF
• Video: 4K 30p oversampled from 6K, 8-bit internal

• Image Stabilization: 5-axis in-body stabilization
• Viewfinder: 0.78” OLED EVF (2.36M dots)
• LCD: 3.0” tilting LCD (922k dots)
• Battery: NP-FZ100 (710 shots)
• Burst Rate: 10fps continuous with AF/AE
• Dynamic Range: ~15 stops
• Dimensions: 5.0 x 3.8 x 2.9″ (127 x 96 x 74mm)
• Weight: 1.4 lb (650g) with battery

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Despite being succeeded by the a7 IV, the a7 III remains one of the best camera values available. I’d say it offers about 70 percent of Sony’s modern camera performance at significantly lower cost. Its combination of excellent image quality, outstanding autofocus, and legendary battery life makes it perfect for budget-conscious professionals and enthusiasts.

The autofocus in the a7 III feels particularly old when I use it compared to the current crop of cameras. However, it is still an excellent value in portrait, landscape, or astrophotography cameras. If you’re looking to dip your toes in the Sony waters, this is my pick for the best place to start.

Sony A6000

What We Think

When someone asks me about Sony’s APS-C cameras, I recommend the most recent a6700. If the goal is to get the most affordable APS-C lens possible, the a6000 is a solid choice.

Despite launching in 2014, the a6000 remains one of the best camera values available, offering flagship-level autofocus performance and image quality at prices often under $500.

Reasons to Buy

• Outstanding autofocus performance (0.06-second acquisition)
• Impressive 11fps burst shooting
• Extremely compact and lightweight design
• Excellent image quality with great dynamic range
• Huge selection of affordable E-mount lenses available
• Proven reliability over 10+ years

Reasons to Avoid

• Limited to 1080p video recording
• Smaller NP-FW50 battery drains quickly
• No touchscreen functionality
• No microphone input jack
• Shows its age in low-light performance vs. newer models

Specifications

• Sensor: 24.3MP APS-C Exmor CMOS
• Processor: BIONZ X
• Autofocus: 179-point phase detection + 25 contrast detection
• Video: 1080p Full HD (no 4K)

• Viewfinder: 0.39” OLED EVF (1.44M dots)
• LCD: 3.0” tilting LCD (922k dots)
• Battery: NP-FW50 (310 shots)
• Burst Rate: 11fps continuous
• Dimensions: 4.72 x 2.64 x 1.77″ (120 x 67 x 45mm)
• Weight: 0.76 lb (344g) with battery

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When someone asks me about Sony’s APS-C cameras, I recommend the most recent a6700. If the goal is to get the most affordable APS-C lens possible, the a6000 is a solid choice.

Despite launching in 2014, the a6000 remains one of the best camera values available, offering flagship-level autofocus performance and image quality at prices often under $500.

See our full thoughts on the Sony a6600 in the Best All-Arounder section, above.

Sony ZV-E10 II

What We Think

The ZV-E10 II transforms Sony’s vlogging expertise into an exceptional entry-level camera that excels at both content creation and traditional photography. With the same 26-megapixel sensor found in Sony’s premium a6700, this camera delivers far more performance than its price suggests, making it our top budget pick.

I typically recommend this to YouTube and social media creators, but it’s also a great entry-level camera for photographers and videographers. The ergonomics are definitely aimed at video, so this one is best for someone shooting more video than stills. 

Because of the high-end video features, this one isn’t exactly “budge,t” but it’s a tremendous entry point for someone looking for a well-priced YouTube studio camera. 

Reasons to Buy

• Same advanced sensor as the $1,400 a6700
• Excellent 4K video quality with 10-bit recording
• Outstanding battery life with NP-FZ100
• Built-in directional microphone and vlogging features
• Compact, lightweight design perfect for travel

Reasons to Avoid

• No electronic viewfinder limits bright daylight use
• No in-body image stabilization
• Can overheat during extended 4K recording
• An electronic-only shutter causes rolling shutter issues

Specifications

• Sensor: 26MP APS-C Exmor R BSI CMOS
• Processor: BIONZ XR
• Autofocus: 759-point phase detection with Real-time Eye AF
• Video: 4K 60p, 10-bit internal recording

• Viewfinder: None (LCD only)
• LCD: 3.0” fully articulating touchscreen (1.04M dots)
• Battery: NP-FZ100 (610 shots, 195 min video)
• Dimensions: 4.76 x 2.68 x 2.13″ (121 x 68 x 54mm)
• Weight: 0.83 lb (377g) with battery

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The ZV-E10 II transforms Sony’s vlogging expertise into an exceptional entry-level camera that excels at both content creation and traditional photography. With the same 26-megapixel sensor found in Sony’s premium a6700, this camera delivers far more performance than its price suggests, making it our top budget pick.

I typically recommend this to YouTube and social media creators, but it’s also a great entry-level camera for photographers and videographers. The ergonomics are definitely aimed at video, so this one is best for someone shooting more video than stills. 

Because of the high-end video features, this one isn’t exactly “budget” but it’s a tremendous entry point for someone looking for a well-priced YouTube studio camera. 

Comparison Table

FAQs

Glossary of Terms

10-bit Recording – Video recording that captures 10 bits of color information per channel instead of the standard 8-bit, providing over 1 billion colors versus 16.7 million. This dramatically improves color grading flexibility and reduces banding in smooth gradients like skies.

4:2:2 Color Sampling – A video format that samples color information at half the resolution horizontally but full resolution vertically, providing better color accuracy than 4:2:0 while maintaining manageable file sizes. Essential for professional color grading and chroma keying.

8K Recording – Video capture at 7680 x 4320 resolution, four times the detail of 4K. Sony cameras often oversample from even higher resolutions to deliver exceptionally sharp 8K footage with reduced noise and improved detail.

AI Processing Unit – A Dedicated chip in newer Sony cameras that handles artificial intelligence tasks like subject recognition, eye detection, and autofocus tracking without impacting the central processor’s performance.

All-Intra Recording – Video compression method where every frame is compressed independently (like taking individual photos) rather than referencing other frames. Produces larger files but enables precise frame-by-frame editing.

APS-C Sensor – Crop sensor format approximately 1.5x smaller than full-frame, providing a 1.5x focal length multiplier. Offers smaller camera bodies and lenses while maintaining excellent image quality, though with reduced low-light performance compared to full-frame.

BIONZ XR Processor – Sony’s latest image processing chip that enables fast burst shooting, advanced video recording, and AI-powered autofocus features while improving battery efficiency compared to older BIONZ X processors.

BSI (Back-Side Illuminated) Sensor – Sensor design where the wiring is placed behind the photodiodes rather than in front, allowing more light to reach each pixel. Results in better low-light performance and reduced noise compared to traditional front-illuminated sensors.

CFexpress Type A is a high-speed memory card format used in professional Sony cameras, offering faster write speeds than SD cards for high-bitrate video recording and fast burst photography. Smaller than CFexpress Type B cards.

Cinema Line – Sony’s dedicated video camera series (FX30, FX3, FX2, FX6, FX9), explicitly designed for filmmaking with cinema-focused features, enhanced cooling, and professional video workflows rather than hybrid photo/video operation.

Dual Base ISO – Technology that provides two optimal ISO settings where the sensor performs best, typically a lower ISO (like 800) for normal conditions and a higher ISO (like 3200-4000) for low light, minimizing noise at both settings.

Dynamic Range – The difference between the brightest and darkest parts of an image that a camera can capture simultaneously, measured in stops. More dynamic range allows recovery of detail in shadows and highlights during post-processing.

E-Mount – Sony’s lens mount system used across their mirrorless cameras, offering a wide selection of native lenses plus compatibility with adapters for other lens systems. The same mount works on both APS-C and full-frame bodies.

Exmor R/RS Sensor – Sony’s sensor technology names, with “R” indicating back-side illumination and “RS” indicating a stacked design with dedicated memory layers for faster readout speeds and reduced rolling shutter.

Eye AF (Autofocus) – Sony’s technology that automatically detects and focuses on human, animal, or bird eyes, maintaining sharp focus even when subjects move. Essential for portrait photography and video of people or animals.

FZ100 Battery – Sony’s high-capacity rechargeable battery used in most full-frame cameras and newer APS-C models, providing significantly longer shooting time than the older FW50 battery. Rated for 500-700+ shots depending on camera model.

Global Shutter – Revolutionary sensor technology in the A9 III that reads all pixels simultaneously rather than line-by-line, eliminating rolling shutter distortion and enabling flash sync at any shutter speed.

HEIF (High Efficiency Image Format) is a modern image format that provides better compression than JPEG while maintaining higher quality. Newer Sony cameras support it for more efficient storage of high-resolution images.

Hybrid AF – An autofocus system that combines phase-detection and contrast-detection methods, providing speed with phase-detection and ensuring accuracy with contrast-detection, especially for video recording.

IBIS (In-Body Image Stabilization) – Camera stabilization system that moves the sensor to counteract camera shake, working with any lens and providing up to 8+ stops of correction in Sony’s latest cameras. More effective than lens-only stabilization.

Log Recording (S-Log3) – Flat picture profile that captures the maximum dynamic range possible from the sensor, appearing washed out but providing extensive latitude for color grading in post-production. S-Log3 is Sony’s latest implementation.

LUT (Look-Up Table) – Color grading preset that transforms Log footage into a finished look, either technical (like converting S-Log3 to Rec 709) or creative (like film emulation). Newer Sony cameras can import custom LUTs.

Oversampling – Recording technique where the camera captures at a higher resolution than the final output, then downsamples for improved sharpness and reduced noise. For example, capturing 7K to produce a 4K video.

Phase-Detection AF – A fast autofocus method utilizing dedicated sensor pixels to detect focus, enabling rapid subject tracking and accurate focus during video recording. Sony cameras typically offer 400-750+ phase-detection points.

Pre-Capture – Feature that continuously buffers images before the shutter is pressed, allowing capture of moments that occurred before you pressed the button. Available on newer flagships like the A1 II.

ProRes – Professional video codec developed by Apple, offering high quality with manageable file sizes. Some Sony cameras can record ProRes internally or output it via HDMI to external recorders.

Real-Time Tracking – Sony’s AI-powered system that can identify and follow subjects automatically, maintaining focus even when they move erratically or become partially obscured. Works with humans, animals, vehicles, and other subjects.

Rolling Shutter – Artifact where fast-moving subjects appear skewed or “jello-like” because the sensor reads different lines at slightly different times. Global shutter technology eliminates this.

S-Cinetone – Sony’s built-in color profile that emulates the look of their professional cinema cameras, providing pleasing skin tones and cinematic color rendering straight out of camera without extensive color grading.

Stacked Sensor – Advanced sensor design with memory layers built directly onto the imaging chip, enabling breakneck readout speeds for features like 30fps burst shooting and reduced rolling shutter in video.

Subject Recognition – An AI-powered feature that automatically identifies various subjects (humans, animals, birds, cars, planes, etc.) and optimizes autofocus tracking without manual selection.

Super 35 Mode – Video recording mode that uses an APS-C crop from a full-frame sensor, often enabling higher frame rates or oversampling while maintaining compatibility with cinema lens standards.

XAVC – Sony’s professional video recording format family, including XAVC S (standard), XAVC HS (high efficiency), and XAVC S-I (intraframe), offering various levels of compression and quality for different workflow needs.

The post Best Sony Cameras Buyer’s Guide: Top Picks for Every Photographer appeared first on Imaging Resource.

Canon’s 2025 lineup has something for everyone—from beginners to professionals and every creator in between. After a slow start in the mirrorless race, Canon now offers a wide range of EOS R models designed for every type of shooter.

Choosing the right camera depends on how you work and what matters most: sensor size, autofocus, speed, video features, and price. A good camera should feel intuitive, deliver consistent results, and leave room to grow.

Canon’s EOS R system now spans twelve models, from the compact R100 to the flagship R1. This guide organizes them by use and experience level to help you find the perfect fit for your needs.

Best Canon Cameras: Our Picks at a Glance

Key Takeaways

Canon’s 2025 mirrorless lineup spans everyone from first-time creators to full-time professionals. The EOS R50 remains our go-to entry camera thanks to its compact body and autofocus inherited from higher-end models. Stepping up, the EOS R8 provides full-frame performance for hybrid shooters who want pro-level image quality in a lightweight design. The EOS R6 Mark II delivers the speed and stabilization for sports, events, and general versatility of the flagship EOS R1. The EOS R5 Mark II leads the range with its 45-megapixel sensor, 8K video, and advanced subject detection.

Canon Full-Frame All-Rounders

What I like to call “all-rounders” are those that can handle any subject, without paying more for features they don’t need. These models excel at both stills and video without favoring one creator’s style over another.

Canon EOS R6 Mark II

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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Not only is this Canon’s best mirrorless camera, I think it’s one of Canon’s best cameras.

