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DSLR Cameras Black Friday Deals in 2025

David Schloss — Sun, 26 Oct 2025 17:56:26 +0000

As we run up to Black Friday, companies are starting to announce their best sales of the year. We will be bringing you all of the best No Text in Clipboard Black Friday Deals in 2025.

How do Black Friday Deals Compare to Other Sale Events

Most photographic and videographic manufacturers have discounts for Black Friday. The rest of the year, they offer sporadic deals, usually on just a few items they’re trying to clear out of inventory. Those deals are hard to predict, and can sometimes have only minor discounts, while generally, Black Friday deals offer greater savings.

Prices and savings subject to change. Click through to get the current deal prices.

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Nikon D7500

Class leading image quality, ISO range, image processing and metering equivalent to the award winning D500 Large 3.2” 922k dot, tilting Lcd screen with touch…

Best Deals

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Should I Wait Until Black Friday to Buy Photo and Video Gear?

If you find a deal in this guide even before Black Friday, it’s likely to be the largest discount available for the whole Black Friday season. Companies rarely offer sales in October or early November and then offer the same products at a higher savings.

Imaging Resource Buyer’s Guides

If you’d like to see our guides to finding the best gear in dozens of categories, check out our Buyer’s Guides section.

All of our Buyer’s Guides

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Memory Cards Black Friday Deals in 2025

David Schloss — Sun, 26 Oct 2025 17:34:05 +0000

As we run up to Black Friday, companies are starting to announce their best sales of the year. We will be bringing you all of the Best Memory Card deals here.

Memory Cards are the unsung heroes of photography. If you don’t have a memory card, you can’t take photos; it’s that simple. Some photographers only use a single memory card, but best practice says you should have at least a few. Cards rarely die these days, but if yours does and you don’t have a backup, your shoot comes to a halt.

New standards also make older cards almost obsolete. Start shooting 4K/60 video and the UHS-1 SD card you got with your camera might not be fast enough to record.

That’s why deals on memory cards are so important to the photographer and videographer, deals are the perfect time to grab some new cards for uniterrupted shooting.

How do Black Friday Deals Compare to Other Sale Events

Most photographic and videographic manufacturers have discounts for Black Friday, while the rest of the year, they offer sporadic deals, usually on just a few cameras they’re trying to clear out of inventory. Those deals are hard to predict, and can sometimes have only minor discounts, while generally, Black Friday deals offer greater savings.

Should I Wait Until Black Friday to Buy Memory Cards?

Where Can I Find out More About Memory Cards

If you’re looking for information and our recommendations for best memory cards, you can check out our Ulitmate Guide to Memory Cards buyer’s guide.

Imaging Resource Buyer’s Guides

If you’d like to see our guides to finding the best gear in dozens of categories, check out our Buyer’s Guides section. You can also find a full list of our buyer’s guides below.

All of our Buyer’s Guides

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Best Pro Hybrid Video Cameras Buyer’s Guide

David Schloss — Fri, 17 Oct 2025 20:47:00 +0000

The line between cameras for photography and filmmaking has nearly vanished. What once required a $20,000 cinema camera can now be done with gear small enough to fit in a backpack and for $4000 or much less.

Today’s video-focused mirrorless cameras deliver cinema-quality footage, advanced codecs, and pro-level autofocus—without sacrificing still-photo versatility. These hybrid models have become the go-to tools for filmmakers, YouTubers, and commercial shooters who want professional results in compact bodies.

This guide covers the best video-first and hybrid cameras where filmmaking performance drives the design. For larger, production-grade systems, see our companion guide: Best Pro Cine Cameras.

Our Picks at a Glance

Best Overall Hybrid
Nikon Z6 III
- Sensor: 24.5 MP full‑frame partially‑stacked CMOS
- Processor : EXPEED 7
- Autofocus: 493-Point Phase-Detection AF
- Video: 6K N‑RAW (to 60p), 4K up to 120p, FHD up to 240p
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Best High-Resolution Hybrid
Canon EOS R5 Mark II Mirrorless Camera
- Sensor: 45MP full-frame stacked CMOS
- Processor: DIGIC X + DIGIC Accelerator
- Autofocus: Dual Pixel CMOS AF II with eye-control
- Video: 8K 60p, 4K 120p, unlimited recording
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Best Budget Full-Frame
Panasonic Lumix S5 II
- Sensor: 24.2 MP full‑frame CMOS
- Processor: Panasonic video engine variant
- Autofocus : 779-Point Phase-Detection AF System
- Video: 6K up to 30p, 4K up to 120p depending on mode; 10‑bit recording internal
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Best Content Creator Camera
Fujifilm X-S20
- Sensor: 26.1 MP APS‑C X‑Trans CMOS 4
- Processor: X‑Processor 5
- Autofocus: Hybrid AF with subject detection; Contrast Detection, Phase Detection: 117
- Vide: 6.2K up to 30p, 4K up to 60p (10‑bit), FHD up to 240p
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Best for Low Light
Sony A7S III
- Sensor: 12.1MP Full-Frame Back-Illuminated CMOS
- Processor: BIONZ XR image processor
- Autofocus: Fast Hybrid AF (759 points wide coverage)
- Video: 4K up to 120p (10‑bit 4:2:2 internal); Raw output via HDMI
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Best Professional Features
Panasonic Lumix S1 II
- Sensor: 24.1 MP partially‑stacked full‑frame CMOS
- Processor: Latest Panasonic S‑series engine
- Autofocus: Phase Hybrid Autofocus with 779 focus points
- Video: Open Gate 5.1K/60p, 4K up to 120p in some modes; internal ProRes RAW in supported modes
- Stabilization: 5-Axis IBIS up to 8 stops
- Storage: Dual SD UHS-II slots
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Best Sports/Wildlife
Canon EOS R7
- Sensor: 32.5MP APS-C CMOS
- Processor: DIGIC X
- Autofocus: Dual Pixel CMOS AF II with subject detection
- Video: 4K 60p uncropped, 1080p 120p
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Best Micro Four Thirds
Panasonic GH7
- Sensor: 25.2MP Micro Four Thirds Live MOS
- Processor: Venus‑variant engine
- Autofocus: 79 Points, Phase Hybrid Autofocus
- Video: 5.7K up to 60p; 4K 60p 4:2:2 10‑bit unlimited, ProRes RAW options
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Best Beginner APS-C
Canon EOS R50 V
- Sensor: 24 MP APS‑C CMOS
- Processor: DIGIC X
- Autofocus: Dual Pixel CMOS AF II
- Video: 4K 60p, 6K oversample to 4K, FHD 120p; Canon Log 3 / 10‑bit in modes
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Hands-on Review
Sony ZV‑E1
- Sensor: 12.1 MP full‑frame Exmor R CMOS
- Processor: BIONZ XR
- Autofocus: Phase Detection: 759
- Video: 4K up to 120p, FHD up to 240p; 10‑bit 4:2:2 internal in many modes
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Why Trust Us

I’ve been testing video cameras and production equipment for over a decade, covering everything from smartphone videography to professional cinema cameras for major publications. As a working filmmaker and content creator, I have used all of these hybrid cameras for commercial projects, documentaries, and online content. Our team has hands-on experience with every major camera manufacturer and has covered the evolution of digital video from its early days to today’s cinema-quality hybrid cameras.

While we haven’t tested all the cameras featured in this guide, they have been extensively tested in real-world production environments. We never accept payment for placement, and even though our articles contain affiliate links, they never influence our editorial rankings. Our recommendations are based on extensive testing, industry expertise, and feedback from working professionals across different video production disciplines.

Affiliate Disclaimer: We may earn a commission from purchases made through our links.

Hybrid Cameras – Full Frame

Maximum Image Quality in Traditional Camera Bodies

Full-frame hybrid cameras deliver the ultimate combination of high-resolution stills and professional video capabilities. The large sensor provides exceptional low-light performance, shallow depth of field control, and superior image quality that satisfies both photographers and videographers. These cameras excel in professional environments where image quality cannot be compromised.

Canon

Best High-Resolution Hybrid

Canon EOS R5 Mark II

Bottom Line

Professional hybrid shooters who need maximum resolution for both stills and video, commercial photographers expanding into video, and high-end content creators requiring flagship performance.