The R6 Mark II delivers 24.2MP full-frame resolution with a crazy 40 fps with electronic shutter shooting and unlimited video recording in all modes. Its 8-stop in-body image stabilization works with any RF lens. Canon’s excellent subject detection autofocus tracks people, animals, and vehicles automatically.’

I’ve used this camera for both stills and video projects, and what I like is how it performs in any shooting situation. It’s fast enough for sports, just high enough resolution for portraits, and it’s a video monster.

The 24.2-megapixel full-frame sensor delivers beautiful images with Canon’s excellent “color science.” Canon’s Dual Pixel CMOS AF II system is among the best autofocus systems you’ll find in this price range, and in any system.

It has Canon’s subject-detection system, which locks focus onto people, animals, birds, and other subjects quickly and accurately. Canon’s Eye Detect AF is precise and stays locked on.

Combined with 12 frames per second using the mechanical shutter (or 40 fps with the electronic shutter), it’s a strong performer for sports, events, or wildlife work.

Video shooters get just as much love. The R6 Mark II records oversampled 4K60 footage with full sensor readout and 10-bit color, and it avoids the heavy crop and overheating issues that plagued earlier Canon models. The inclusion of in-body image stabilization makes handheld video smooth and steady, even when walking or shooting run-and-gun footage. For vloggers and solo creators, that’s a huge advantage.

There are some tradeoffs, of course. The camera isn’t as small or light as the R8, and you might feel the extra weight when carrying it all day. It’s also more expensive, putting it out of reach for casual shooters who don’t need its burst speed or advanced stabilization. But for photographers who split their time between stills and video–or anyone who wants professional-level performance in a body that’s still compact, the R6 Mark II hits a near-perfect balance.

Canon EOS R8

Bottom Line

The R8 delivers full-frame 24.2MP sensor performance in a compact 461g body at Canon’s most accessible full-frame price point. It shares the same sensor and autofocus system as the R6 Mark II but removes in-body stabilization and uses a smaller battery to achieve its compact size and lower cost.

What We Think

The Canon EOS R8 brings full-frame performance to a compact, travel-friendly body, ideal for creators who want pro-level image quality without the bulk. Featuring a 24.2MP sensor and DIGIC X processor (the same as the R6 Mark II), it delivers superb dynamic range, fast autofocus, and impressive low-light capability.

With 40fps burst shooting and oversampled 4K 60p video, it’s a strong choice for hybrid shooters. Despite its lightweight build, it feels premium and reliable in hand. The bottom line is that the R8 is perfect for enthusiasts, vloggers, and travelers who want Canon’s renowned full-frame quality in a body that won’t weigh them down.

Reasons to Buy

• Houses the same full-frame sensor and processor as the much more expensive EOS R6 Mark II.
• Great autofocusing abilities.
• Lightweight for a full-frame camera.
• Solid video capabilities, including uncropped, oversampled 4K/60p.

Reasons to Avoid

• Lacks in-body image stabilization (IBIS).
• Shorter battery time due to the smaller LP-E17.
• Lacks a dedicated AF joystick.
• Single SD card slot.

Specifications

• Sensor: 24.2MP Full-Frame CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), Full HD (1080p)/180p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM), supports Canon Log 3.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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I’ve recommended the Canon EOS R8 to many YouTube creators looking for a reliable studio camera without spending flagship-level money.

It’s a perfect example of how Canon’s lower-cost models can still deliver professional results, even though they have some limitations. In the case of the EOS R8, that limitation is the lack of In-Body Image Stabilization (IBIS), making the camera more prone to blur from hand shake or slow shutter speed.

But, in a controlled environment, like in a studio, the lack of in-body image stabilization isn’t really an issue. For creators recording talking-head videos, product demos, or streaming setups, it’s one of the best entry points into Canon’s full-frame ecosystem.

Outside the studio, the R8 holds its own surprisingly well. Its 24.2-megapixel full-frame sensor is the same one found in the higher-end R6 Mark II, producing sharp, detailed images with Canon’s “color science. I think the autofocus system is great, tracking subjects in both stills and video use. Because it’s so lightweight–just 461 grams–it’s an easy camera to pack for landscapes, travel, or casual wildlife photography, where you’ll likely be shooting from a tripod or monopod anyway.

Again, the tradeoff for that compact design is the lack of an IBIS system. While Canon’s digital stabilization can help a bit, it’s not a substitute for optical correction inside the body, but it’s not a dealbreaker for most use.

Handheld video shooters will notice camera shake, and vloggers trying to film while walking will struggle to get smooth footage, but the camera can be paired with optically stabilized lenses for shake reduction.

Canon designed the R8 as its most accessible full-frame body, and it succeeds at that goal. By removing the stabilization system and using a smaller battery, Canon kept the size and cost down without sacrificing image quality or autofocus. The result is a camera that feels like a serious step up from APS-C models but remains affordable for beginner full-frame shooters.

Canon Compact Cameras

Compact cameras offer image quality in pocketable packages, making them perfect for travel, street photography, and situations where larger cameras would be impractical. These models feature fixed lenses but offer convenience and portability that interchangeable lens cameras can’t match.

Canon PowerShot G7X Mark III

Bottom Line

I love this compact camera because it combines a 1-inch sensor with a 24-100mm equivalent f/1.8-2.8 lens in a 304g body that easily fits in a jacket pocket. Its flip-up LCD and built-in streaming capabilities make it a great small camera for YouTube and social media creators, and the autofocus is best in class. YouTube streaming directly from the camera is a feature I wish all compact cameras had. The only limitation is the lack of a viewfinder, which can make framing more difficult in bright light.

Reasons to Buy

• Large 1-inch sensor delivers excellent image quality for its size
• Fast f/1.8-2.8 lens provides good low-light performance
• Versatile 24-100mm zoom range covers most shooting situations
• Live streaming capability directly to YouTube
• Ultra-compact design fits in a shirt pocket

Reasons to Avoid

• No electronic viewfinder limits use in bright sunlight
• The small NP-BX1 battery provides only 235 shots
• Limited zoom range compared to superzoom alternatives
• Complex menu system for a point-and-shoot camera

Specifications

• Sensor20.1MP 1-inch stacked CMOS: 20.1MP 1-inch stacked CMOS
• Processor: DIGIC 8
• Lens: 24-100mm f/1.8-2.8 equivalent (4.2x zoom)
• Autofocus: Dual Pixel CMOS AF with face detection

• Video: 4K 30p, 1080p 120p
• Viewfinder: None
• LCD: 3.0” flip-up touchscreen (180°)
• Battery: NP-BX1 (235 shots)
• Burst Rate: 20fps RAW burst, 30fps JPEG
• Dimensions: 4.1 x 2.4 x 1.6″ (105 x 61 x 41mm)
• Weight: 0.7 lb (304g) with battery

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The Canon PowerShot G7 X Mark III is one of those cameras I find myself recommending years after its release, especially for creators who want solid image quality without dealing with interchangeable lenses.

It’s compact, discreet, and easy to use, which is why I recommend it to vloggers, people on vacation, and anyone who needs a capable pocket camera for both photo and video work.

I’ve used the G7 X Mark III in situations where carrying a larger setup just isn’t practical, and it consistently punches above its weight. The 1-inch, 20.1-megapixel sensor produces crisp, detailed images with vivid color and balanced skin tones. The built-in 24-100 mm equivalent zoom lens lets it cover everything from wide-angle landscapes to portraits, although the background blur isn’t as nice as that of an APS-C or full-frame camera.

The tilting touchscreen makes it easy to shoot at awkward low or high angles, and it flips around forward for selfie-recording.

For video, it captures uncropped 4K30 and 1080p120 slow motion. It doesn’t have 4K/60 but most people don’t need that frame rate anyhow. The built-in ND filter is great when shooting outdoors, and the autofocus–while not at the level of Canon’s Dual Pixel system–is quick enough for casual vlogging or handheld travel footage.

That said, there are a few tradeoffs. Without in-body stabilization, handheld video can look a bit shaky. The lack of an electronic viewfinder can make bright outdoor shooting tricky because the screen washes out in bright light easily. Battery life is also mediocre, so you’ll want a spare or two if you’re recording long sessions.

Still, for its size and image quality, the G7 X Mark III remains a strong choice for anyone who wants a compact, all-in-one camera with great image quality, something I still appreciate even with far more advanced gear sitting in my camera bag.

Canon PowerShot G5X Mark II

Bottom Line

The G5X Mark II adds a pop-up electronic viewfinder and weather sealing to the 1-inch sensor formula, creating a more traditional camera experience in a compact package. Its 24-120mm equivalent lens provides slightly more reach than the G7X series.

Reasons to Buy

• Pop-up EVF enables precise composition in bright light
• Longer 120mm telephoto reach than the G7X series
• A fully articulating LCD is more versatile than a flip-up design
• Weather sealing protects against light rain and dust
• Comprehensive manual controls in a compact body

Reasons to Avoid

• Larger and heavier than ultra-compact alternatives
• Same limited battery life as other 1-inch compacts
• Pop-up EVF mechanism adds complexity and potential failure point
• Premium pricing for the compact camera category

Specifications

• Sensor: 20.1MP 1-inch stacked CMOS
• Processor: DIGIC 8
• Lens:: 24-120mm f/1.8-2.8 equivalent (5x zoom)
• Autofocus: Dual Pixel CMOS AF with face detection

• Video: 4K 30p, 1080p 120p
• Viewfinder: Pop-up 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-BX1 (230 shots)
• Burst Rate: 20fps RAW burst, 30fps JPEG
• Dimensions: 4.3 x 2.4 x 1.8″ (110 x 61 x 46mm)
• Weight: 0.8 lb (370g) with battery

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The Canon PowerShot G5 X Mark II is like a still-photography-first version of the G7 X Mark II. It balances portability with just enough manual control to feel like a “real” camera. It uses the same 20.1-megapixel, 1-inch sensor as the G7 X Mark III but adds a pop-up electronic viewfinder, which makes it far easier to compose shots in bright sunlight.

The 24-120 mm equivalent f/1.8-2.8 lens gives it a touch more zoom range and better low-light performance than many compact competitors. Image quality is excellent for a camera of this size, and Canon’s color rendering on this camera looks just like their larger mirrorless siblings.

It’s not ideal for serious video work since it lacks a microphone input and advanced recording options, but as a compact travel or everyday camera, it delivers great stills and solid 4K footage without the need to carry extra gear. It’s the kind of camera I’d bring in my bag for when I want to shoot but not break out the bigger body and long lenses of my mirrorless setup.

Canon Vlogging and Social Media Creator Cameras

Content creators need cameras optimized for video quality, ease of use, and creator-friendly features. These models prioritize flip-out screens, good autofocus tracking, and streamlined operation for solo shooting scenarios.

Canon EOS R50

Bottom Line

(See full details and specs in the Best Canon Budget Camera section)

My list of excellent vlogging cameras always includes the R50. The R50’s combination of advanced autofocus, 4K video, flip-out screen, and ultra-compact size makes it ideal for content creators. 

At 328g, it’s light enough for extended handheld shooting, and it features Canon’s legendary autofocus.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon EOS R50 is designed for people who are just starting to take photography or video seriously. It’s lightweight, (relatively) simple to operate, and produces results that look better than what you’ll get from your smartphone, especially with the right lenses. I’ve recommended it to beginners who want to learn the fundamentals without being overwhelmed by complex controls or menus.

The R50 uses a 24.2-megapixel APS-C sensor and Canon’s Dual Pixel CMOS AF II system, which means autofocus performance that is nearly as fast and accurate as Canon’s more expensive bodies.

It can shoot bursts up to 15 frames per second using the electronic shutter, and it has Canon’s “color science,” which means images are vivid, with bright colors and accurate skin tones.

If you’re looking for a great video camera, the R50 has you covered as well, in fact I think it’s a better camera for capturing video than stills.

The R50 capture oversampled 4K/30 from 6K footage, and can do Full-HD high-speed catpure at 120fps. It can even capture 10-bit footage, for the most amount of color and lighting data in your video. This is great for editing after capture.

A “Demo Mode” allows you to create product unboxing and demonstration videos easily. In this mode, when you hold something in front of the camera, focus jumps to the object and then jumps back to the face as soon as the item leaves the frame.

There are limitations, of course. The camera lacks in-body image stabilization (IBIS), and while digital IS can help a bit, handheld footage can still look shaky. This is a camera better suited to a studio than to a walk-and-talk vlogger.

Rolling shutter, an effect mostly seen in video where the image seems to warp, is noticeable when panning quickly, and the smaller body doesn’t leave much room for physical controls or larger batteries. But for new creators or photographers stepping up from a smartphone, I think it’s one of the most straightforward ways to enter Canon’s mirrorless system.

Canon EOS R10

Bottom Line

The R10 provides more physical controls and faster burst shooting than the R50, making it suitable for creators who want traditional camera operation alongside video capabilities. Its APS-C sensor offers a 1.6x crop that can be useful for tighter framing, but makes it harder to shoot wide scenes without a specialized lens.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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The Canon EOS R10 is one of my favorite recommendations for photographers who want something faster and more capable than an entry-level body but still small enough to take anywhere. It feels like the sweet spot in Canon’s APS-C lineup, offering better controls, slightly more customization, and strong autofocus performance. The price is still way below Canon’s full-frame models.

I’ve used the R10 for travel and casual landscape work, and it delivers nice images from its 24.2-megapixel sensor. The autofocus system is the same Dual Pixel CMOS AF II design used in Canon’s higher-end cameras (and in the R50), which means subject detection and tracking are excellent for both stills and video. The mechanical shutter can shoot at 15 frames per second, and the electronic shutter increases that speed to 23 fps, which makes it one of the more capable sports or action cameras in its class.

Video performance is solid too, with oversampled 4K60 footage that looks great, especially for such a small camera body. Like most entry-level camras, the R10 doesn’t have in-body image stabilization, so handheld video can be shaky, especially when panning or shooting in low light, but pairing it with stabilized lenses works well enough for travel or walk-and-talk vlogs. Even though I think the small grip will be too small for some, it makes it easy to carry all day.

The R10 sits in a comfortable middle ground. It’s not as stripped down as the R50, and it doesn’t try to compete with full-frame models like the R8 or R6 Mark II. Instead, it’s a compact, well-rounded camera that gives you most of Canon’s best features at a reasonable price, which is why I often point new photographers toward it when they’re ready to move beyond their smartphone.

Canon High-Resolution Cameras

High-resolution cameras prioritize maximum detail and image quality for applications requiring large prints, heavy cropping, or commercial work. These models feature sensors with 45MP or higher resolution along with advanced stabilization to manage the demands of high-resolution capture.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

I’ve shot this camera more than any other Canon mirrorless, and a lot more than some of the Canon DSLRs I owned. The R5 Mark II features a 45MP stacked sensor with eye-control autofocus that allows focus point selection just by looking through the viewfinder at your subject.

 Its pre-capture feature records images before the shutter is pressed, a feature that changes the way wildlife and bird photographers work. 8K video recording provides future-proof video capability.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon EOS R5 Mark II is the camera I think most photographers and hybrid shooters will look at when they want one body that can handle just about anything. I took it on a trip to Japan and spent days wandering around, capturing photos and videos with it, and they all look great.

It takes the already excellent R5 and improves on it in all the ways that matter. From faster processing to smarter autofocus and improved thermal control for video, the R5 Mark II feels like an entirely new camera. I like that it feels like a camera built for professionals, but still usable enough that experienced enthusiasts can get the most out of it.

The 45-megapixel full-frame sensor produces amazing detail, dynamic range, and Canon’s “color science,” making it a great choice for landscapes, wildlife, sports portraits, and commercial work. Basically, any subject you might shoot is perfect for the R5 Mark II.

Canon’s new DIGIC accelerator and Dual Pixel CMOS AF II system make the autofocus faster and more intelligent, tracking subjects with precision even in low light. Continuous shooting hits up to 30 frames per second electronically or 12 with the mechanical shutter, so it’s no surprise this camera is showing up at sports events and wildlife shoots alongside Canon’s more expensive (and larger) flagships. It’s also the perfect primary or backup camera for a wedding photographer.

For video, the R5 Mark II is a major upgrade. It records full-width 8K60 in RAW or 4K120 with minimal rolling shutter, and it can output 12-bit 8K via HDMI to external recorders. That’s

The passive cooling design reduces the overheating limitations of the original R5, which makes this a perfect choice for professional video production. It makes an amazing studio camera, and since the in-body image stabilization (IBIS) system is one of the best I’ve used, it’s great for handheld footage that looks smooth even with longer lenses. Pair it with a lens that has optical image stabilization and it’s unshakable.

The R5 Mark II isn’t a casual purchase, with a huge price tag. It’s expensive, and its resolution and file sizes are overkill for some workflows. But for hybrid creators, working professionals, or anyone who needs uncompromising quality in both stills and video, this is the camera that represents Canon’s best balance of performance, reliability, and creative flexibility, which is why it’s my go-to choice for the best all-around Canon model.

Canon EOS R5

Bottom Line

This is my recommendation for Canon shooters looking to upgrade to a high-resolution camera without breaking the bank on the R5 Mark II. The original R5 delivers 45MP resolution and 8K video at a lower price point than the Mark II. Although it lacks the eye-control autofocus and pre-capture features of the newer model, it still provides the same core image quality with proven reliability. It’s the greatest camera for wedding and portrait photographers.

Reasons to Buy

• Same 45MP sensor as Mark II at a lower cost
• 8K video capability for high-resolution video work
• Proven reliability over several years in the market
• Extensive lens compatibility with the RF system
• Professional weather sealing and build quality

Reasons to Avoid

• Video recording limits in warm conditions
• Lacks eye-control autofocus of newer models
• Premium pricing, even as the previous generation
• Large files require significant storage investment

Specifications

• Sensor: 45MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 8K 30p, 4K 120p (with recording limits)

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 20fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The original Canon EOS R5 is still one of the best full-frame cameras Canon has ever made, and it’s now an even better value thanks to the release of the R5 Mark II. I’ve tell camera buyers that unless you specifically need the newest updates in the R5 Mark II, the R5 remains one of the smartest ways to step into Canon’s high-resolution lineup without paying flagship prices.

The 45-megapixel full-frame sensor still delivers stunning image quality, with excellent color reproduction and plenty of dynamic range. The Dual Pixel CMOS AF II system is fast and accurate. In-body image stabilization keeps both stills and handheld video steady, and the R5’s overall ergonomics and build quality feel every bit as premium as Canon’s newest models.

Where the R5 Mark II pulls ahead is in processing power, autofocus subject recognition, and video record times.

Canon Hybrid Video Cameras

Video-focused cameras balance high-quality recording capabilities with photographic excellence, making them ideal for hybrid creators who refuse to compromise between stills and motion. These models feature advanced codecs, unlimited recording, and professional video features.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II’s unlimited video recording in all modes and  6K oversampling make it a powerhouse. The 24MP sensor provides excellent low-light video performance, and the fully articulating screen enables flexible shooting angles.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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The Canon EOS Mark II is an exceptional hybrid camera. Read our take on the R6 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II adds 8K 60p recording and advanced video features to its high-resolution photography capabilities. The higher resolution sensor suffers more “noise” than the R6 II, but still has excellent low-light performance.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is another exceptional Canon hybrid camera. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Sports & Wildlife Camera

Sports and wildlife photography demand exceptional autofocus tracking, fast burst rates, and telephoto-friendly features. These cameras prioritize speed and reliability over resolution, with advanced subject detection optimized for moving subjects.

Canon EOS R1

Bottom Line

Canon’s flagship otupaces just about every other flagship on the market. It delivers 40 fps burst shooting with advanced subject detection and professional connectivity features. This camera is in our testing studio for lens performance tests, and Canon can take it back over my cold, dead hands. 

Its 24MP sensor prioritizes speed and low-light performance over maximum resolution. This is the top of the top in Canon cameras, and the top of the line out of almost all cameras.

What We Think

The Canon EOS R1 is Canon’s flagship mirrorless camera and designed for professionals who need uncompromising speed, durability, and autofocus precision. Featuring a next-generation stacked full-frame CMOS sensor and dual DIGIC X processors, it delivers lightning-fast performance up to 40fps with blackout-free shooting.

Canon’s advanced AI-driven autofocus intelligently tracks subjects, even in challenging light, which makes it great for sports and wildlife photography. Its rugged, weather-sealed body, dual CFexpress slots, and high-capacity battery make it built for demanding fieldwork. From the sidelines to the studio, the R1 a great balance of power, reliability, and image quality in Canon’s lineup.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Professional-grade weather sealing and build quality
• Exceptional battery life (2,100 shots)
• Advanced networking features for professional workflows
• 9.44M-dot EVF provides exceptional clarity and refresh rate

Reasons to Avoid

• Premium pricing limits to the professional market
• 24MP resolution is lower than high-resolution alternatives
• Large size and weight require professional handling
• Specialized features may be excessive for enthusiast use

Specifications

• Sensor: 24MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with advanced subject detection
• Video: 6K 60p RAW, 4K 120p

• Image Stabilization: 8.5-stop in-body stabilization
• Viewfinder: 9.44M-dot OLED EVF with 120fps refresh
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E19 (2,100 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 6.2 x 4.4 x 3.6″ (158 x 111 x 92mm)
• Weight: 2.2 lb (1,015g) with battery

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The Canon EOS R1 is the company’s long-awaited flagship mirrorless camera, and it takes the best of Canon’s mirrorless and DSLR systems and combines them in one professional platform, albeit a pricey system.

We have one in our testing labs to check out lens focus speeds, so I’ve spent a good amount of time shooting with it, and it’s clear this camera represents the absolute best of what Canon can build right now. Everything about it is designed for performance, speed, and durability.

The R1 uses a new 30.3-megapixel global-shutter full-frame sensor. A global shutter reads data off the entire sensor each shot, which makes performance faster than standard shutters, and it eliminates the image-distorting rolling shutter effect. On the R1 and Sony’s a9 III use a full frame global shutter.

Global shutter changes how you can shoot fast action, since every pixel is captured simultaneously. It also means you can use flash at any shutter speed, something no previous mirrorless camera (aside from Sony’s) could do. The camera can shoot up to 40 frames per second with full autofocus and exposure tracking, and the new Dual DIGIC X processor keeps it responsive even shooting super-long bursts.

Canon’s autofocus has been reengineered for the R1 with a new AI-trained recognition system that tracks subjects in nearly any lighting condition, even when they’re partially obscured. Image quality is as good as you’d imagine for a flagship, with excellent color depth, dynamic range, and low-light performance. The in-body image stabilization works with IS-equipped lenses to provide up to 8.5 stops of compensation, which makes handheld shooting possible even in extremely low light.

This is a serious investment, and the size and cost put it firmly in professional territory. But for sports, wildlife, or commercial photographers who need uncompromising performance, the R1 is Canon’s new benchmark. It’s the mirrorless successor to the DSLR 1D series, and it feels every bit as dependable and refined as that legacy suggests.

Canon EOS R3

Bottom Line

The R3 provides professional-level performance with 30fps burst shooting and eye-control autofocus at a lower price point than the R1. It’s my go-to sports camera since it’s less expensive than the R1 and offers almost all of the R1’s features. Its integrated vertical grip and professional ergonomics feel great when I’m shooting sports or wildlife.

Reasons to Buy

• 30fps burst with eye-control autofocus
• Integrated vertical grip for portrait orientation
• Professional build quality and weather sealing
• Eye-control AF enables rapid focus point changes
• 6K RAW video for professional productions

Reasons to Avoid

• Large size limits portability for casual use
• 24MP resolution restricts heavy cropping capability
• Premium pricing above the enthusiast camera range
• A complex operation requires professional experience

Specifications

• Sensor: 24MP full-frame stacked CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 6K 60p RAW, 4K 120p

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E19 (860 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.9 x 4.4 x 3.3″ (150 x 111 x 85mm)
• Weight: 2.0 lb (916g) with battery

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The Canon EOS R3 is a camera I suggest for when someone needs reliability above all else, but doesn’t want to spend the money on an R1, or finds the R1 overkill.

It’s built for professionals who shoot fast-moving subjects and can’t afford to miss a moment. Everything about it feels made for speed, from the rugged, integrated-grip design to the lightning-fast autofocus. The only thing I think is missing from this camera is pre-capture, a feature where your camera starts to buffer images before you press the shutter release.

Its 24.1-megapixel full-frame stacked CMOS sensor isn’t about resolution, though it has more than enough pixels for great-looking images. The R3 can shoot up to 30 frames per second with the electronic shutter. Blackout is the term for the viewfinder turning off briefly between shots, and the R3 has blackout-free shooting. This functionality makes it easy to track fast subjects through the viewfinder.
The autofocus system features Canon’s eye-control AF, which lets you select focus points simply by looking at them in the viewfinder. It’s surprisingly intuitive once you get used to it, although some people find it less accurate than just moving the focus point around. I’d suggest trying this out before you buy the camera, but it can be disabled as well.

For video, the R3 records 6K60 RAW internally or oversampled 4K/120, both with minimal rolling shutter effects. The build quality is pro. It’s weather-sealed and made to withstand the kind of environments where you wouldn’t bring a non-weather-resistant camera.

It’s a heavy and expensive camera, and the resolution won’t satisfy landscape photographers who need massive prints, but the R3 isn’t meant for that. It’s a workhorse built for sports, wildlife, and photojournalism.