Reasons to Buy

Internal 8K and Canon RAW Light recording
Exceptional 45MP stills quality alongside video
An advanced stacked sensor eliminates rolling shutter
Professional color science and unlimited recording

Reasons to Avoid

Premium pricing for flagship features
Large file sizes require significant storage investment
A complex feature set may overwhelm beginners

Specifications

Sensor: 45 MP full‑frame stacked BSI CMOS
Processor: DIGIC X + DIGIC Accelerator
Autofocus: Dual Pixel Intelligent AF (eye control, wide coverage)
Video: 8K up to 60p (RAW in‑camera), 4K up to 120p; bit‑depth depends on mode

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This is the camera I recommend most often to photographers who do still photography that requires a high-resolution sensor and are also video creators. This flagship hybrid camera features Canon’s most advanced video capabilities in a traditional camera body. Built around a 45MP stacked CMOS sensor with lightning-fast readout speeds, the R5 Mark II delivers internal 8K recording and Canon RAW Light codec support that rivals dedicated cinema cameras. Advanced features include unlimited 4K recording, internal Canon RAW Light recording, and professional color grading options, while the stacked sensor eliminates rolling shutter issues even at high frame rates.

Nikon

Best Overall Hybrid

Nikon Z6 III

Bottom Line

This camera will satisify hybrid shooters seeking cutting-edge technology at reasonable prices, content creators who need 6K recording capability, and professionals wanting flagship performance without flagship pricing.

What We Think

The Nikon Z6 III is a full-frame mirrorless body that pairs a 24.5 MP partially-stacked CMOS sensor with the EXPEED 7 processor to deliver faster readout, robust hybrid autofocus with expanded subject detection, and advanced video options including 6K/60fps RAW and 4K/120fps. It also features high-performance in-body stabilization, dual card slots (CFexpress/XQD + SD), a 5.76 M-dot EVF, and a weather-sealed body weighing approximately. 760 grams (1.68 pounds). Designed for creators who need one camera to do high-resolution stills and video with professional workflow support.

Reasons to Buy

Groundbreaking 6K internal recording capability
Exceptional value for flagship-level features
Revolutionary partially-stacked sensor technology
Outstanding low-light autofocus performance

Reasons to Avoid

The newer N-RAW codec has limited software support
Battery life could be better with intensive video use
Learning curve for Nikon’s video interface

Specifications

Sensor: 24.5 MP full‑frame partially‑stacked CMOS
Processor : EXPEED 7
Autofocus: 493-Point Phase-Detection AF
Video: 6K N‑RAW (to 60p), 4K up to 120p, FHD up to 240p

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I started testing the Nikon Z6 III about a month before it was released, and I haven’t stopped shooting with it since. It’s an amazing hybrid camera featuring a partially-stacked sensor, which gives it fast speed and great video capabilities. It operates 3.5x faster than the Z6 II, enabling cinema-quality video in a traditional camera body. Internal 6K recording and advanced autofocus are on par with Nikon’s Z9 and Z8 flagship bodies.

Nikon Z8

Bottom Line

This camera is for high-end content creators requiring 8K capability, commercial photographers expanding into video, and wildlife and sports videographers needing maximum reach and detail.

What We Think

The Nikon Z8 is a full-frame mirrorless camera featuring a 45.7-megapixel stacked CMOS sensor, paired with Nikon’s EXPEED 7 image processor. It supports up to 120 fps continuous shooting, RAW video recording up to 8.3K/60p, subject-detection for nine object types and 3D-tracking, and is built for durability in varied shooting environments.

Reasons to Buy

Internal 8K recording without crop factor
Professional-grade stacked sensor eliminates rolling shutter
Exceptionally high-resolution stills alongside video
Advanced subject detection and tracking

Reasons to Avoid

8K files create enormous storage requirements
The N-RAW codec has limited software support currently
Premium pricing for flagship features

Specifications

Sensor: 45.7 MP full‑frame stacked CMOS
Processor : EXPEED 7
Autofocus: Same AF system family as Z9
Video: Up to 8.3K/60p N‑RAW, 4K up to 120p, 8K/30p

Stabilization: 5.5-axis IBIS (up to 6 stops)
Burst Rate: 120fps (Raw, 1,000+ frames)
Build: Weather-sealed magnesium alloy (-10°C rated)

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This Nikon camera is their second most powerful model, just behind the flagship Z9. Before the Z6 III was released, this was my go-to camera in the Nikon platform. It’s a high-resolution hybrid camera that can capture 8K video recording using Nikon’s advanced N-RAW codec, which provides excellent post-capture color adjustments. The professional-grade stacked sensor enables 8K recording without a crop, and it has some of the best rolling shutter performance I’ve seen.

Advanced subject detection and tracking make it excellent for wildlife and sports, and any videography where both resolution and autofocus performance are critical.

Nikon Z9

Bottom Line

This camera is for professional photographers and videographers requiring flagship performance, sports and wildlife specialists need maximum reach and speed, and commercial productions require 8K capability.

What We Think

The Nikon Z9 is Nikon’s professional flagship full-frame mirrorless camera, built around a 45.7-megapixel stacked CMOS sensor and the EXPEED 7 processor. It eliminates a mechanical shutter entirely, relying on a fast readout stacked sensor to achieve silent operation and minimal rolling shutter. The camera supports internal 8K/60p RAW recording and 4K up to 120p, with 10-bit N-Log and H.265 compression. It features a 493-point autofocus system with subject detection for people, animals, and vehicles, and includes 5-axis in-body stabilization. The body is weather-sealed magnesium alloy with dual CFexpress Type B slots, a 3.2-inch tilting touchscreen, and integrated vertical controls.

Reasons to Buy

Professional flagship performance with unlimited 8K recording
Integrated vertical grip and professional controls
Exceptional build quality and weather sealing
Advanced autofocus with comprehensive subject detection

Reasons to Avoid

Significant size and weight for handheld work
Very expensive storage requirements for 8K workflows
CA’s complex feature set requires a learning investment

Specifications

Sensor: 45.7 MP full‑frame stacked CMOS
Processor: EXPEED 7
Autofocus: Advanced AF with extensive phase coverage and subject detection
Video: Up to 8.3K/60p N‑RAW, 4K up to 120p, internal 10‑bit / ProRes RAW in some modes

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This is the camera for someone who wants it all, and the bank account to pay for it. This flagship camera features the best still photography and video capabilities of any Nikon camera, ever. It can capture 8K raw to media cards, a feature exclusive to Nikon cameras.

In my testing of this camera, it outperformed every Nikon body I’ve ever used (and I’ve been using them since the 1970s) and almost every camera on the market. If it didn’t have such a high price tag, this is what I’d recommend to every Nikon shooter.

Panasonic

Best Professional Features

Panasonic Lumix S1 II

Bottom Line

This camera is for professional videographers prioritizing dynamic range and color science, hybrid shooters invested in the L-mount system, and content creators requiring unlimited recording with professional features.

What We Think

The Panasonic Lumix S1 II is a full-frame mirrorless camera built around a 24.2-megapixel CMOS sensor and the latest Phase Hybrid autofocus system. It records 6K video up to 30 fps and 4K up to 120 fps, supports 5-axis in-body image stabilization rated up to 8 stops, and features a new Real Time LUT function for applying looks directly in-camera. The magnesium alloy body includes dual SD card slots, a 5.76-million-dot EVF, and an articulating 3.2-inch touchscreen.

Reasons to Buy

Revolutionary Dynamic Range Boost delivers 15+ stops
High frame rate recording with excellent heat management
Advanced Venus Engine processing for superior image quality
Professional XLR module compatibility

Reasons to Avoid

Contrast-based autofocus is slower than phase-detect systems
Limited native L-mount lens selection
Complex menu system for beginners

Specifications

Viewfinder: 5.76 M-dot OLED
Weight: Approximately 740 grams (1.63 pounds

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This is my current A-camera in my studio because it offers unreal image quality and best-in-class color rendition. It takes some time to dial in this camera for a studio setup, but once you’ve got it just right, it produces amazing video. This camera can record in almost every video format available, including Long-GOP and All-I.

The autofocus in the original S1 was not on par with the competition. Still, this second-generation camera has a new AF system that’s very effective at tracking, especially tracking human subjects.

The new autofocus also makes this a great still photography camera, though Panasonic has always been a video-first design.

Its advanced Venus Engine enables high frame rate recording with excellent heat management. Professional XLR module compatibility makes it suitable for serious video production work.

Panasonic Lumix S1 IIE

Bottom Line

This camera will attract cinematographers seeking unique aspect ratios, content creators focused primarily on video production, and filmmakers wanting cinematic formats without post-production cropping.

Reasons to Buy

Unique Cinemascope 2.4:1 recording format
Video-optimized controls and interface
Excellent value for professional video features
Unlimited recording with active cooling

Reasons to Avoid

Contrast autofocus limits some applications
Specialized format may have limited appeal
Fewer stills-focused features than S1 II

Specifications

Sensor : 24.1 MP full‑frame BSI CMOS
Processor : Panasonic S‑series engine variant
Autofocus: 779-point Phase Hybrid Autofocus
Video: Open Gate 6K 30p; internal 4:2:2 10‑bit modes

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Only Panasonic could take a phenomenal video camera and then make a more video-oriented variant. This body is designed for Cinema. Video-optimized controls and interface make it particularly suitable for filmmakers who prioritize video over still photography.

Best Budget Full-Frame

Panasonic Lumix S5 II

Bottom Line

This camera is for budget-conscious videographers seeking professional features, content creators who need reliable unlimited recording, and hybrid shooters prioritizing video capabilities over stills resolution.

What We Think

The Lumix S5 II is a full-frame hybrid camera combining 24.2-megapixel resolution with advanced Phase Hybrid autofocus and 6.5-stop image stabilization. It supports 6K 30p and 4K 60p 10-bit recording, with unlimited record times in most modes. The camera includes a built-in fan for thermal control, dual SD card slots, and an articulating touchscreen. It’s part of the L-Mount system and offers a strong balance of features for both stills and video work.

Reasons to Buy

Outstanding value for professional video features
Unlimited 4K recording with excellent heat management
Phase-detection autofocus significantly improves tracking
Comprehensive codec support, including V-Log

Reasons to Avoid

Autofocus still trails Sony and Canon systems
The menu system can be complex for beginners
Limited native lens selection compared to competitors

Specifications

Sensor: 24.2 MP full‑frame CMOS
Processor: Panasonic video engine variant
Autofocus : 779-Point Phase-Detection AF System
Video: 6K up to 30p, 4K up to 120p depending on mode; 10‑bit recording internal

Stabilization: 5-axis in-body image stabilization (up to 6.5 stops)
Lens Mount: L-Mount

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For YouTubers and social media creators seeking performance comparable to the S1 II but within a budget of under $2000, the Lumix S5 II is my top choice. It’s a mid-range hybrid camera offering tremendous value for the money. It features Panasonic’s new phase-detection autofocus and unlimited 4K recording. Thanks to its heat management, I’ve never seen one of these overheat.

Panasonic Lumix S1H

Bottom Line

The camera will attract professional filmmakers requiring Netflix-approved cameras, productions prioritizing unlimited recording, and cinematographers comfortable with manual focus workflows

Reasons to Buy

First hybrid camera with Netflix approval
Unlimited recording with professional heat management
Comprehensive professional video features
Full-size HDMI output for professional monitoring

Reasons to Avoid

Contrast-only autofocus system is outdated
Larger and heavier than the newer S5 series
Limited to SD card storage only

Specifications

Sensor: 24.2 MP full‑frame CMOS
Processor: Venus Engine
Autofocus: Contrast-Detect 225-Area DFD AF System
Video: 6K 24p, 5.9K 30p, DCI/UHD 4K up to 60p; internal 4:2:2 10‑bit

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Another variant in the S1 lineup, this one is aimed at very specific content creators. It’s the first hybrid camera with Netflix approval, making it usable for original content production on the world’s leading streaming platform. Netflix’s standards are incredibly high, and usually certification is limited to dedicated cinema cameras.

Sony

Best for Low Light

Sony A7S III

Bottom Line

This camera is ideal for documentary filmmakers working in challenging lighting, event videographers, low-light specialists, and professional videographers who prioritize video quality over high-resolution stills.

Reasons to Buy

Exceptional low-light performance up to ISO 12,800
Unlimited 4K recording with professional codecs
Optimized 12MP sensor for video production
Comprehensive slow-motion capabilities

Reasons to Avoid

Lower resolution limits large print options
Premium pricing for specialized features
Requires expensive CFexpress Type A cards

Specifications

Sensor: 12.1MP Full-Frame Back-Illuminated CMOS
Processor: BIONZ XR image processor
Autofocus: Fast Hybrid AF (759 points wide coverage)
Video: 4K up to 120p (10‑bit 4:2:2 internal); Raw output via HDMI

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The ultimate low-light video specialist, featuring a 12-megapixel full-frame sensor, has a lower resolution than most cameras, but that gives it better light gathering. Rather than chasing resolution, Sony focused on pixel quality, resulting in usable footage up to ISO 12,800 and beyond.

I used this camera to record the comet Leonard in 2021, successfully capturing footage despite handholding on a moonless night.

It’s especially ideal for documentary and event videography where challenging lighting conditions are common. Sony’s rolled these features into newer bodies, making it feel slightly outdated in 2025, but still a powerhouse.

Sony A7 IV (Old listing)

Bottom Line

This camera will suit hybrid creators who need high-resolution stills alongside quality video, content creators requiring reliable autofocus, and photographers expanding into professional video work.

What We Think

It feels strange to me how long the a7 IV has been Sony’s entry-level full-frame camera. But if it works, don’t mess with it, right? Many Sony fans are hoping for an a7 V, but I think this camera is here to stay. Even if an a7 V comes out, the a7 IV will still be an affordable workhorse.

The a7 IV stands as Sony’s most accomplished hybrid camera, combining a high-resolution 33-megapixel sensor with professional video capabilities.

Reasons to Buy

Excellent balance of 33MP stills and 4K video
Sony’s advanced real-time tracking autofocus
Comprehensive codec support, including S-Log3
Solid build quality and weather sealing

Reasons to Avoid

4K/60p requires 1.5x crop
CFexpress Type A cards more expensive than alternatives
Video features are not as advanced as dedicated video models

Specifications

Sensor: 33MP full-frame Exmor R BSI CMOS
Processor: BIONZ XR
Autofocus: 759-point phase detection with Real-time Eye AF
Video: 4K 60p, 10-bit 4:2:2 internal recording

Image Stabilization: 5.5-axis in-body stabilization
Viewfinder: 0.78” OLED EVF (3.68M dots, 120fps)
LCD: 3.0” fully articulating touchscreen (1.04M dots)
Battery: NP-FZ100 (580 shots)
Burst Rate: 10fps continuous with AF/AE
Dynamic Range: ~15 stops
Dimensions: 5.2 x 3.8 x 3.1″ (131 x 96 x 80mm)
Weigh: 1.4 lb (658g) with battery

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This is one of the oldest cameras in Sony’s current lineup, and it’s still a solid choice for video. It won’t capture 8K, and it doesn’t have Sony’s newest autofocus, but it’s one of the best AF systems at its price point. It captures 33 megapixel stills capability and has strong 4K video features, offering excellent value for creators who need both high-resolution photos and quality video.

Best Content Creator Camera

Sony ZV-E1

Bottom Line

This camera is ideal for solo content creators requiring professional video quality, vloggers and YouTubers needing compact full-frame performance, and mobile filmmakers prioritizing portability without sacrificing image quality.

What We Think

Sony’s full-frame entry into the vlogging market combines exceptional low-light performance with AI-powered features explicitly designed for solo creators. Until this camera came out, the ZV-E10 II was my pick for best video camera, and it still is for someone who wants the benefits of the APS-C sensor. But this has replaced that in my top pick for vlogging and social media creators.

The ZV-E1 brings cinema-quality video capabilities in a surprisingly compact full-frame body. The full-frame sensor delivers exceptional low-light performance that excels in indoor and nighttime scenarios.

The ZV-E1 has creator tools that most of Sony’s full-frame cameras don’t have. The AI Auto Framing feature automatically crops and tracks subjects. There’s also a product showcase mode and, if you’re feeling a bit wrinkly, a soft portrait mode.

The camera records professional 4K 120p video with 10-bit color depth for maximum post-production flexibility, and the Cinematic Vlog Setting provides cinema-quality color grading with minimal effort required. The 5-axis in-body stabilization produces smooth handheld footage without external gimbals, which is excellent for your video, though the premium pricing places it well above typical vlogging camera budgets.

Reasons to Buy

Professional video quality in ultra-compact form
AI-powered subject recognition and tracking
Built-in breathing compensation for smooth focus transitions
Creator-optimized interface and control

Reasons to Avoid

No electronic viewfinder
Limited still photography features
Higher price than traditional vlogging cameras

Specifications

Sensor: 12.1MP full-frame Exmor R BSI CMOS
Processor: BIONZ XR with dedicated AI processing unit
Autofocus: 759-point phase detection with AI subject recognition
Image Stabilization: 5-axis in-body stabilization (5 stops)

Viewfinder: None
LCD: 3.0” fully articulating touchscreen (1.04M dots)
Battery: NP-FZ100 (400 shots, 95 min video)
Features: AI Auto Framing, Cinematic Vlog Setting, S-Cinetone
Dimensions: 4.8 x 2.8 x 2.1″ (121 x 71 x 54mm)
Weight: 1.0 lb (483g) with battery

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This is a bit of a twist on the rest of the pro cameras in this guide. The ZV-E1 is one of Sony’s “vlog” style cameras, but it’s also a more modern version of the a7S III in a smaller body. It’s built around the same 12MP sensor as the A7S III, so it has exceptional low-light performance and professional video quality.