Canon Portrait Cameras

Portrait photography demands excellent subject detection, a high-resolution sensor for image quality, and for cropping. It also needs excellent color rendition. These cameras excel at eye detection autofocus and provide the image quality required for professional portrait work.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II’s eye-control autofocus and 45MP resolution make it exceptional for portrait work. The eye-control system allows photographers to select focus points by looking through the viewfinder, while the high resolution captures fine detail in skin, hair, and clothing textures.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is a great Canon camera for portraits. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II’s exceptional low-light performance and advanced subject detection make it ideal for wedding and event portraits. Its 24MP resolution provides excellent image quality while maintaining fast burst rates for capturing fleeting expressions.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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The Canon R6 Mark II is a great Canon camera for portraits, although the R5 Mark II has the megapixel count for cropping or super-high res portraits. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Landscape Cameras

Landscape photography requires maximum resolution, excellent dynamic range, and robust image stabilization for handheld shooting. These cameras prioritize image quality and detail capture over speed.

Canon EOS R5 Mark II Mirrorless Camera

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The R5 Mark II’s 45MP sensor captures exceptional landscape detail, while its 8.5-stop image stabilization enables sharp handheld shots even with telephoto lenses. The high resolution allows for significant cropping while maintaining image quality. I’ve combined this camera with ultra-wide-angle lenses for spectacular shots that I can still crop into a panorama.

What We Think

Built for professionals who demand speed, resolution, and reliability! Its new 45MP full-frame sensor and a DIGIC X processor combined with a new DIGIC Accelerator processor deliver stunning detail and dynamic range, while 8K video and improved 30fps burst shooting make it equally capable for hybrid creators.

Enhanced autofocus with advanced subject detection ensures great results whether you’re tracking athletes, wildlife, or portraits. With robust weather sealing, dual card slots, and pro connectivity, the R5 Mark II refines everything that made the original a favorite—now faster, smarter, and ready for any creative challenge.

Reasons to Buy

• Eye-control autofocus enables focus point selection by looking
• 45MP stacked sensor provides high resolution with fast readout
• Pre-capture records images up to 0.5 seconds before the shutter press
• 8K 60p video recording for maximum detail
• 8.5-stop image stabilization handles high-resolution demands

Reasons to Avoid

• Premium pricing limits accessibility
• Eye-control autofocus requires calibration and has a learning curve
• Large 45MP files demand substantial storage and processing power
• A complex feature set may overwhelm casual users

Specifications

• Sensor: 45MP full-frame stacked CMOS
• Processor: DIGIC X + DIGIC Accelerator
• Autofocus: Dual Pixel CMOS AF II with eye-control
• Video: 8K 60p, 4K 120p, unlimited recording

• Image Stabilization8.5-stop in-body stabilization:
• Viewfinder: 5.76M-dot OLED EVF with eye-control sensors
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 30fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 Mark II is a great Canon camera for landscapes, urban landscapes, and more. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R5

Bottom Line

(See full details and specs in the Best Canon High-Resolution Camera section)

The original R5 provides the same 45MP resolution as the Mark II at a lower price point. Its 8-stop stabilization and weather sealing make it well-suited for outdoor landscape photography.

For landscape photography, this is one of the best deals in the Canon lineup. It will give you an image every bit as good as the R5 Mark II, without features you don’t need for landscapes.

Reasons to Buy

• Same 45MP sensor as Mark II at a lower cost
• 8K video capability for high-resolution video work
• Proven reliability over several years in the market
• Extensive lens compatibility with the RF system
• Professional weather sealing and build quality

Reasons to Avoid

• Video recording limits in warm conditions
• Lacks eye-control autofocus of newer models
• Premium pricing, even as the previous generation
• Large files require significant storage investment

Specifications

• Sensor: 45MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 8K 30p, 4K 120p (with recording limits)

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 5.76M-dot OLED EVF
• LCD: 3.2” fully articulating touchscreen
• Battery: LP-E6NH (320 shots)
• Burst Rate: 12fps mechanical, 20fps electronic
• Dimensions: 5.4 x 3.8 x 3.4″ (138 x 98 x 87mm)
• Weight: 1.6 lb (738g) with battery

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The Canon R5 is a great Canon camera for landscapes, and since the higher frame rates and autofocus improvements of the R5 Mark II are less important in landscape shots, it might be the better choice. See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon Travel Cameras

Full-frame travel cameras balance image quality with portability, providing excellent performance without the bulk of traditional professional cameras. These models offer weather sealing and long battery life for extended shooting.

Canon EOS R8

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R8’s compact 461g body makes it the most portable full-frame option in Canon’s lineup. Despite its small size, it delivers the same 24MP image quality and autofocus performance as larger cameras.

What We Think

The Canon EOS R8 brings full-frame performance to a compact, travel-friendly body, ideal for creators who want pro-level image quality without the bulk. Featuring a 24.2MP sensor and DIGIC X processor (the same as the R6 Mark II), it delivers superb dynamic range, fast autofocus, and impressive low-light capability.

With 40fps burst shooting and oversampled 4K 60p video, it’s a strong choice for hybrid shooters. Despite its lightweight build, it feels premium and reliable in hand. The bottom line is that the R8 is perfect for enthusiasts, vloggers, and travelers who want Canon’s renowned full-frame quality in a body that won’t weigh them down.

Reasons to Buy

• Houses the same full-frame sensor and processor as the much more expensive EOS R6 Mark II.
• Great autofocusing abilities.
• Lightweight for a full-frame camera.
• Solid video capabilities, including uncropped, oversampled 4K/60p.

Reasons to Avoid

• Lacks in-body image stabilization (IBIS).
• Shorter battery time due to the smaller LP-E17.
• Lacks a dedicated AF joystick.
• Single SD card slot.

Specifications

• Sensor: 24.2MP Full-Frame CMOS Sensor.
• Video: 4K/60p (oversampled from 6K, uncropped), Full HD (1080p)/180p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM), supports Canon Log 3.
• Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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The Canon R8 is a nearly perfect travel camera. If it had In-Body Image Stabilization (IBIS) it would be my pick for best travel camera in the mirrorless market. _See our take on the R5 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R6 Mark II

Bottom Line

(See full details and specs in the Best Canon Full-Frame All-Rounder section)

The R6 Mark II provides weather sealing and exceptional battery life alongside excellent image quality, making it ideal for extended travel photography where reliability is essential.

What We Think

The Canon EOS R6 Mark II is one of the most versatile full-frame cameras for hybrid shooters. For starters, it strikes the perfect balance between performance and price. Its 24.2MP sensor and DIGIC X processor deliver stunning image quality, fast autofocus, and excellent low-light performance.

With 40fps electronic burst shooting and oversampled 4K 60p video, it’s equally comfortable capturing action or cinematic content. Improved subject detection powered by deep learning enhances focus accuracy for people, animals, and vehicles. Compact, weather-sealed, and intuitive to use, the R6 Mark II is a powerhouse for enthusiasts and professionals who want one camera that can do it all.

Reasons to Buy

• 40fps electronic shutter with full autofocus tracking
• Unlimited video recording eliminates workflow interruptions
• 8-stop image stabilization enables handheld telephoto shooting
• Advanced subject detection works across humans, animals, and vehicles
• Dual card slots (CFexpress Type A + SD UHS-II)
• Weather sealing rated for professional outdoor use

Reasons to Avoid

• 24MP resolution limits heavy cropping compared to the R5 series
• An electronic shutter can show rolling shutter with fast motion
• Premium pricing approaches professional camera territory
• A large file buffer can slow down after extended burst shooting

Specifications

• Sensor: 24.2MP full-frame CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p, 6K oversampling, unlimited recording

• Image Stabilization: 8-stop in-body stabilization
• Viewfinder: 3.69M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: NP-E6NH (360 shots)
• Burst Rate: 12fps mechanical, 40fps electronic
• Dimensions: 5.4 x 3.8 x 3.5″ (138 x 98 x 88mm)
• Weight: 1.5 lb (670g) with battery

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If your travel plans are centered around photography or videography, the R6 Mark II is one of the best cameras you could own. It has all the features you need for great shots, no matter the subject. See our take on the R6 Mark II in the Canon Full-Frame All-Arounder section, above.

Canon EOS R50

Bottom Line

(See full details and specs in the Best Canon Budget Camera section)

The R50’s ultra-compact 328g body and advanced autofocus make it ideal for travel photography. Its small size means it can be carried all day without fatigue, while the flip-out screen enables various shooting angles.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon EOS R50 is an incredibly small, light camera. It’s small enough to go in a day bag, and still takes better images than a smartphone. See our take on the R50 in the Canon Budget camera guide, above.

Canon EOS R10

Bottom Line

(See full details and specs in the Best Canon Vlogging and Social Media Creator Cameras section)

The R10 adds weather sealing and more physical controls to the APS-C travel formula. Its larger battery provides better endurance for all-day shooting, while the dual command dials enable quick setting changes.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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Just a bit more sophisticated than the R50, the R10 is an excellent choice for travel photography where you need more settings and power than the R50 can give you. See our take on the R10 in the Canon Budget camera guide, above.

Canon APS-C Cameras

APS-C cameras provide excellent image quality in compact bodies with smaller, lighter lenses. The 1.6x crop factor extends telephoto reach, making these cameras particularly appealing for wildlife and sports photography while maintaining portability.

Canon EOS R10

Bottom Line

(See full details and specs in the Best Canon Vlogging and Social Media Creator Cameras section)

The R10 delivers 23fps burst shooting with advanced subject detection in a weather-sealed APS-C body. Its dual command dials and comprehensive controls provide traditional camera operation in a compact package.

What We Think

The Canon EOS R10 has advanced autofocus, fast bursts, and high-quality 4K capture into a compact APS-C mirrorless body. Its 24.2-megapixel sensor, paired with Canon’s Dual Pixel AF II, delivers fast, accurate tracking. So if you shoot portraits, wildlife, and even sports, these features will come in handy.

The body design borrows ergonomics from Canon’s higher-end R-series, giving it a solid grip and intuitive control layout without adding unnecessary weight.

Although it lacks in-body stabilization, the R10 stands out for its responsiveness and overall performance in both stills and video work. Oversampled 4K/30p video is sharp and detailed, while 15 fps mechanical bursts give it versatility far beyond its price point. It’s a capable hybrid camera for creators who need reliable autofocus and professional-grade handling in an affordable package.

Reasons to Buy

• Great Autofocusing abilities.
• High shooting speed of 23 fps using the electronic shutter.
• Quality uncropped 4K/30p video oversampled from 6K.
• Comfortable Ergonomics.

Reasons to Avoid

• Lacks in-body Image Stabilization.
• Significant crop while shooting 4K/60p mode.
• Lacks a headphone jack for audio monitoring during video recording.
• Smaller Electronic Viewfinder compared to higher-end cameras.

Specifications

• Sensor: 24.2MP APS-C CMOS Sensor.
• Video: 4K/60p (cropped), 4K/30p (oversampled from 6K, uncropped), Full HD (1080p)/120p.
• Codecs: MP4 (H.264/H.265, AAC/LPCM).
• Audio: Built-in stereo microphone, 3.5 mm external mic input.

• Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
• Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
• More Features: Dual Pixel CMOS AF II with subject detection (people, animals, vehicles), DIGIC X processor, 2.36m-Dot OLED EVF, vari-angle touchscreen.

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Canon EOS R7

Bottom Line

The R7 provides the highest resolution and fastest performance in Canon’s APS-C lineup, with 32.5MP resolution and professional features including dual card slots and extensive weather sealing. This is essentially the APS-C version of the R3, but without a vertical grip.

Specifications

• Sensor: 32.5MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 60p uncropped, 1080p 120p

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E6NH (660 shots)

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The Canon EOS R7 is one of my favorite APS-C cameras in the market because it feels like a pro camera that’s been scaled down. It consistently delivers results that rival Canon’s full-frame models. APS-C suffers a bit in low-light conditions compared to full-frame, but that’s a small price to pay for the size and performance of APS-C.

The camera is fast, feels as rugged as most of Canon’s full-frame bodies, and compact. It has a nice mix of controls that you won’t find in entry-level bodies.

The 32.5-megapixel APS-C sensor gives you extra reach for telephoto work, which makes it great for birding or sports on a budget. The autofocus system is the same Dual Pixel CMOS AF II design found in Canon’s higher-end cameras, so subject tracking for people, animals, and birds feels confident and snappy. With 15 frames per second using the mechanical shutter or 30 fps electronically, it’s a genuinely capable action camera.

In-body image stabilization (IBIS) is a major advantage over the R10, keeping handheld shots sharp even with slower shutter speeds or longer lenses. Those lower shutter speeds help balance out the low-light performance hit of APS-C. Video performance is excellent too, with oversampled 4K60 footage and 10-bit recording. The R7 feels like a smaller, more affordable version of the R6 Mark II, and that’s exactly why I like it so much.