Sony’s vlog cameras feature creator-friendly tools like product showcase, which switches focus from a subject to a product as soon as it’s held in front of the lens, and then switches back instantly when the product is put down. No more trying ot block your eyes with the product to force the focus to change.

If you’re planning to spend more time in front of the camera than behind it, I would recommend this over more traditional Sony video cameras.

Hybrid Cameras – APS-C

Professional Features in Compact, Affordable Bodies

APS-C hybrid cameras provide an excellent balance of image quality, portability, and value. The crop factor delivers additional reach for wildlife and sports applications while maintaining good low-light performance. These cameras are ideal for creators who need professional video features without the size, weight, and cost of full-frame systems.

Canon

Best Sports/Wildlife

Canon EOS R7

Bottom Line

This camera is for wildlife and sports videographers needing extra reach, content creators on budgets seeking Canon quality, and photographers expanding into video who prioritize telephoto performance.

Reasons to Buy

Excellent reach for wildlife and sports videography
4K/60p recording with Canon’s proven color science
Dual SD card slots for backup and overflow
Strong build quality and weather sealing

Reasons to Avoid

APS-C sensor limits low-light performance
Video features are not as advanced as full-frame models
Crop factor requires wider lenses for standard fields of view

Specifications

Sensor: 32.5 MP APS‑C CMOS
Processor: DIGIC X
Autofocus: Dual Pixel CMOS AF II — wide coverage
Video: 4K 60p (crop), 4K 30p oversampled, FHD 120p; Canon Log / 10‑bit in supported modes

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Wildlife and sports videographers needing extra reach, content creators on budgets seeking Canon quality, and photographers expanding into video who prioritize telephoto performance.

Best Beginner APS-C

Canon EOS R50 V

Bottom Line

Best for content creators focusing on social media platforms, beginners learning video production, and budget-conscious users needing basic 4K capability.

Reasons to Buy

Very affordable entry point for video creation
Vertical video modes are perfect for social media
Creator-focused interface simplifies video production
Compact size ideal for handheld shooting

Reasons to Avoid

Limited professional codec support
Single SD card slot with slower UHS-I speed
Electronic stabilization only

Specifications

Sensor: 24 MP APS‑C CMOS
Processor: DIGIC X
Autofocus: Dual Pixel CMOS AF II
Video: 4K 60p, 6K oversample to 4K, FHD 120p; Canon Log 3 / 10‑bit in modes

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This camera is Canon’s take on compact video bodies in the APS-C format. It’s an affordable entry point for video creation, featuring vertical video modes perfect for social media platforms, and an easy-to-use interface. It maxes out at 4K, so it’s a good choice for beginners looking to get started in content creation.

Fujifilm X-H2

Bottom Line

This camera will suit content creators requiring maximum resolution in compact form, hybrid shooters needing detailed stills alongside 8K video, and filmmakers prioritizing Fujifilm’s distinctive aesthetic.

Reasons to Buy

8K recording capability in APS-C format
Exceptional detail and cropping flexibility
High-resolution sensor enables detailed stills
Fujifilm’s unique color science and film simulations

Reasons to Avoid

8K files create enormous storage requirements
APS-C format limits professional lens options
No internal ProRes recording

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Fujifilm is known for its photography cameras, but this one does double duty as an 8K video-capable hybrid. The ergonomics of Fujifilm’s cameras have always been some of my favorites in the market, and this is no exception. The high-resolution sensor also enables detailed stills when needed, making it appealing to hybrid shooters who occasionally need both capabilities in one body.

Fujifilm X-H2S

Bottom Line

This Fujifilm camera will suit professional videographers who need speed and reliability, wildlife and sports filmmakers benefiting from APS-C reach, and content creators who prioritize exceptional build quality and unique color aesthetics.

What We Think

The Fujifilm X-H2S is a powerhouse APS-C camera built for speed, precision, and professional reliability. Its 26.1MP stacked X-Trans CMOS 5 HS sensor and X-Processor 5 deliver lightning-fast autofocus and up to 40fps burst shooting. If you’re into sports, wildlife, and action photography, consider this camera.

It captures 6.2K/30p and 4K/120p video with minimal rolling shutter, making it a serious hybrid tool for filmmakers. The rugged, weather-sealed body and deep grip inspire confidence in demanding environments. For professionals who demand speed and advanced video features in a smaller format, the X-H2S stands as Fujifilm’s most versatile flagship to date.

Reasons to Buy

Stacked sensor eliminates rolling shutter artifacts
Open gate 6.2K provides maximum post flexibility
Exceptional build quality and ergonomics
Fujifilm’s renowned color science and film simulations

Reasons to Avoid

APS-C sensor limits low-light performance vs full-frame
Smaller lens ecosystem compared to full-frame systems
Premium pricing for APS-C format

Specifications

Sensor: 26.1 MP APS‑C X‑Trans CMOS 5 HS
Processor: X‑Processor 5
Autofocus: Intelligent Hybrid AF with advanced detection, 425 AF points
Video: 6.2K up to 30p, 4K up to 120p, FHD 240p; internal ProRes 422 HQ

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A step-up from the with stacked sensor tech makes this my recommendation for Fujifilm shooters looking for their best-in-class video. The stacked sensor virtually eliminates rolling shutter and enables 40fps burst shooting, while 6.2K recording provides maximum flexibility for different aspect ratios in post-production. Like with the X-H2, I love the build quality and ergonomics. This is a favorite among content creators who want pro-grade video in a body that feels like the best analog cameras of yesterday.

Best APS-C Value

Fujifilm X-S20

Bottom Line

This camera is for content creators prioritizing portability and value, travel videographers needing compact professional features, and beginner hybrid shooters wanting Fujifilm’s unique aesthetic.

Reasons to Buy

Compact form factor ideal for travel and documentary work
6K open gate recording in an affordable package
Vlog mode optimized for content creators
Excellent image stabilization system

Reasons to Avoid

A single SD card slot limits backup options
APS-C format limits shallow depth of field options
No internal ProRes recording

Specifications

Sensor: 26.1 MP APS‑C X‑Trans CMOS 4
Processor: X‑Processor 5
Autofocus: Hybrid AF with subject detection; Contrast Detection, Phase Detection: 117
Vide: 6.2K up to 30p, 4K up to 60p (10‑bit), FHD up to 240p

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You could think of this as a scaled-down version of the X-H2 series, but it has so many of the same features and functionality that it’s nearly as powerful a choice. It has a compact form factor with impressive video specifications, includes vlog mode, and a flip-out screen with professional codecs. The excellent image stabilization system helps maintain smooth footage even in handheld shooting scenarios.

This body feels more cramped to me than the X-2H, but it’s better suited to travel as a result.

Sony

Sony a6700

Bottom Line

This camera is for travel and documentary videographers needing compact professional features, content creators requiring advanced autofocus, and Sony system users wanting APS-C reach with full-frame capabilities.

Reasons to Buy

Advanced AI autofocus with real-time recognition
4K/120p recording capability is rare in APS-C
Compact size with professional video features
Sony’s proven color science and codec support

Reasons to Avoid

CFexpress Type A cards more expensive than alternatives
APS-C sensor limits shallow depth of field options
Battery life could be better with intensive video use

Specifications

Sensor: 26.0MP APS-C Exmor R BSI CMOS Sensor.
Video: 4K/60p (oversampled from 6K, uncropped), 4K/120p (with 1.58x crop), Full HD (1080p)/240p.
Codecs: XAVC S, XAVC HS (H.265/HEVC, H.264/MPEG-4), supports S-Log3, S-Cinetone, HLG.
Audio: Built-in stereo microphone, 3.5 mm external mic input, 3.5 mm headphone output

Connectivity: Wi-Fi, Bluetooth, USB-C, Micro-HDMI.
Storage: Single SD/SDHC/SDXC (UHS-II) card slot.
More Features: BIONZ XR Processor & AI Processing Unit, 5-Axis In-Body Image Stabilization (IBIS), AI-powered subject recognition AF, vari-angle touchscreen.

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While this is Sony’s most recent APS-C hybrid camera, it’s not as video-forward as other cameras in its lineup. This is definitely a photo-first camera with excellent video capabilities, rather than a video-first camera with great still images. It has some of the best AF in the APS-C world, and 4K/120p recording capabilities make it a terrific choice for fast-moving action like sports and wildlife. The compact size, combined with professional video features, makes it ideal for travel and documentary work, where portability is essential.

Sony ZV-E10 II

Bottom Line

This camera is ideal for content creators and vloggers prioritizing ease of use, social media creators needing reliable autofocus, and beginners wanting professional video quality in an accessible package.

What We Think

The ZV-E10 II transforms Sony’s vlogging expertise into an exceptional entry-level camera that excels at both content creation and traditional photography. With the same 26-megapixel sensor found in Sony’s premium a6700, this camera delivers far more performance than its price suggests, making it our top budget pick.