It’s not perfect–the smaller body can feel a little cramped with big lenses, and rolling shutter is visible at higher frame rates–but for anyone who wants speed, reach. Professional autofocus in a compact form, the R7 is an easy recommendation.

Canon Budget Cameras

Budget cameras prove you don’t need premium pricing for excellent image quality or high-resolution video. This category features some of my favorite Canon models, as today’s “budget” cameras significantly outpace previous DSLR cameras.

Canon EOS R50

Bottom Line

If you’re looking for a great entry-level APS-C camera, this is the one. I think this has some of the best ergonomics in the APS-C market, and it’s a features powerhouse in a body that’s smaller than full frame.

The R50 packs advanced subject detection, autofocus, and 4K video into a 328g body that’s Canon’s smallest interchangeable lens camera. Despite its budget positioning, the autofocus is as good as Canon’s full-frame bodies.

What We Think

With its strong autofocus and color performance in a small, easy-to-use body, the Canon R50 simplifies mirrorless photography for newcomers. The R50’s 24-megapixel APS-C sensor produces clean results, and the fully articulating screen makes it easy to compose from any angle. The Dual Pixel AF II system is fast and accurate, helping new users achieve sharp results with minimal effort.

Designed as a first mirrorless camera, the R50 offers straightforward controls and a guided menu that helps users learn as they shoot. It’s light enough for daily carry and pairs well with compact RF-S lenses, making it a good companion for travel or content creation. While it lacks weather sealing and in-body stabilization, the R50’s combination of portability, image quality, and reliability make it one of Canon’s best budget options.

Reasons to Buy

• Advanced subject detection autofocus rivals cameras costing $1,000 more
• Ultra-compact 328g body fits easily in small bags
• 4K video with oversampling provides sharp footage
• Flip-out touchscreen ideal for selfies and vlogging
• Compatible with RF and RF-S lens ecosystems

Reasons to Avoid

• Limited RF-S lens selection requires expensive RF lenses for variety
• Electronic-only stabilization is less effective than in-body systems
• The LP-E17 battery provides a modest 320-shot capacity
• Single command dial limits manual control efficiency

Specifications

• Sensor: 24.2MP APS-C CMOS
• Processor: DIGIC X
• Autofocus: Dual Pixel CMOS AF II with subject detection
• Video: 4K 30p oversampled, uncropped

• Image Stabilization: Electronic only
• Viewfinder: 2.36M-dot OLED EVF
• LCD: 3.0” fully articulating touchscreen
• Battery: LP-E17 (320 shots)
• Burst Rate: 12fps mechanical, 15fps electronic
• Weight: 0.7 lb (328g) with battery

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The Canon R50 is one of our picks for the best travel camera due to its small size and low price. See our thoughts on the R50, earlier in this guide.

Canon EOS R100

Bottom Line

Canon’s entry-level RF APS-C camera delivers basic mirrorless functionality at the lowest possible price point. While it lacks modern features like subject detection and 4K video, it provides access to Canon’s RF lens ecosystem and is often available for under $500.

What We Think

The Canon EOS R100 is the easiest and most affordable way to start using Canon’s RF cameras. It has a 24MP APS-C sensor and a simple design that’s easy to learn, even for beginners. The controls are straightforward, and the image quality is a big step up from a phone.

It’s a minimalistic camera designed for learning photography basics and capturing moments without distractions. Autofocus is consistent, exposure metering is reliable, and Canon’s color science helps make images look natural straight out of camera. Though limited in video features, the R100 provides an affordable path into the RF ecosystem with upgrade potential as a user’s skills grow.

Reasons to Buy

• Affordable
• Compact
• Excellent Canon color science

Reasons to Avoid

• No IBIS
• Limited 4K (24p only)
• Fixed screen

Specifications

• Sensor: 24.1MP APS-C CMOS
• Lens mount: Canon RF
• Video: 4K/24p (cropped), Full HD 60p
• Screen: 3.0-inch fixed LCD

• Audio: No mic input, no headphone jack
• Stabilization: None
• Dimensions: 116 × 86 × 69 mm (4.6 × 3.4 × 2.7 in)
• Weight: 356 g (0.78 lbs) with battery and card

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The Canon R100 is a great choice for travel if you’d rather put your budget into your hotel than you camera. It has a low price, a small body, and takes great photos, though the price introduces compromises. See our thoughts on this camera earlier in this guide.

Comparison Chart

Full Frame or APS-C?

One of the biggest decisions when choosing a new camera is whether to go with a full-frame or APS-C sensor. I’ve shot extensively with both, and each has advantages depending on how and what you photograph.

Full-frame sensors are physically larger, which means they collect more light and produce cleaner images with less noise, especially at higher ISOs. You’ll get better dynamic range, shallower depth of field, and smoother tonal transitions than an APS-C sensor of the same resolution. The tradeoff is that full-frame bodies and lenses tend to be larger and more expensive.

APS-C sensors use a smaller imaging area with a 1.6x crop factor, which effectively gives your lenses more reach. That’s a major benefit for wildlife, sports, or any situation where you need to fill the frame from farther away. The smaller sensor also allows for lighter and more compact camera designs, which is why APS-C bodies are great travel companions. The downside is more noise in low light conditions and slightly less control over background blur.

Understanding Canon’s AF Systems

Canon’s autofocus technology has evolved since the company’s DSLR days, and different models have different level autofocus technologies. Confusingly, both use the Duel Pixel CMOS AF name.

The company’s Dual Pixel CMOS AF system gives every pixel on the image sensor the ability to perform both imaging and phase-detection focusing. That design allows for incredibly fast and smooth autofocus without the “hunting” you used to see in older systems. It’s especially useful for video, where autofocus transitions look natural and deliberate rather than mechanical.

In newer cameras, Dual Pixel CMOS AF II brings advanced subject detection powered by machine learning (often referred to as being AI-based, though technically it’s not.) It can recognize people, animals, birds, insects, and even vehicles, automatically locking onto and tracking them across the frame.

Dual Pixel CMOS AF is an excellent focusing system, and Dual Pixel CMOS AF II is more powerful, but only found on Canon’s higher-end cameras.

FAQs

The post Best Canon Cameras: The Complete Buyer’s Guide for Every Photographer appeared first on Imaging Resource.

We test many good cameras and lenses over the course of a year, but each year some rise to the occasion of simply being outstanding in their class. Our Camera of the Year awards are a chance to let us showcase the cameras and lenses that really shined for us over the past year, and we’re honored to give them the recognition they deserve with our Camera of the Year awards.

The bottom line is, we’ve tried to cull the best of the best for you from 2016, and we’ve decided to reverse the order for this year and start with our Best Overall camera models. It was a very difficult decision picking one above the others, and we feel that these three cameras deserve ample attention for our enthusiast audience. We therefore proudly present to you the “Best Overall” winners in Imaging Resource’s Camera of the Year Awards of 2016!

(Stay tuned, as we’ll be introducing four more Camera of the Year articles for the remaining categories across the coming weeks.)
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Best Overall Cameras of 2016

What constitutes the Best Overall? We try and look at every angle possible. This includes the build quality, image quality, performance capabilities, special modes, video capabilities, advancements over the predecessor, the available lens selection and more. We then factor all of these criteria against the price and verses the current competition, debate the merits of each, and arrive at a decision. This year was a difficult one indeed, as all three cameras we chose to honor in our Best Overall competition have shined very brightly in both our lab and in our real world testing. Ultimately, we felt that one triumphed as the best camera for 2016 weighing all critical aspects, and it’s a worthy camera indeed! But the two Cameras of Distinction listed here are equally deserving of your closer inspection depending on your needs, budget and shooting style.

So dive right in, and for further study of each model simply click the additional links to our full review content!

Camera of the Year, Best Overall: Olympus E-M1 Mark II
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The mighty mirrorless reigns yet again! Following up on the major success of the original, the new Olympus E-M1 Mark II offers massive improvements to performance and AF capabilities as well as image quality and ergonomics to take the top spot as our 2016 Camera of the Year.

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Olympus made a big splash with the original OM-D E-M1 back in 2013 — compact, weather-sealed and packed with technology and horsepower. It was like a mini-DSLR, yet full-featured enough to suit professional and enthusiast photographers, or that was the idea anyway. While the E-M1 was rather groundbreaking in the amount of performance it offered in such a small size, it still fell short in a few areas, namely continuous autofocus, that really prevented it from taking the crown over DSLRs for professional work in areas like sports and wildlife.

Olympus took notice and really pulled out all the stops to pack in an impressive level of performance capabilities into this new model. Sporting a new 20MP sensor, vastly more on-chip AF points and an updated image processor with a *dual* quad-core design, the E-M1 II feels nimble and capable no matter what you’re photographing. With an entire quad core dedicated just to AF and the other to image processing, the camera can just chew through images shot after shot — up to a whopping 60fps with S-AF with RAW! Continuous AF, more importantly, is just fantastic. In our testing, the E-M1 II was able to keep up with moving subjects nearly flawlessly, even at its fastest C-AF burst rate of 18fps.

Factoring in its other qualities, including up to Cinema 4K video recording; dual SD card slots; tons of external, customizable controls; and impressive battery life, the Olympus E-M1 Mark II is the compact, professional-level Micro Four Thirds camera we’ve been waiting for!

Buy: Amazon | B&H | Adorama

Camera of Distinction, Overall Achievement: Nikon D500
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It was a long time coming, but the Nikon D300 successor finally arrived this year in the form of the Nikon D500. It doesn’t pack the most megapixels onto its APS-C sensor compared to some of Nikon’s other DX cameras, but it does offer impressive high ISO imaging performance, a reliable 153-point autofocus system and 10 frames per second continuous shooting, making it particularly well-suited to the most demanding photographers.

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Like the D300 that matched the simultaneously-launched full-frame Nikon D3 in many ways, the D500 similarly mirrors the flagship D5, including its autofocus and metering systems. These internal features are matched by a rugged, comfortable camera body that includes numerous quality-of-use features such as a tilting touchscreen display and illuminated buttons. Not only that, it is one of the first Nikon DSLRs to include 4K UHD video recording and Nikon Snapbridge compatibility via Bluetooth Low Energy (BLE) technology. We gave the Nikon D500 this award due to its impressive balance of imaging performance and speed. If you are looking for the ultimate sports and wildlife DSLR, you need not look further than the Nikon D500.

Buy: Amazon | B&H | Adorama

Camera of Distinction, Overall Achievement: Fuji X-T2
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The Fuji X-T1 was a major offering from Fujifilm in 2014 with their first enthusiast-grade, DSLR-styled camera. It packed a lot of firepower and terrific image quality but lacked in a few key areas compared to its DSLR rivals of the day. With the improved X-T2, the Fujifilm engineering team has really stepped up their game and added some serious upgrades both internally and externally, bringing the camera line up from the enthusiast realm and into serious professional territory.

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The new 24.3MP sensor and upgraded processor shared with its range-finder-styled brother, the X-Pro2, offer a serious boost to overall image quality including excellent high ISO performance that rivals or exceeds the best from the APS-C world. Performance has also been notably amped, scoring high marks from our test lab across the board as well as performing admirably in our Field Tests in the C-AF category for wildlife shooting. Add in the addition of 4K video and a battery “booster” grip (with 2 extra batteries!), and you have an enhanced professional arsenal at your disposal.

Rounding out those important internal factors are a truly superb build quality that we found could withstand the brute force of a hurricane, super-solid external controls that will thrill any fan of retro knobs and dials, and a line of excellent lenses covering all the key bases. The Fuji X-T2 is a truly exceptional camera and one that we’ve very much enjoyed our time with at IR.

Buy: Amazon | B&H | Adorama

Imaging Resource Camera of the Year Awards 2016

Best Overall (current page)
Best Professional and High-End Cameras
Best Enthusiast Cameras
Best Premium Compact, Intermediate and Entry-Level Cameras
Best Prime and Zoom Lenses, Technology and more!

The post Camera of the Year 2016: Best Overall appeared first on Imaging Resource.

Everyone’s idea of the best overall anything is subjective, and for the best cameras and lenses it’s dependent on a variety of factors. The type of subject matter you like to shoot certainly comes into play, as well as your preferences on gear price and size. Recently, a deal became available for a $500 camera *and* lens combination that for my shooting taste and style trumps everything else currently available for $500 or less.

That rig is the Olympus E-M10 paired with the Olympus M.Zuiko 40-150mm (80-300mm eq.) lens. These are sold seperately, and both have recently dropped in price such that the E-M10 is down to $399 and the 40-150mm f/4-5.6 is now just $99Â (50% off retail).

Put them together and you have a very solid and capable combination indeed, all without overly straining your biceps or your bank account!

The Olympus E-M10 paired with the 40-150mm f/4-5.6 is a very capable combo for $500.