I typically recommend this to YouTube and social media creators, but it’s also a great entry-level camera for photographers and videographers. The ergonomics are definitely aimed at video, so this one is best for someone shooting more video than stills.

Because of the high-end video features, this one isn’t exactly “budge,t” but it’s a tremendous entry point for someone looking for a well-priced YouTube studio camera.

Reasons to Buy

Creator-optimized features and interface
Excellent subject tracking autofocus
Compact and lightweight for handheld use
Built-in directional microphone with wind screen

Reasons to Avoid

No in-body image stabilization
A single SD card slot limits backup option
Electronic viewfinder not included

Specifications

Sensor: 26MP APS-C Exmor R BSI CMOS
Processor: BIONZ XR
Autofocus: 759-point phase detection with Real-time Eye AF
Video: 4K 60p, 10-bit internal recording

Viewfinder: None (LCD only)
LCD: 3.0” fully articulating touchscreen (1.04M dots)
Battery: NP-FZ100 (610 shots, 195 min video)
Dimensions: 4.76 x 2.68 x 2.13″ (121 x 68 x 54mm)
Weight: 0.83 lb (377g) with battery

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This “vlog” style camera arrived before the full-frame ZV-E1; it’s on my list of the best combination studio-and-location cameras because it has a compact body and excellent features like product showcase.

Building on the design of the original ZV-E10, this updated model brings improved subject tracking, better low-light performance, and enhanced creator-focused features. The compact design with flip-out screen and optimized audio recording makes it ideal for solo content creation and vloggers.

The price point allows newcomers to video to pick up the body and a lens for under $1000, a tremendous deal for the new YouTube or social creator.

Hybrid Cameras – Micro Four Thirds

Ultimate Portability with Professional Video Features

Micro Four Thirds cameras prioritize portability and stabilization performance while delivering professional video capabilities. The 2x crop factor provides significant telephoto reach, making these cameras excellent for wildlife videography and situations where camera size matters. Advanced stabilization systems often outperform larger sensor cameras.

OM System OM‑1 Mark II

Bottom Line

This camera is ideal for adventurers and outdoor videographers needing rugged reliability, wildlife filmmakers benefiting from crop factor reach, and professionals requiring ultra-portable professional cameras for challenging environments.

Reasons to Buy

Exceptional weather sealing and build quality
Unique computational photography modes
Outstanding image stabilization performance
Professional controls in an ultra-compact body

Reasons to Avoid

The Micro Four Thirds sensor limits low-light performance
Video features are not as extensive as those of dedicated video cameras
Limited professional codec options

Specifications

Sensor: 20.4 MP stacked BSI Live MOS (MFT)
Processor: TruePic X
Autofocus: Cross Quad Pixel phase‑detection AF (1,053 points)
Video: 4K up to 60p (12‑bit / 10‑bit internal), RAW output, advanced recording options

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This camera demonstrates that Micro Four Thirds still has a place in professional workflows, and it’s still my favorite OM System body. OM Systems has focused on computational photography features like Live ND, which enables handheld long exposures that would typically require a tripod.

OM Systems is known for weather sealing that protects in challenging conditions where other cameras might struggle. The body construction feels solid, with a grip that works well for such a compact form factor.

What distinguishes this from other MFT options is the subject detection system—it competes with full-frame alternatives, particularly for wildlife and sports photography. The image stabilization delivers smooth handheld video that rivals larger camera systems, which is an added benefit since Micro Four Thirds systems are smaller than full-frame cameras.

For travel photographers and videographers who need professional results without weight penalties, this camera performs well. The computational modes function as practical tools rather than novelties, expanding creative possibilities in the field.

Panasonic

Best Micro Four Thirds

Panasonic GH7

Bottom Line

This camera is for professional videographers prioritizing codec quality and unlimited recording, documentary filmmakers needing reliable professional features, and content creators requiring broadcast-quality output in ultra-portable form.

What We Think

The Lumix GH7 is a Micro Four Thirds camera designed for professional video production. It uses a 25.2-megapixel BSI CMOS sensor with Phase Hybrid AF, internal ProRes recording, and support for Apple ProRes RAW. The GH7 also introduces 32-bit float audio recording with the XLR adapter, 5-axis stabilization, and unlimited recording in 4K or 5.7K. It continues the GH series’ reputation for video-first functionality while improving autofocus and workflow speed.

Reasons to Buy

Exceptional 8-stop image stabilization system
High-resolution mode creates 100MP stills
Professional video codecs in a compact package
Phase-detection autofocus improves tracking

Reasons to Avoid

Micro Four Thirds sensor limitations in low light
Video features are not as extensive as those of the dedicated GH7
Smaller native lens selection compared to larger formats

Specifications

Sensor: 25.2MP Micro Four Thirds Live MOS
Processor: Venus‑variant engine
Autofocus: 79 Points, Phase Hybrid Autofocus
Video: 5.7K up to 60p; 4K 60p 4:2:2 10‑bit unlimited, ProRes RAW options

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This updated hybrid camera adds phase-detection autofocus to an already strong foundation of stills and video capabilities. While it’s hard to tell the amount of image stabilization, I find the claimed 8-stop system works well for both handheld photography and video shooting,

The professional video codecs provide flexibility for post-production workflows, while the compact Micro Four Thirds form factor makes it practical for travel and location work. Combine a small Micro Four Thirds body with great image stabilization, and it’s a perfect tool for run-and-gun shooting.

Like with the GH7, the new phase-detection autofocus brings focusing performance in line with competitors, making the camera practical for solo shooting scenarios.

Panasonic Lumix G9 II

Bottom Line

This camera is for hybrid shooters needing excellent stabilization, travel photographers and videographers prioritizing portability, and content creators wanting professional features in the most compact form factor available.

Reasons to Buy

Exceptional 8-stop image stabilization system
High-resolution mode creates 100MP stills
Professional video codecs in a compact package
Phase-detection autofocus improves tracking

Reasons to Avoid

Micro Four Thirds sensor limitations in low light
Video features are not as extensive as those of the dedicated GH7
Smaller native lens selection compared to larger formats

Specifications

Sensor: 25.2 MP Live MOS (MFT)
Processor: Updated Lumix processor
Autofocus: 779-Point Phase-Detection AF System
Video: C4K/4K up to 60p 4:2:2 10‑bit (others depending on mode)

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Like with the GH7, the new phase-detection autofocus brings focusing performance in line with competitors, making the camera practical for solo shooting scenarios.

Understanding Video Camera Formats

Full Frame (36mm x 24mm)

Full-frame sensors provide the largest image area, delivering exceptional low-light performance and the shallowest depth of field for cinematic looks. They excel in challenging lighting conditions and offer the most natural field of view when using traditional lens focal lengths. Professional productions often prefer full-frame for its superior image quality and flexibility in post-production. However, full-frame cameras and lenses are typically larger, heavier, and more expensive than smaller sensor alternatives.

APS-C/Super35 (23.6mm x 15.6mm)

APS-C sensors offer an excellent balance of image quality, portability, and cost. The crop factor (typically 1.5x) provides additional reach for wildlife and sports applications while maintaining good low-light performance. Many professional films are shot on Super35 sensors, proving their cinematic capabilities. APS-C cameras are generally more compact and affordable than full-frame options, with smaller, lighter lenses that make them ideal for travel and handheld work.

Micro Four Thirds (17.3mm x 13mm)

Micro Four Thirds sensors prioritize portability and stabilization performance over ultimate image quality. The 2x crop factor significantly increases telephoto reach, making these cameras excellent for wildlife videography. Advanced in-body stabilization systems often provide superior performance compared to larger sensors. While low-light performance is more limited, modern MFT sensors deliver professional results with proper lighting and technique. The compact size and extensive lens selection make MFT ideal for travel and documentary work.

FAQs

What’s the difference between hybrid and cinema cameras?

Hybrid cameras maintain traditional camera ergonomics with electronic viewfinders and photography controls while adding professional video features. They’re ideal for creators who need both excellent stills and video capabilities. Cinema cameras prioritize video with purpose-built form factors, professional audio inputs, advanced cooling, and features like built-in ND filters. They’re designed specifically for video production workflows.

Do I need internal RAW recording for professional video?

Internal RAW recording provides maximum flexibility in post-production but creates enormous file sizes and requires significant storage and processing power. ProRes 4K at high quality settings can consume over 1TB per hour of footage. Many professionals achieve excellent results with high-quality compressed codecs like 10-bit XAVC or ProRes 422. RAW is essential for high-end color grading and VFX work, but may be overkill for standard commercial or content creation work.

How important is sensor size for video work?

Full-frame sensors provide better low-light performance and shallower depth of field, making them ideal for cinematic looks and challenging lighting conditions. APS-C and Super35 sensors offer more reach for wildlife/sports and often provide better rolling shutter performance. Many professional films are shot on Super35 sensors. Micro Four Thirds offers excellent stabilization and compact lens options. Choose based on your specific shooting needs rather than sensor size alone.

What codec should I use for different types of projects?

For social media and web content, high-quality H.264/H.265 provides good results with manageable file sizes—corporate and commercial work benefits from 10-bit codecs like ProRes 422 or XAVC-I for better color grading flexibility. High-end commercial and film work may require RAW codecs for maximum post-production flexibility. Always consider your entire workflow from capture through final delivery when selecting codecs.

How much storage do I need for professional video production?

Storage requirements vary dramatically based on codec and resolution. 4K H.264 uses approximately 20-30GB per hour, while 4K ProRes can consume 200-600GB per hour, depending on quality settings. 8K RAW recording can exceed 1TB per hour. Budget for at least 3x your estimated recording time to account for multiple takes, B-roll, and backup copies. High-speed CFexpress cards are essential for professional codecs, but can cost $500+ for 1TB.

What’s the advantage of built-in ND filters on cinema cameras?

Built-in ND filters allow quick exposure adjustments without changing aperture or introducing color shifts from external filters. They’re essential for maintaining a consistent depth of field and proper exposure when moving between different lighting conditions. Professional productions often require specific aperture settings for creative control, making ND filters crucial for exposure management.

Can these cameras replace traditional cinema cameras for professional work?

Many cameras in this guide have been used for Netflix-approved content, major commercials, and feature films. The Sony FX series, Canon Cinema EOS line, and Blackmagic cameras offer professional features at accessible prices. However, consider your specific workflow needs: high-end productions may still require traditional cinema cameras for specific features like anamorphic support, advanced monitoring, or specific professional requirements.

How important is autofocus for professional video work?

Modern autofocus systems with subject detection and tracking have become essential tools for many professional applications, particularly documentary work, interviews, and solo shooting. However, many narrative filmmakers still prefer manual focus for creative control. The best video cameras offer reliable autofocus when needed while providing excellent manual focus tools, including focus peaking, magnification, and professional follow focus compatibility.

What accessories are essential for professional video production?

Essential accessories vary by camera type but typically include: high-speed memory cards (CFexpress for professional workflows), external monitors for critical focus and exposure, professional audio solutions (wireless mics, XLR adapters), adequate storage solutions (1TB+ external SSDs), and stabilization (tripods, gimbals, or sliders). Budget 50-100% of the camera cost for essential accessories.

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Fujifilm Finally Raises Prices, After Months of Holding Out

Muhammed Maaz — Sun, 03 Aug 2025 12:53:52 +0000

Fujifilm officially notified its U.S. dealers that price increases will take effect on Augustâ¯1, impacting most cameras and lenses.

This isn’t reacting to the new 15% tariff deal with Japan. Instead, it’s Fujifilm’s delayed response to the initial 10% tariff introduced earlier this year.

In fact, Fujifilm was one of the last major camera brands to raise prices across its catalog. And the Augustâ¯1 timing just happened to align closely with the 15% tariff deal announcement, which is purely coincidental.

Fujifilm Held the Line on Prices Since April

Major brands like Canon, Nikon, Sony, and Sigma across their product catalogs increased prices when the initial 10% U.S. tariff took effect in April but Fujifilm waited for a bit longer.

In an effort to keep costs down for consumers, the company moved production from China-where tariffs were steeper-back to Japan. The strategy was aimed at shielding four of its most popular X-series cameras from price hikes: the X-T5, X-T50, X-M5, and X100VI. However, the company is increasing prices this time.

All Fujifilm Backorders Will be Subject to the Price Increase

With Fujifilm cameras in high demand, many customers are still waiting on backordered gear – and unfortunately, those open orders will be hit with the new price increase. According to Fujifilm, the tariff-driven pricing applies to all affected products, including existing backorders.

However, some retailers, for example, Moment, are covering the difference and honoring the original purchase price on any open Fujifilm backorders. But you’ll have to confirm with your retailer first.

In the end, tariffs are essentially a tax on importers, and when margins are low (as they are with most camera gear), those costs almost always trickle down to you, the buyer.

Fujifilm Cameras With US Price Increases:

You can check out the latest prices on B&H by visiting the links below:

Product	New Price	Old Price	Difference
X-M5 Body	$899	$799	$100
X-T30 II Body	$999	$899	$100
X-S20 Body	$1,499	$1,299	$200
X-T50 Body	$1,599	$1,399	$200
X100VI	$1,799	$1,599	$200
X-T5 Body	$1,899	$1,699	$200
X-H2 Body	$2,199	$1,999	$200
GFX100RF	$5,399	$4,899	$500
GFX 100S II Body	$5,499	$4,999	$500
GFX100 II Body	$8,299	$7,499	$800

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Nikon Z5 II – Hands-On First Impressions With Nikon’s New Powerhouse Mirrorless

David Schloss — Thu, 03 Apr 2025 00:02:49 +0000

Nikon has unveiled the Z5 II, an “affordable” mirrorless camera with features that rival the new Z6 III. The Z5 II has advanced still and video capabilities and a price of $1700, which is $1000 less than the Z6 III sticker price.

If you’d like to read the full and specifications for the Nikon Z5 II, you can find that in our news coverage of the launch.

I had a chance to meet with Nikon and shoot the Z5 II at the WPPI tradeshow in Las Vegas, and I was impressed with both the powerhouse camera and Nikon’s overall trajectory.

The Nikon Z5 II should prove to be a powerful hybrid camera, and I’m looking forward to spending a lot of time with it. We’ve been testing both the Z6 III and Z8, and in my time with the Z5 II it felt like a more compact version of both cameras.

Many of the internals of the Z5 II are borrowed from the Zf, a camera that has had a mixed reaction. The photo and video capabilities of the Zf have been lauded, but some of the design and operation feels out of place with the retro styling.

Like the Z5 before it, the Z5 II has a modern mirrorless design, with no anachronistic ties to the past. It is compact yet comfortable to hold. The controls are easily accessible, and operation is as smooth as the Z6 III and Z8/Z9.

Nikon’s first few mirrorless cameras were part of a transitional phase to transition photographers from its legendary SLRs to the new platform. The Nikon Z6 and Z7 were durable and capable but weren’t on par with what came before.

The company started hitting its stride with the flagship Z9 and the subsequent Z8, which put Nikon’s Z-system on par with its legacy cameras and competitors’ offerings.

Now, Nikon has entered an era of releasing updates to its key cameras that are so much improved over the previous model that it can seem like they share only the name and the body with their predecessors. The Z6 III performs so much better and has so many more features than the Z6 II that it might have been better to ditch the Z6 moniker.

First Impressions of the Nikon Z5 II

These are my initial impressions of the Z5 II. We will provide a full review once we have more time to work with the camera.

One note: During my brief time with the camera, I didn’t have the opportunity to test its video capture feature set. On paper, the Z5 II is a videographer’s dream. It can capture 4K 30 with no crop and 4K 60 with a 1.5x crop. Impressively, the Z5 II can capture N-Log and N-RAW and record both to the internal SD card slots.

Our Nikon First Look Hands-on Video

Low Light, No Problem for the Nikon Z5 II

The WWPI tradeshow primarily serves wedding and portrait photographers, and the bright, sunny skies are the backdrop to the workshops. Any cameras on display at WPPI can take an incredible portrait in bright light, but not all of them can produce stellar results when the lights go off.

With the new Backside Illuminated (BSI) sensor in the Z5 II and its claimed low-light capabilities, I decided to take the camera to a more secluded, darker location to test its capabilities. The Rio Hotel hosted the show, and it has a particularly odd, nearly empty shopping section near one of the towers.

In that section is a strange KISS museum and video game arcade. Or maybe it’s a video game arcade with a KISS museum? In any case, it’s a location free of the type of WPPI attendee that might be able to spot a not-yet-released camera.

I concentrated on the arcade’s low-light autofocus capabilities and the image quality the new BSI sensor yields. I also wanted to see how the color shifts caused by the combination of LED and neon lights would affect the arcade’s functionality.

Some frequencies of LEDs threw off early mirrorless cameras, resulting in improper metering, blown-out highlights, and problems with focus. The Z5 II excelled in the dark environment.

Since the camera was a prerelease model, I couldn’t open or share raw files but wouldn’t do much to these images. From a creative standpoint, I wanted the LED colors to be a component of the shots. I particularly liked the hues the pink and purple lights cast.

Autofocus was instantaneous, instantly locking onto subjects. With the statue of Gene Simmons, eye detection even picked the right spot despite being surrounded by the iconic black makeup. The AF locked on quickly despite a shallow aperture and low light for non-human” subjects, such as the edges of the motorcycle handlebars.