Dubbed by Olympus as the “OM-D for all” when it was released, and rated with very high marks from us at IR, including winning Best Entry-level Mirrorless camera in our Camera of the Year awards for 2014, the E-M10 offers much of the guts of the classic E-M5 but in a smaller and less expensive frame.

And for that $99 lens? One of our longtime reviewers called it “…an excellent companion to the 14-42mm kit lens…” while showcasing “…good all-around performance…” And get this: the entire package weighs in at just 20oz (565gm)! One-handed sports shooting never got much easier than this.

Olympus E-M10 + 40-150mm M.Zuiko: Sports + Action

1/1250s / f/7.1 / ISO 200 / 184mm eq.

(Images have been cropped and resized to fit this page, as well as edited in post-production software primarily to balance shadows and highlights. Clicking any image will take you to the original, unedited image as produced by the E-M10 and provide you with access to the full resolution file and associated EXIF data.)

Capturing bodies in motion is addictive, but it’s tricky business. A camera must be able to focus well, in still mode and continuous, depending on the subject you’re after. And, at least for me, there needs to be a good level of control over settings and parameters, and having twin control dials is something I can no longer live without. The E-M10 provides not only twin control dials but an excellent array of options and settings designed to allow user-customizability, and once set up is just really easy to use.

The single biggest drawback of the rig of course is that the aperture of this lens is neither bright nor constant, and so you need an adequate amount of light in order to capture fast action without too much noise. But of course the relatively large Four Thirds sensor (about ten times as large as traditional compact sensors, and roughly twice as large as the high-end enthusiast 1″ inch sensors) can produce fairly clean images up to as high as ISO 3200, so you still have a decent amount of flexibility in your exposures.

1/800s / f/4.5 / ISO 1250 / 116mm eq.

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1/1250s / f/5.6 / ISO 250 / 300mm eq.

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1/320s / f/5.6 / ISO 250 / 300mm eq.

Olympus E-M10 + 40-150mm M.Zuiko: Portrait Shooting

Portrait work is also a lot of fun, both to shoot and to share with people, but generally requires the ability to achieve good subject to background isolation, ensuring the ability to attain that coveted “bokeh” when desired. As most of you know, small sensors married to small apertures are not the path towards bokeh heaven, yet most camera/lens combinations and smartphones in this price range are typically of the small + small variety, and therefore just can’t pull it off too well.

As mentioned earlier, the sensor in the E-M10 is roughly ten times the size of traditional compact camera sensors, and the 40-150mm when zoomed out to its widest allows for an aperure of f/4. This isn’t considered “bright” by portrait lens standards, but it’s still able to provide a generous amount of subject-to-background isolation! The images below showcase this to varying degrees given the zoom range, aperture and subject matter.

1/80s / f/4 / ISO 500 / 80mm eq.

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1/1000s / f/7.1 / ISO 200 / 184mm eq.

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1/250s / f/4.7 / ISO 200 / 148mm eq.

Best overall camera + lens under $500?

Camera quality for the price has gotten better and better, but $500 is still way on the low side for a capable camera and zoom lens for subjects like sports, portrait shooting, etc. Grab the Olympus E-M10 and the M.Zuiko 40-150mm and you’re in business! This goes for anyone who’s yet to step into the land of larger sensors and interchangeable lenses, all the way to seasoned enthusiasts who demand good image quality but don’t want to haul their large, expensive rig on a family outing or vacation.

Is this as good as a $1700 DSLR with a $1200 constant aperture zoom lens attached? No. But it’s a lot closer to that ballpark than the ballpark of smartphones and compacts in this price range. And the fact that it’s interchangeable allows for expansion that smartphones and compacts can’t provide down the road. After all, as soon as you’re ready, you can start growing your lens arsenal!

1/800s / f/5 / ISO 320 / 156mm eq.

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1/500s / f/5 / ISO 200 / 140mm eq.

(Special note: This camera is already sold out at Amazon and Adorama, so if you want this deal, head to B&H now before they run out!)

Olympus E-M10 – M.Zuiko 40-150mm f/4-5.6

[Making your purchases through our trusted affiliate links gets you the same low price, and helps us continue to bring review content your way. And buying through B&H gets you automatically entered for the chance to win a $500 gift card each month!]

[UPDATE 7/18: If you can live without a built-in viewfinder, the Olympus E-PL7 just went on sale for $349! This camera is quite similar to the E-M10, has twin control dials, and is priced slightly better. Or you can get the E-PL7 *with* the 14-42mm kit lens for just $399, and still have the extra Ben Franklin left over for the 40-150mm zoom lens. Â So if the E-M10 stock runs out, one of these would be another terrific option. To see more of how the Olympus E-PL7 fares in the real world, please see our E-PL7 Field Test!]

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1/320s / f/5.6 / ISO 250 / 300mm eq.

The post The best overall camera and lens combination for under $500 appeared first on Imaging Resource.

Wake up with IR… here’s today’s cup of Caffeine Priority!

For just a little over $500 you can acquire a Canon Rebel T5 and a Canon 50mm f/1.8 STM lens, and for the price this really is some firepower. The Rebel line is what you’d have to call “tried and true,” having been around for many years and steadily delivering the goods, model after model. The long-running T3i has been the most popular of these, with the T4i perhaps the least due to an interesting anomaly, but the line has overall represented a lot of bang for the buck.

The T5 is actually a newer model than the higher-end T5i, and there’s yet to be a T6 (only the higher-end T6i and T6s) so this model represents the newest Rebel selling for under $500. Also interesting is that shortly after I started writing this piece the T5 jumped to the most popular camera on our site, supplanting the long-running Sony A6000, and that’s no small feat.

1/4000s / f/2 / -1.3 EV / ISO 100

(Images have been resized to fit this page and slightly modified in post – primarily to balance shadows and highlights. Click on any image to see the original as delivered from the T5.)
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1/200s / f/2.5 / -0.7 EV / ISO 400

The Canon 50mm f/1.8 STM tested well in our lab at SLRGear considering its oh-so-reasonable price. And on the T5, it’s not really a “nifty-fifty” per se, as its equivalent focal length in 35mm terms is actually 80mm after the 1.6x crop factor has been applied due to the APS-C sensor. This of course places it into prime portrait territory on the T5, and for some this will make the rig all the more interesting. Oh, and this combination is *incredibly* small and lightweight.

1/1000s / f/2.2 / -0.7 EV / ISO 100

Everyone has differing opinions regarding the most optimal portrait range, and mine is easy… I tend to love them all! I’ve taken portrait shots I’ve liked at 50mm and at 300mm, and find there’s really no “best” focal length. It’s more a matter of the subject, the background, the mood, and then you as the photographer can use distance in order to balance out a lens that may be a bit too short or too long. (Distance is one of the most simple tools to combat issues in still photography, and is usually, though not always, free.)

1/1600s / f/2.8 / -1.0 EV / ISO 400
(For more images with this combination see our Canon T5 gallery (look for “50mm” in the filename).

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Low price and shallow depth of field isn’t all you get with this combo… It’s also incredibly lightweight!

So for about $525, perhaps less given any specials you may find out there, you can get a Canon Rebel T5, an 18-55mm kit lens, *and* a 50mm “prime” f/1.8 STM lens. You’re armed with quite a bit there; a great package to get you started. I’ll conclude this piece by mentioning that having never shot with the Canon T5 before this, I was quite surprised with just how easy it was to use and capable for the money. While beginners can simply put it in “auto” and start firing away, I found it to be incredibly simple and intuitive to dive right in and begin making all the obvious adjustments I like to make.

Perhaps it’s this simplicity that keeps people coming back year after year to this popular line of cameras.

Canon Rebel T5 • Canon 50mm f/1.8 STM

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[Want a second cup of Caffeine Priority? …Grab one here!]

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Caffeine Priority is a new series of short photo-tidbits to ease you into your day, and give us a chance to share a bit more of what life’s like here at IR. We’re more like a group of friends testing and talking about cameras and lenses than the buttoned-down, big-corporation world that some of our photo-friends at other companies work in; hopefully these little snippets will share some of that. So… grab another coffee and join in the conversation with us down below!

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The post $500 feels like quite a bargain for a Canon T5 and a nifty-fifty appeared first on Imaging Resource.

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The competition has really been heating up for high-end compact cameras lately. (We’re defining “compact” cameras here as ones with fixed, non-interchangeable lenses.) Nowadays, larger and larger sensors are getting squeezed into surprisingly compact camera bodies. This type of camera offers photographers the higher image quality of larger cameras, while still maintaining much smaller body sizes compared to most interchangeable lens models. If want a camera that you can literally drop in a jacket pocket, but don’t want to give up image quality to do so, read on; we’ve got a couple of great selections for you!

Also garnering plenty of attention over the past few years have been the newer enthusiast zoom “bridge” cameras, which tend to be larger, to accommodate their long, bright (large maximum aperture) lenses, so we’ll offer our views on a few choices options in that fixed lens category as well.

And for anyone who’s yet to see our first two pages in this article there are links to each at the bottom of this page, or simply click here for best DSLR systems or best mirrorless systems for under $1000.

Options by Mike Tomkins, Dave Pardue and William Brawley

Best fixed lens camera

Panasonic LX100

Our choice for the best fixed-lens camera for under a grand is the new Panasonic LX100. At $899, you’ve still got some budget left over for accessories — perhaps an extra battery or two or some memory cards? The LX100 uses a unique 12.8MP Four Thirds sensor that lets you shoot in multiple aspect ratios, and the high-quality Leica zoom lens provides a 24-75mm-equivalent range with a fast, variable aperture range of f/1.7-2.8 aperture, for lots of light-gathering ability and shallow depths of field. Like Panasonic’s recent high-end ILC the GH4, the new LX100 also incorporates Depth From Defocus technology in its contrast-detect AF system, for significantly faster autofocus.

The LX100 also packs in some advanced amenities and features, such as 4K video recording at both 30 and 24 frames per second (and 1080/60p video in multiple file formats), and built-in Wi-Fi and NFC connectivity. There’s also a built-in EVF to provide easy composing and shooting in bright and dark lighting conditions as well as offering a more traditional and more stable shooting stance.

If you want the image quality of a Micro Four Thirds camera, but don’t want the hassle of interchangeable lenses, and a camera that can still fit comfortably in a small bag or a jacket pocket, the Panasonic LX100 is that camera!

Compare

• Panasonic LX100 vs Sony RX100 III
• Panasonic LX100 vs Panasonic FZ1000
• Panasonic LX100 vs Olympus Stylus 1

Purchase:

• Panasonic LX100, $899: Amazon, Adorama, B&H
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Panasonic LX100 – sample gallery image

[Click here for our full Panasonic LX100 gallery!]

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Best premium compact that’s pocketable

Sony RX100 III

It’s been two and a half years since Sony launched the RX100, a revolutionary product that redefined what the pocket camera could be, and it has since honed the formula with the RX100 II and III. Of the group, the latter is our favorite for several reasons, key among them a brighter lens and a built-in electronic viewfinder. Only in the last few months has any direct competition for the RX100-series appeared.

Canon’s G7X is the nearest rival, and like the RX100 III, it will slip nicely into a pants pocket. It bests the Sony with a very impressive lens that provides almost 50% greater reach, and yet is even brighter across much of the zoom range. The G7x is also faster-shooting when it counts — with autofocus enabled — adds a touch screen, and costs less to boot. So why, then, do we still favor the RX100 III?

Well, for one thing, we find the Sony RX100 III a little more comfortable in-hand than the G7X, whose controls feel a little cramped, by comparison. The RX100 III also has more versatile framing and review options, making it better-suited when shooting over the head or in bright sunlight. And while it doesn’t have as much telephoto reach as the Canon, we found image quality a little better.

That’s in part due to over-aggressive JPEG noise reduction in the G7X, and partly due to an occasional problem with lens flare in that camera. Add in a much more useful movie mode from the Sony, add in the fact that — when similarly-configured — its battery life is about 50% greater, and it seems to us that it’s worth paying just a little more for the Sony RX100 III. Really, both of these are great cameras that you’ll have a lot of fun shooting with, but we had just that little bit more fun roaming the streets with the Sony RX100 III.

Compare

• Sony RX100 III vs Panasonic LX100
• Sony RX100 III vs Panasonic FZ1000
• Sony RX100 III vs Olympus Stylus 1

Purchase:

• Sony RX100 III, $798: Amazon, Adorama, B&H

Sony RX100 III – sample gallery image

[Click here for our full Sony RX100 III gallery!]

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Best premium bridge camera

Panasonic FZ1000

If you’re shopping for a premium bridge camera, there are two that should be right at the top of your list: the Sony RX10 and Panasonic FZ1000. In fact, given how much larger their sensor size than any competing bridge models, if you don’t mind their bulk, they’re a slam-dunk over smaller-sensored cameras, thanks to the increased image quality their larger chips offer. (If you want something pocketable, though, check out our recommendation for the Olympus Stylus One below.) Fortunately both of these cameras are under our $1,000 target, although the Sony only just squeaks through by the skin of its teeth.