The only place I felt the color overwhelmed the sensor was in a portrait of me taken by my Nikon contact, with a heavy red cast on my face. This would be correctable in a raw file, but it is expected under these conditions.

Despite the color baked in by the JPEG output, I’m impressed with how well it locked onto my eyes. Being the only subject makes eye detection easier, but there’s a lot going on in that photo, and the lighting is awful.

Even though I only shot a hundred photos, I’m very happy with the outcome. When we get the camera for our extensive testing, more photos and thoughts will come.

I’ll also test the Z5 II’s video capabilities, including using it as a dedicated studio camera for budget-conscious creators.

Quick Overview of Nikon Z5 II Features

For complete specs for the Nikon Z5 II, check out our full news coverage.

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The Nikon Z5 II maintains the same compact size and weight as its predecessor but introduces a host of internal upgrades. It features a 24.5-megapixel full-frame BSI CMOS sensor and the powerful EXPEED 7 image processor, enabling continuous shooting speeds of up to 14 frames per second in RAW and 30 frames per second in JPEG.

Autofocus performance, inherited from the Z8 and Zf, shows significant improvement. It features advanced subject recognition, including bird detection, while pixel shift shooting enables ultra-high-resolution image capture-perfect for landscape and travel photography.

The Z5 II supports internal N-RAW video recording, offering uncropped 4K at 30p and 10-bit DX-cropped 4K at 60p. It can record up to 125 minutes in 10-bit H.265, with support for SDR, HLG, and N-Log tone modes. The camera comes with a fully articulating rear LCD screen that supports selfie mode, making it a great option for content creators. It also includes a dedicated Picture Control button on the top plate for quick access to image settings. Dual SD card slots offer accessible, consumer-friendly storage, prioritizing affordability over pro-tier formats like CFexpress.

Nikon Z5 II Purchase Thoughts

For newcomers to the Nikon mirrorless platform-whether from another camera brand or from Nikon’s DSLR lineup-the Z5 II is an excellent first camera. The $1700 price is only a tad above $1500, what I consider the sweet spot of enthusiast camera value.

Existing Nikon shooters could easily use the Z5 II as a high-performance backup for critical shoots like weddings and events. I would have no problem using a Z6 III or Z8 as my primary body, and a Z5 II as a secondary. Before the release of the Z5 II, I’d have gone for a Z8 as my primary body, and a Z6 III as the secondary shooter.

For video-centric creators, the Z5 II probably has everything you need whether for a YouTube studio or a gig. If it performs as well as I suspect for video, I could easily see using a Nikon Z5 II for A-roll and another for B-roll.

Where to Preorder the Nikon Z5 II

The Nikon Z5 II is available from major camera retailers like B&H and Adorama.

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Nikon Z5II Brings Pro-Level Processing to Entry-Level Full-Frame Mirrorless

David Schloss — Thu, 03 Apr 2025 00:02:07 +0000

Nikon has unveiled the Z5 II, the second-generation full-frame mirrorless camera designed as an entry point into the FX-format Z system. The camera is powered by Nikon’s advanced EXPEED 7 image processor-the same one used in the Z8 and Z9-offering major improvements in autofocus performance and low-light capabilities. This update brings many professional-level features to Nikon’s most affordable full-frame model.

We previously tested the original Nikon Z5 and found it to be a great gateway into full-frame mirrorless photography. With the Z5 II, Nikon introduces higher-end technology into a more accessible package, redefining what users can expect in this category without outright replacing the Z5.

Nikon Z5 II – Our First Impression Hands On Preview

I had the opportunity to go hands-on with the Nikon Z5 II in Las Vegas. You can find my detailed first impressions in my article, along with a first-look hands-on video below.

Key Nikon Z5 II Updates: EXPEED 7 and Improved Autofocus

The standout feature of the Z5 II is its use of Nikon’s EXPEED 7 processor, which significantly enhances autofocus speed and accuracy. Subject detection and tracking are now up to three times faster than in the original Z5, thanks to deep-learning-based detection algorithms.

The autofocus system now recognizes up to nine subject types-including people, animals, vehicles, and aircraft-and introduces 3D Tracking AF, a feature borrowed from the Z8 and Z9. This marks the first time Nikon has included AF-A mode in a full-frame mirrorless camera, allowing the camera to switch seamlessly between single and continuous autofocus based on subject movement.

For action and wildlife photographers, the Z5 II supports burst shooting at 14 fps with the mechanical shutter and up to 30 fps using the electronic shutter. The camera also features Pre-Release Capture, which buffers images up to one second before the shutter is fully pressed, ensuring crucial moments aren’t missed.

Low Light Handling and Stabilization

With its back-illuminated CMOS sensor, the Z5 II improves texture detail and reduces noise in low-light environments. Nikon claims autofocus can function in lighting as low as -10 EV. The native ISO range extends from 100 to 64,000, expandable to ISO 204,800. For video, ISO maxes out at 51,200.

The camera’s in-body 5-axis stabilization is rated for up to 7.5 stops at the center of the frame. A new Focus-Point VR feature tailors stabilization to the active autofocus area, helping to maintain sharpness for off-center subjects.

Long-exposure photographers will benefit from extended shutter speeds up to 900 seconds (15 minutes), a dedicated Starlight View Mode for composing shots in dark environments, and a Warm Color Display Mode to preserve night vision.

Nikon Z5 II Build and Usability

Maintaining a compact form factor similar to its predecessor, the Z5 II features a magnesium alloy chassis for dust and weather resistance. The fully articulating 3.2-inch rear LCD offers flexible viewing angles, and the electronic viewfinder now reaches 3000 nits of brightness-six times brighter than comparable models, according to Nikon.

The grip design and body layout remain familiar, offering dual SD card slots and ports for both headphones and microphones.

Picture Controls and Color Customization

A new dedicated Picture Control button provides instant access to Nikon’s in-camera color settings, which include 31 built-in styles. Additional color profiles can be downloaded through Nikon’s Imaging Cloud platform, and users can create and apply custom color styles using NX Studio’s Flexible Color Picture Control tools.

Video Capabilities

While the Z5 II is primarily a stills camera, Nikon has improved its video features to appeal to content creators. The camera records 4K UHD at 30p with full sensor readout and 4K/60p with a 1.5x crop. Full HD video supports up to 120p for smooth slow-motion footage.

For the first time in a Nikon camera, N-RAW can be recorded directly to an SD card. The camera also supports 12-bit N-RAW, 10-bit H.265, and 8-bit H.264 recording, along with N-Log and compatibility with RED-developed LUTs.

A Hi-Res Zoom function is available in Full HD, providing up to 2x digital zoom without noticeable quality loss. Additionally, a new Product Review Mode automatically shifts focus between a user’s face and objects they hold up, a feature previously seen in the Nikon Z30.

The Z5 II can also function as a high-quality USB webcam via UVC/UAC and includes built-in microphone and headphone jacks for enhanced audio capture.

Other Nikon Z5 II Features

Dual UHS-II SD card slots
Pixel Shift shooting for up to 96MP composite images (via NX Studio)
Rich Tone Portrait and Skin Softening modes
Bird detection autofocus mode
Support for Adobe Lightroom + 1TB Creative Cloud storage with registration (limited-time promotion)

Nikon Z5 II Price and Availability

The Nikon Z5 II is set for release in April 2025. Pricing options are as follows:

Body only: $1,699.95
With NIKKOR Z 24-50mm f/4-6.3 lens: $1,999.95
With NIKKOR Z 24-200mm f/4-6.3 VR lens: $2,499.95

We’ll be testing the Z5II in the coming weeks to see how Nikon’s newest entry-level full-frame mirrorless camera stacks up in real-world use.

Sample Images

The post Nikon Z5II Brings Pro-Level Processing to Entry-Level Full-Frame Mirrorless appeared first on Imaging Resource.

Popular Canon EOS 90D DSLR Camera Sees Price Plummet by $200 in Latest Amazon Deal

IR Team — Fri, 14 Feb 2025 11:53:27 +0000

Although Canon has shifted focus toward mirrorless cameras in recent years, the EOS 90D is a testament to the versatility and value of DSLRs. A new Amazon deal makes this camera even more appealing, offering it at its lowest recorded price.

When we reviewed the Canon EOS 90D we said

The 90D is a versatile camera, offering a lot for a wide range of creators, whether you’re taking your creativity to the next level or you simply need a reliable, lighter-weight backup camera to a higher-end rig.

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Right now, Amazon is selling the Canon EOS 90D for $999 and is selling the Canon EOS 90D with Kit Lens for $1,399-a $200 discount from its usual price thanks to a 13% drop.

With a price under $1,000, this discount makes it a compelling option for photographers looking for a great deal, or shooters of Canon’s DSLRs who want a backup body.