We’ve had the opportunity to shoot quite extensively with both these cameras side-by-side, and we love them both, but for our money, there’s a clear winner. The Panasonic FZ1000’s lens might be a bit less bright across most of the zoom range, but it offers far more reach — almost twice as much as that of the RX10, in fact. And yet the FZ1000 is barely any larger, weighs almost exactly the same, and is by some margin the more comfortable of the pair to shoot with. It doesn’t quite exude the same build quality, but we just found ourselves wanting to reach for it more often than we did the Sony.

And that’s not all. The Panasonic FZ1000 has a clear edge when it comes to performance, and we found its image quality the more pleasing of the pair — in the daytime, at least. (At night, the Sony RX10 had the upper hand, so if you shoot a lot at night and can live without the telephoto reach, it might be the better bet for you.) Add in a much more capable Wi-Fi feature set that you’ll almost certainly want to use more often — helping get your photos online where friends and family can see them — plus support for 4K video capture, and the Panasonic FZ1000 just strikes us as the better all-rounder.

And it certainly doesn’t hurt that it’s actually the more affordable of the pair, either! If you’re looking for a superb “bridge” camera with a sharp 16x zoom lens and 4K video chops, the Panasonic FZ1000 is the camera you’ve been waiting for!

Compare

• Panasonic FZ1000 vs Panasonic LX100
• Panasonic FZ1000 vs Sony RX100 III
• Panasonic FZ1000 vs Olympus Stylus 1

Purchase:

• Panasonic FZ1000, $897.99: Amazon, Adorama, B&H

Panasonic FZ1000 – sample gallery image

[Click here for our full Panasonic FZ1000 gallery!]

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Olympus Stylus 1 + TCON-17x teleconverter

The Olympus Stylus 1 was first unveiled in the fall of 2013 and quickly garnered a coveted “Camera of Distinction” from us in our 2013 Camera of the Year awards, in the Enthusiast Zoom category, and for good reason. Today, a full year later, it remains a rare hybrid that marries a long zoom range, a bright maximum aperture when fully extended (f/2.8 all the way to 300mm eq. range), and a larger sensor than the traditional 1/2.3″ sensor found in competing constant-aperture models like the Panasonic FZ200, yet is still compact enough to easily slip into a coat or vest pocket. Neither the FZ200 nor the 1″ sensor bridge camera offerings from Sony (RX10) and Panasonic (FZ1000) can fit easily into a coat pocket, hence the rare appeal of the Stylus 1.

This camera also feels terrific in your hands, superbly built and a pleasure to use. (For much more on that, head over to our three in-depth Shooter’s Reports!) And for anyone concerned that the 300mm eq. might be limiting, you’re in luck, because the current street price for the camera of ~$650 leaves more than enough room to add the TCON-17X teleconverter, increasing your effective focal length range to 510mm eq, while still maintaining the fast f/2.8 max aperture! The combination is a really fun rig, and feels great in the hands. With the teleconverter attached, it gets a bit large for an average coat pocket, but that’s the beauty of the teleconverter being removable. (To read our full review of the TCON-17X when paired with the Olympus Stylus 1, click here!)

But wait… we’ve still only spent about $890! The teleconverter sells for ~$200, and then you’ll need the CLA-13 adapter in order to mount it on the Stylus 1, which is ~$40 more. This leaves ~$110 left over, and that’s a lot of play money! Let’s see… a spare battery for ~$40? Check. A 32GB class 10 SD card for ~$25? Check. $45 remaining for a cool camera bag and perhaps even a third battery? Why not! You’ve got an entire rig spanning an incredible 28-510mm eq. range at a constant f/2.8 aperture and are ready to go without so much as making that $1000 budget nervous.

As mentioned in our review, the one serious drawback is that the sensor is still less than half the size of those found in the larger 1″ type bridge cameras mentioned above, and this does make a difference in low light shooting. However, since none of those larger-sensored models can achieve f/2.8 anywhere near the Stylus 1’s telephoto reach with the teleconverter, the faster aperture largely balances the scales for low light shooting while zoomed out. And since zooming is the primary function for these cameras, it in many ways levels the playing field in the bridge camera arena for low light potential.

If you’re looking for a true all-in-one package that can fit into your coat pocket and travel with you anywhere, the Olympus Stylus 1 is an enormously appealing option. For compact, wide-aperture zoom reach, the Olympus Stylus 1 is truly hard to beat!

Compare:

• Olympus Stylus 1 vs Panasonic LX100
• Olympus Stylus 1 vs Sony RX100 III
• Olympus Stylus 1 vs Panasonic FZ1000

Purchase:

• Olympus Stylus 1, $649: Amazon, Adorama, B&H

• Olympus TCON-17X teleconverter, $199: Amazon, Adorama, B&H

• Olympus CLA-13 Converter Adapter, $39.95: Amazon, Adorama, B&H
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Olympus Stylus 1 + TCON-17X teleconverter – sample gallery image

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Olympus Stylus 1 – sample gallery image

[Click here for our full Olympus Stylus 1 gallery!]

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Conclusion

Thanks for reading! If you’re in the market for a grea new camera, and are looking around the $1,000 price point, any of the dozen outfits we’ve profiled here will deliver the goods. We don’t say this lightly; the advice we’ve given here is the result of literally hundreds of hours of testing in both the lab and the real world, and we leave no stone (nor sensor) unturned!

If this article or any of our other efforts here on this site have helped you decide which camera you’re going to spend your hard-earned cash for, we’d appreciate it so much if you’d use one of the links we’ve provided above to make your actual purchase. Doing so doesn’t cost you a dime, but makes a huge difference to us, helping to keep the informed, unbiased tests and opinions coming! Thank you!

Happy Holidays, and warm best wishes for many, many days of happy shooting!

(Note: Don’t hesitate on these deals; some of them are tied to Black Friday/Cyber Monday holiday promotions, so may not last!)

Navigation

This page is one of three detailing our picks for the best camera packages under $1,000 in the 2014 holiday season. Click below, for our choices in the other two categories!

The post The best camera under 1,000 dollars: Best compact camera appeared first on Imaging Resource.

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Is this “the year of mirrorless”? It might well be, with a literally unprecedented array of capable, affordable models available. While DSLRs still command the bulk of sales, mirrorless cameras’ svelte size and excellent image quality are drawing more and more fans as time goes on. As we wrote in an article earlier this year, all of us at IR actually own and shoot with at least one of each type, and feel both have their place, but there’s no denying that there are some really superb mirrorless cameras on the market, to be had at some incredible prices this holiday season!

On the first page of this little “best-of” trilogy, we unveiled our picks for the best DSLR systems at this price point. Now, we’ll take a turn around the mirrorless world, and look at five phenomenal packages for the same $1,000 price point. Note that there are some important differences in not only the cameras, but the packages we’ve assembled around them, so read on to see which one best suits your own taste and shooting style!

Options by Dave Pardue and William Brawley

Best mirrorless camera and lens combination

Sony A6000 with 16-50mm PZ kit lens + 50mm f/1.8 prime lens

No camera in recent years has been remotely close to as popular with our readers as the Sony A6000, and for good reason. To quote our review: “The Sony A6000 is a very versatile mid-level to advanced camera, able to handle everything from high-resolution landscape shooting to family vacations and fast-moving sports. It’s easy to carry, a strong performer, a pleasure to use, and, best of all, at around US$700 with a lens, it’s a pretty fantastic value.”

And to quote Eamon Hickey, one of our most experienced camera reviewers: “All in all, I think Sony has a real hit with the Alpha 6000. It offers a good, advanced user interface, with previous flaws (from the NEX-6) now fixed, excellent versatility, very good overall performance, highly competitive autofocus for both stationary and moving subjects, excellent video capabilities and great images. What’s more, it’s all wrapped up in a very compact package at a terrific price, and that’s a pretty compelling recipe.”

What’s even better is that with the street price of the camera and 16-50mm PZ kit lens, you’ll have about $300 left over from your G-note, allowing you to add the Sony 50mm f/1.8 prime lens to your arsenal. With a 75mm eq. focal range and a relatively fast aperture you’ll be “primed” for great portrait shooting at a fantastic price. Head to our lens testing site SLRGear.com for more on the 50mm f/1.8, and for (much) more on the Sony A6000 head to our full review and our shooter’s reports from Eamon! If the literally hundreds of thousands of readers who’ve flocked to our review are any indication, you’ll have a lot of company when you’re out shooting with your Sony A6000!

Purchase:

• Sony A6000 + 16-50mm f/3.5-5.6 Power Zoom Kit, $698: Amazon, Adorama, B&H

• Sony E 50mm f/1.8 OSS, $298: Amazon, Adorama, B&H
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Sony A6000 + 16-50mm PZ kit lens – sample gallery image
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Sony A6000 + 50mm f/1.8 – sample gallery image

[Click here for our full Sony A6000 sample gallery!]

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Olympus E-PL7 w/ 14-42mm II kit lens + 40-150mm telephoto or 45mm f/1.8 prime

The Olympus E-PL7 takes the mid-range PEN line to a whole new level. While we loved its predecessor the E-PL5, the E-PL7 looks and feels more like the higher-end E-P5. There’s now a top-deck control dial, and both it and the mode dial have the precision feel we loved on the E-P5. Throw in an attractive look and the image quality we’ve come to expect from the PENs, and this is simply a terrific camera for the money.

The camera with its basic kit lens is available for ~$700, or for ~$900 there’s a fantastic kit available through our affiliate partner Adorama, which pairs the E-PL7 with both the 14-42mm II kit lens as well as the 40-150mm M.Zuiko Digital ED lens, one that we here at IR are quite fond of. That’s a kit that will give you an impressive 28-300mm eq. zoom range, plus some extra goodies, in the form of a lens bag, mini-messenger bag, 16GB class 10 card and a Tiffen digital filter software package. And you’re still left with $100 for gas money to get you to a scenic location for your shoot!

If you don’t need that telephoto zoom range but like to shoot portraits, another intriguing option would be to get the kit with the 14-42mm II lens, and then add the Olympus 45mm f/1.8 portrait lens (90mm eq.) This is a fabulous little lens that not only tested quite well on our lens testing site SLRGear.com, but one that we here at IR use on a regular basis for portrait work. The 45/1.8 lens currently ranges from ~$250 to $350, so depending on the deal you’re able to find, you should be able to acquire it and the basic kit for somewhere right around the $1000 mark.

Want to hear more about the E-PL7? Just head over to our overview, and read our shooter’s report section, to see what fun we had shooting with it. Thanks to strong contributions from both Olympus and Panasonic, the Micro Four Thirds platform has a huge range of really great optics available – And the E-PL7 is an ideal and affordable way to buy into this great system!

Purchase:

• Olympus E-PL7 + 14-42mm II  Kit, $699: Amazon, Adorama, B&H

• Olympus E-PL7 + 14-42mm II & 40-150mm f/4-5.6 R Bundle, $899: Adorama Exclusive

• Olympus 45mm f/1.8, $349: Amazon, Adorama, B&H
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Olympus E-PL7 + 14-42mm II kit lens – sample gallery image
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Olympus E-PL7 + 45mm f/1.8 – sample gallery image

[Click here for our full Olympus E-PL7 sample gallery!]

Fuji X-M1 (body-only) with Fujinon XF 27mm f/2.8 pancake prime

Here’s an intriguing way to spend $1000: Grab a Fuji rangefinder-styled X-M1 body and pair it with a fast, high quality 27mm (41mm eq.) f/2.8 Fujinon lens. Your street-shooting career has begun! The X-M1 is light on its feet thanks to tough polycarbonate in place of the metal found in its higher-priced siblings like the X-Pro 1, and the 27mm f/2.8 prime lets you catch fleeting movement on the street even in partial light. And being a pancake lens on a lightweight body, your coat or vest pockets have seldom been more useful!

The X-M1 offers a quality build with user-interface amenities like twin command dials, a feature we’re quite fond of here at IR, and know that many of our readers appreciate as well. And Fujifilm’s unique X-trans sensor lets them ditch the resolution-robbing lowpass filter without risking introducing moiré into your shots. Plus, you get Fuji’s terrific palette of film simulation modes, another unique feature that delivers a range of gorgeous “looks” for your photography; changing color rendering in subtle and complex ways that would be difficult to achieve in Photoshop. We’ve been wanting to do an article on Fujifilm’s film simulation modes for quite a while now, but the constant press of new cameras to test has kept us from getting around to it. They’re really pretty unique, though, and do a really great job of bringing back the look of favorite emulsions from the film era. (Seriously, check them out!)

It’s true that with this recommendation, you’re limited to just a single single focal length, something that only a true street shooter might settle for, but the X-M1 offers plenty of resolution for cropping as needed, so the wider angle will be a friend here. And if that’s not enough, for just $100 more you can grab the 16-50mm kit lens, and it’s one of the finer kit lenses we’ve tested at our lens test site SLRGear.com. Or for $200 more you can get the 18-55mm kit lens, also an excellent optic for the price.

To read more on the Fujifilm X-M1 please visit our overview page, and for more on the Fujinon 27mm f/2.8 pancake prime please click here.. If you’re an aspiring street shooter, and appreciate the discipline enforced by prime shooting, this Fuji X-M1 package should be on your (very) short list!

Purchase:

• Fujifilm X-M1 body-only, $499: Amazon, Adorama, B&H

• Fujifilm XF 27mm f/2.8, $449: Amazon, Adorama, B&H
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Fuji X-M1 + 16-50mm kit lens – sample gallery image

[Click here for our full Fujifilm X-M1 sample gallery!]

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Samsung NX300 kit w/ 18-55mm lens + 50-200mm f/4-5.6 + 45mm f/1.8 prime

Wow – here’s yet another unbelievable deal! The Samsung NX300 hails from 2013 but it remains Samsung’s top-level APS-C model in a small form factor. Our reviewer Dan Havlik loved shooting with it, the images from our lab looked quite good and we gave it a Dave’s Pick without hesitation. Quoting our review of the camera: “The Samsung NX300 is among the better compact system cameras on the market, especially when its price tag and image quality are factored into the equation. The NX300 is a great looking camera, with a portable design that combines classic rangefinder style with a modern digital camera.”

In fact, we were so impressed with the Samsung NX300 that we named it a Camera of Distinction in the Enthusiast Mirrorless category, in our 2013 annual COTY (Camera of the Year) awards!

We obviously enjoyed our own time with the NX300, and from the very start have heartily recommended it to any of our readers looking for high quality in a small form factor. But just look at the price it’s selling for these days! With the price including the 18-55mm kit lens hovering at just $485, your coffers are free to add not one but two additional, choice lenses to the package. First, the 50-200mm f/4-5.6 ED OIS II, which provides a generous 77-308 eq. range, means you’re covered for most general shooting needs. And second, you still have enough to add the 45mm f/1.8 portrait lens (~70mm eq) for all of your portrait shooting needs!

You’re now at $1006, and we didn’t think anyone would care that we splurged an extra $6 for such an incredible package. There’s a lot to love about a high quality camera and three good lenses all for ~$1000! For much more on the Samsung NX300, please visit our full review. Or, if you’re already convinced, click and buy one with the affiliate links below. (Buying your cameras through our affiliates directly benefits IR, and helps keep our reviews coming!)

Purchase:

• Samsung NX300 + 18-55mm Kit, $399-$495: Amazon, Adorama, B&H (Price depends on color and retailer)

• Samsung 50-200mm f/4-5.6 ED OIS II: Amazon ($224, black; $275, white), Adorama ($269, black; $275, white), B&H ($264, black; $275, white)

• Samsung 45mm f/1.8, $256: Amazon, Adorama, B&H
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Samsung NX300 + 45mm f/1.8 – sample gallery image

[Click here for our full Samsung NX300 sample gallery!]

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Best compact ILC

Panasonic GM5 with 12-32mm Kit

If you’re interested in the smallest, lightest camera possible, yet still want the flexibility of interchangeable lenses and the image quality that comes from a large sensor, then there’s no better option than the Panasonic GM5 “mini” Micro Four Thirds camera. It’s an update to, but not technically a replacement for the GM1 — a camera that inspired us to create a “Best Pocket ILC” category for the first time in our Camera of the Year awards last year — the GM5 has a number of tweaks and improvements that address some of the minor quirks and gripes that we found with the GM1.

Sporting a built-in EVF, hot-shoe (and bundled mini detachable flash), more customizable function buttons and a raised thumb rest for a better grip, the new GM5 is more comfortable to use, to hold, and provides more customizability than the GM1, should you want that extra flexibility.

The internals, while nearly identical to the GM1, are still impressive, and result in excellent image quality at both low and higher ISOs for this class of camera. While the GM1’s AF speed was already pretty speedy to begin with, it’s been further improved in the GM5. The included 12-32mm lens is very sharp and very compact, making the entire kit easily small enough to fit in your jacket pocket. And the best part is that it all fits well within our budget with a current price of just $897.99 for the kit, leaving you some room left over for accessories. If you want a really compact camera, but don’t want to sacrifice image quality or flexibility in the bargain, the Panasonic GM5 should be an easy choice! (Just buy it, you’ll be happy!

Purchase:

• Panasonic GM5 + 12-32mm Kit, (PRE-ORDER) $897.99: Amazon, Adorama, B&H
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Panasonic GM5 + 12-32mm kit lens – sample gallery image

[Click here for our full Panasonic GM5 sample gallery!]

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Your shopping clicks make a difference!

If this article or any of our other efforts here on this site have helped you decide which camera you’re going to spend your hard-earned cash on, we’d appreciate it so much if you’d use one of the links we’ve provided above to make your actual purchase. Doing so doesn’t cost you a dime, but makes a huge difference to us, helping to keep our informed, unbiased tests and opinions coming! Thank you!

(Also, don’t hesitate on these deals; some of them are tied to Black Friday/Cyber Monday holiday promotions, so may not last!)

Navigation

This page is one of three detailing our picks for the best camera packages under $1,000 in the 2014 holiday season. Click below, for our choices in the other two categories!

The post Best camera under 1,000 dollars: Best mirrorless camera appeared first on Imaging Resource.

You all know that we here at The Imaging Resource love cameras, and every manufacturer has at least a few true gems out there for all of us to fall for. But every now and then a camera seems to transcend time and the current market and, well, simply stays current long after being past its proverbial prime.

This era’s shining example of that phenomenon is the Canon Rebel T3i, a camera that debuted almost 3 years ago (nearly ancient in technological time) and yet is still wildly popular with the camera-buying masses. For the calendar year 2014 thus far, the T3i is one of IR’s top ten most read about cameras. (Yes, top ten!) It is higher than the Panasonic GX7, the Nikon D610 and even Canon’s own highly touted 5D Mark III.

It beats the Olympus E-M1, the Sony A58 and the sleek little Canon SL1. It has twice as many landing page views as the Canon T5i, two generations newer down the line. It beats the Canon EOS M, the Canon 6D and the Canon S120, all popular for the manufacturer, but apparently not nearly as popular (at least not on this site) as the good ol’ T3i.

Want more? Go to Amazon.com and search for Digital SLR… as of today the first two results are for the Canon T3i. Click “All DSLRs” at BestBuy.com and you get as your very first buying option… the Canon T3i. Click “Digital SLR” at B&H Photo and, you guessed it: the Canon T3i.

Pardon the expression but… What is Up? This seems almost luny. It’s three years old! And while the US is still more enamored with DSLRs than the Asian market according to recent studies, it’s still above and beyond what I’d consider normal in an industry where change is constant.

Oh, not that we don’t respect the T3i, far from it. One of our senior editors from yesteryear thought it was better than sliced bread and finally broke down and bought one for himself (after it had already been replaced by the oft’ forgotten T4i). I asked him why and he said without hesitation: “It’s all I need and nothing more.” …Hmmm.

Our senior lens technician for many years, Jim Tanner, now retired and shooting away tells me that the T3i is still his “go-to camera.” I asked him why: “It hits the sweet spot for just about everything that matters to me in a camera. I’ve found it to be just the perfect all-around shooter for my style.” This is coming from a guy who has been an active photographer for five decades and has owned a dozen full frame bodies over the years, both film and digital.

Canon Rebel T3i – sample gallery image [© Imaging Resource]

OK, so it hits the sweet spot. Well, if a long-time senior editor and a long-time senior lens technician both love it, that should’ve been enough to satisfy my curiosity, right? But it wasn’t, and this quest for an answer was stalled. In desperation I went to our two resident “Canon” guys here at IR and they just looked at each other conspiratorially, smiled, shrugged at me and walked on.

Now I was really stalled. That is, until we started working with a new writer, Rob Taylor-Case, and he just happened to mention in passing that he owned not one but TWO Canon T3i’s that currently reside in his household, both a his and a her model (so that nobody has to ‘fight over the baby’ so to speak). I’ll let Rob tell you in his own words how he feels about this now almost legendary camera:

“It’s simple. You just can’t go wrong with the T3i. It’s a fantastic little camera.

Does it have the most megapixels? No. (Do megapixels even matter anymore?) Does it have the most dynamic range? Ha! …not by a long shot, if DxO Labs are to be believed (and I assume they are). Does it have the biggest sensor? Nope, just regular APS-C. How about control scheme…it must have the best control scheme, right? No again! That honor tends to go to cameras with both D-pads and thumbwheels (or both in one, like the 5D Mark III). Well, how about autofocus or frame rate? Nope, still slow at both.

So, it basically wins at nothing. How then is it so monumentally popular? Because it does one thing perfectly: It is, above all things, a camera. A camera for everyone. It is incredibly easy to pick up, throw into Av mode and use without thinking. But if you put it into the hands of an advanced pro, it will still be sufficient (if, perhaps, not ideal) for their needs, whether they typically shoot with a 5D Mark II, a PhaseOne IQ180 or a RED EPIC. It sits right in that sweet spot of “good enough.”

Why do I have two in my house? I used to shoot with an EOS 40D. I love that camera, it’s a classic APS-C like the 5D is a classic full-frame. Magnesium body, thumbwheel before they were cool, etc. And yet… The T3i ended up taking over first-body duties from it. Slowly at first, but before too long it was a complete turnaround.

Canon Rebel T3i – sample gallery image [© Rob Taylor-Case]

What actually happened was that my wife bought herself a T3i body a couple of years ago. When I arrived on this side of the pond for good a year or so ago, it was all very exciting, but I figured I wouldn’t be using it much anyway. However, at one point I had to do video for a job. Well of course, the 40D doesn’t do video, so I needed to borrow the T3i. For another job, I needed more macro capability, and having the extra resolution (18MP vs 10MP) allowed for greater “digital zoom” in post. The swivel LCD allowed me to shoot from unusual angles, or experiment with lighting setups on myself without having to run back and forth to the camera. Then I needed the higher ISO performance (It’s generally pointless turning the ISO on the 40D up above ISO 320). You get the idea. Eventually, it was basically my camera.

In order to prevent the aforementioned “fighting over the baby”, a couple of months ago I replaced my wife’s T3i with a brand new one (since I’d put several thousand shutter actuations on hers), plus the new Canon kit lens and additional accessories (as interest payment). Why didn’t I spring for a T5i, or even an SL1, at this point in late 2013? Honestly… there’s just no need. The T3i is technically a very capable camera, and for the price, it’s unbeatable. Hunting around or waiting for holiday sales should net you the body and 18-55mm kit for about $450. Even typically, it retails for around $450-500 body-only.

So not only does it sit in the sweet spot of “good enough” technically, but even in a depressed global economy, $450 is a perfect price for such a competent piece of hardware. It’s hard not to justify the price bump over the T3/100D at around $350, which, while a competent camera in its own right, lacks the extra features that make the T3i reside in the sweet spot it occupies.

Whenever people have asked me about APS-C bodies, whether for stills or video, I’ve pretty much always steered them towards the T3i, and advised using the savings vs. a 60D or 7D for some good quality glass since, to a remarkable degree, it’s really all about what goes in front of the sensor. It’s ideal for video, has all the settings someone might need whether they’re recording baby’s first steps or entering Sundance.

From my experience with our two scrappy little underdogs, it’s as close as I’ve ever seen to a DSLR with character.”

Canon Rebel T3i – sample gallery image [© Rob Taylor-Case]

Well, that pretty much summed it all up for me. I now had three experienced and trusted photographers using phrases like “It’s all I need…” and “It just hits the sweet spot…” and “You just can’t go wrong with the T3i.” As Rob also remarked to me in passing, perhaps the T3i marks the arrival of a sort of technological plateau in the industry… the point at which hobbyists, enthusiasts and even some professionals find is enough to suit their needs and therefore decide to stop racing for more of this or that bell or pixel and spend their hard-earned money instead on lenses, lights and travel.

What do you think? If you own a T3i, we’d love to hear your take on this discussion in the comments below! And for anyone perplexed about this phenomenon, let us know your take as well. Do the honest and experienced perspectives above make you yearn to own one for yourself? Or do you think the camera world is suffering from some sort of mass delusion?

Camera fans: Weigh in and Ye shall be Heard!

And if you decide to purchase a T3i (or any camera for that matter) please click on one of our  purchase links from our T3i review which helps to support this site and allows us to keep bringing you great review content!

[Special thanks to Rob Taylor-Case for co-writing this article… Look for more pieces on our site from Rob in the months to come!]

The post A Camera For Everyone? The Canon Rebel T3i – still selling Big Time after all these years appeared first on Imaging Resource.