Canon EOS 90D Key Features

If you’re unfamiliar with the Canon EOS 90D, here’s a quick breakdown of its key specifications:
Mount Compatibility – Canon EF-S mount
Sensor Technology – 32.5MP CMOS (APS-C) sensor
Image Processing – DIGIC 8 Image Processor, supporting 4K video recording
Autofocus System – 45-Point All Cross-type AF System, optimized for higher accuracy, even in low-light conditions. Supports up to 27 points with an f/8 metering.
Viewfinder – Optical viewfinder designed to reduce glare and lag time.
Video Capabilities – Supports 4K UHD 30P and Full HD 120P video.

Why This Canon EOS 90D Deal Stands Out

The Canon EOS 90D, released in 2019, remains a versatile and well-loved DSLR. It continues to perform well in 2025, with an array of available APS-C lenses and strong real-world performance. Photographers still report excellent image quality in a variety of settings, making it an attractive option.

At $1,399, this is the lowest recorded price for this listing on Amazon, making it a great deal for both hobbyists and enthusiasts alike.

Who Should Buy the Canon EOS 90D?

This deal is perfect for anyone who prefers DSLRs and wants a flexible, dependable camera for shooting stills, sports, nature, or a variety of subjects.

It’s a great choice for amateurs and professionals, as well as an excellent step-up camera for those looking to extend their budget for a more capable setup. If the price looks right, and you’ve had your eye on the Canon EOS 90D, now might be the perfect time to grab one.

Where to Buy the Canon EOS 90D

Canon EOS 90D Body Only

Canon EOS 90D With Kit Lens

Sony Alpha FX3 Full Frame Camera Deal Sees Price Fall by Over $200

IR Team — Mon, 10 Feb 2025 10:59:51 +0000

First released in 2021, the Sony Alpha FX3 (ILME-FX3) has plenty of fans thanks to its lightweight, compact build, unflinching design, and low-noise results. It’s not particularly affordable though, at close to $4,000.

Thankfully, a stunning new deal at Amazon has addressed the price and swung the cost back to $200 off the list price. Yes, the body alone is now $3,700. The Sony Alpha FX3 ILME-FX3 saw this price a few times in 2024, but it’s the first time it’s been this low in 2025.

Why This Sony Alpha FX3 (ILME-FX3) Is A Video Superstar

The Sony FX3 is one of the most successful cinema cameras in Sony’s lineup. Based around the Sony Alpha 7S III, the FX3 form factor is customized to a cinema workflow. The FX3 shares color profiles with Sony’s cinema and hybrid cameras, enabling color matching between A and B cameras.

Professional videographers love the Sony Alpha FX3 ILME-FX3 for its impressive results. And the fact it’s ergonomic, light, and easily usable on the move is just further persuasion to consider this specific camera body at the deal price.

Key Sony Alpha FX3 Specs

12.1MP Full-Frame CMOS Exmor R Sensor
UHD 4K up to 120 | 1080p up to 240
Compact Form for Cage-Free Operation
10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
S-Cinetone/S-Log3/HLG, 15+ Stops DR
Detachable 2 x XLR/TRS Adapter Handle
Phase Detection AF/Face Tracking/Eye AF
80 to 409,600 Expanded ISO Range
Dual CFexpress Type A/SDXC Card Slots

Why We Love This Sony Alpha FX3 ILME-FX3 Deal

Cameras like the Sony Alpha FX3 ILME-FX3 are pricey by nature – given what they offer – and getting a discount of even $200 is a bonus when looking at your next purchase at this level.

How To Get The Alpha FX3 Instant Rebate Deal

The Instant Rebate is available at major camera retaillers. Some retaillers, such as Amazon show the rebated price without listing the rebate in the product description.

The post Sony Alpha FX3 Full Frame Camera Deal Sees Price Fall by Over $200 appeared first on Imaging Resource.

The New OM System OM-3 Camera Evokes Film Cameras yet Boasts Modern Mirrorless Power – Information and Preorder Details

David Schloss — Thu, 06 Feb 2025 11:39:59 +0000

OM SYSTEM (formerly Olympus) has launched the OM SYSTEM OM-3. This new interchangeable lens camera has the look and feel of a vintage 35mm film camera, but it performs on par with the company’s flagships.At the heart of the OM-3 is a TruePic X processor and a 20.37-megapixel stacked BSI Live MOS sensor.

OM SYSTEMS OM-3 Image Stabilization

OM cameras are known for their image stabilization. The OM-3 features 5-axis image stabilization that provides up to 6.5 stops of compensation in the center of the frame and 5.5 at the edge. Coupled with the company’s IS image-stabilized lenses, it jumps to 7.5 stops in the center of the frame and 6.5 at the corners.

OM-3 Construction

The OM-3 is built around a magnesium alloy body that is dust and moisture resistant. OM SYSTEMS says the camera will operate down to -10ºC.

OM SYSTEMS OM-3 Profiles and Looks

The color profile controls allow users to adjust the saturation of 12 colors across 11 levels of saturation. The camera also has film-like presets, including “Chrome Film Rich Color” and “Chrome Film Soft Tone.”

While OM SYSTEMS would not say whether those settings were designed to mimic specific film formulations like Fujichrome or Kodachrome, those settings likely bring images close to the look of those legendary slide films.

The OM-3 has many monochrome profiles, including film grain and infrared (IR).

OM SYSTEMS OM-3 In-Camera Features

The OM-3 features numerous in-body tools, including High-Res Shot (the company’s name for a pixel-shifted image capture system). The camera can also capture HDR, perform focus stacking, and multi-exposure. Both of these are now assigned to a CP button and the control dial, eliminating trips to the menu.

OM Systems said their new efficient heat transfer allows for up to 30 minutes of shooting at 104ºF and indefinite shooting at up to 80ºF.

OM SYSTEMS OM-3 Additional Specifications

1053-point Cross-Type On-chip Phase Detection Quad Pixel AF
AI Detection AF for subjects including people, motorsports, birds, and pets.
Starry Sky AF mode optimized for astrophotography.
High-speed sequential shooting at up to 120 fps with AF tracking at 50 fps.
Pro Capture Mode to capture up to 70 frames before fully pressing the shutter.
Custom Mode Labels for personalization of settings.
Custom setting options for activating video modes.

OM SYSTEMS OM-3 Price and Preorder

The OM SYSTEM OM-3 Mirrorless Camera will be available starting in late February 2025, with a suggested retail price of $1,999.99 (US)/$2,799.99 (CAD).

A bundled kit, which includes the OM-3 camera body and the M.ZUIKO DIGITAL ED 12-45mm F4 PRO lens, will also be offered at a suggested retail price of $2,299.99 (US)/$3,199.99 (CAD).

The OM-3 can be preordered here.

The OM-3 with the kit lens can be preordered here.

The post The New OM System OM-3 Camera Evokes Film Cameras yet Boasts Modern Mirrorless Power – Information and Preorder Details appeared first on Imaging Resource.

Apple looks set to take on Amazon Ring with Face ID Doorbell and Lock System

IR Team — Tue, 24 Dec 2024 10:49:21 +0000

Apple is looking to challenge Amazon’s Ring and Google’s Nest. The company is working on an innovative security device – a smart doorbell with Face ID technology, designed to work seamlessly with a smart lock system. This device would allow homeowners to automatically unlock their door using facial recognition, just as Face ID works on iPhones.

According to Mark Gurman’s report on Bloomberg, Apple’s new security solution would integrate with existing third-party smart locks that support HomeKit, Apple’s platform for smart home devices. It’s possible that Apple could also collaborate with a specific lock manufacturer to offer a fully integrated system from the start. With the device, Apple aims to enter a well-established market but bring a fresh twist by offering enhanced privacy features and the security of its trusted Face ID technology.

The move comes as part of Apple’s broader effort to compete more aggressively in the smart home sector, an area currently dominated by Amazon and Google. Apple’s new smart home hub, expected in 2025, will serve as the centerpiece of its ecosystem, featuring an AI-infused interface and upgraded wireless technology, including its Proxima chip and improved support for the Thread standard. This device will allow users to control their home, make FaceTime calls, and stream video – all from a 6-inch display.

Despite the promising innovations, Apple faces some challenges. The company’s expansion into home security raises concerns about potential risks, such as security breaches or misfires in the Face ID system. However, Apple’s commitment to privacy and its track record with secure technology may mitigate these concerns.

Apple’s move into home security, alongside new updates to existing devices like the HomePod mini and Apple TV set-top box, positions the company for a strong push into the smart home market, aiming to offer privacy-focused alternatives to existing devices from Amazon and Google.

The post Apple looks set to take on Amazon Ring with Face ID Doorbell and Lock System appeared first on Imaging Resource.