z5 ii Archives - Imaging Resource https://www.imaging-resource.com/tag/z5-ii/ Compact Cameras, Point-and-Shoot Reviews Thu, 30 Oct 2025 18:23:02 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://media.imaging-resource.com/2025/09/30154242/cropped-IR-Favicon-1-32x32.png z5 ii Archives - Imaging Resource https://www.imaging-resource.com/tag/z5-ii/ 32 32 Best Nikon Cameras: The Complete Buyer’s Guide for Every Photographers https://www.imaging-resource.com/guides/best-nikon-cameras-the-complete-buyers-guide-for-every-photographers/ https://www.imaging-resource.com/guides/best-nikon-cameras-the-complete-buyers-guide-for-every-photographers/#respond Thu, 30 Oct 2025 18:22:59 +0000 https://www.imaging-resource.com/?p=1037461 Mirrorless cameras have become the dominant camera type since the first full frame mirrorless camera arrived in 2013. There are now cameras for every customer, and they all perform surprisingly well, even the entry models. Whether you’re upgrading from a smartphone, shooting professional video, or looking for a travel camera that won’t compromise on image […]

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Mirrorless cameras have become the dominant camera type since the first full frame mirrorless camera arrived in 2013. There are now cameras for every customer, and they all perform surprisingly well, even the entry models.

Whether you’re upgrading from a smartphone, shooting professional video, or looking for a travel camera that won’t compromise on image quality, there’s never been a better time to go mirrorless. The current lineup spans everything from budget-friendly APS-C models to flagship full-frame systems like the Sony a1 and Nikon Z9 that power commercial and editorial productions around the world.

Nikon has recently been delivering flagship-level performance across its whole range of cameras and is agressive with its pricing. Its newest cameras have included pro-grade video features, and Nikon recently acquired the cinema-video company RED. This new partnership resulted in the cine-style Nikon Z6, which we cover in our Pro Video Camera guide.

The RED partnership is going to make future Nikon cameras even more video-capable, making Nikon a great ecosystem for the hybrid photo and video shooter.

As one of the oldest companies in photography, Nikon’s quality is top-notch. It’s hard to go wrong with any of the cameras in this list.

Our Picks at a Glance

Key Takeaways

Nikon’s mirrorless lineup covers everything from compact APS-C bodies for creators to full-frame systems built for professional production. The Z30 is designed for vloggers who want an easy upgrade from a smartphone setup, while the Z5 II brings full-frame image quality to an accessible price range. The Z6 III is the most balanced hybrid in the lineup, offering solid photo and video performance in one camera. Moving up, the Z8 delivers flagship-level stills and video in a smaller body, and the Z9 remains Nikon’s top-tier professional camera with a stacked sensor and 8K recording, and it’s one of the most affordable flagships in the industry.

Best Picks by Category

  • Best Camera for Vloggers and Content Creators: Nikon Z30
  • Best Entry-Level Full-Frame Camera: Nikon Z5 II
  • Best Hybrid Camera for Photo and Video: Nikon Z6 III
  • Best Professional All-Rounder: Nikon Z8
  • Best Flagship Professional Camera: Nikon Z9
Best
What We Think

The Nikon Z6 III is a full-frame mirrorless body that pairs a 24.5 MP partially-stacked CMOS sensor with the EXPEED 7 processor to deliver faster readout, robust hybrid autofocus with expanded subject detection, and advanced video options including 6K/60fps RAW and 4K/120fps. It also features high-performance in-body stabilization, dual card slots (CFexpress/XQD + SD), a 5.76 M-dot EVF, and a weather-sealed body weighing approximately. 760 grams (1.68 pounds).  Designed for creators who need one camera to do high-resolution stills and video with professional workflow support.

Reasons to Buy

6K internal recording up to 60 fps for flexible post-production

Hybrid autofocus with subject detection and solid tracking

Reliable in-body stabilization rated up to 8 stops

Dual card slots (CFexpress + SD) for mixed workflows

Compact, weather-sealed body that feels balanced with Z-mount lenses

High-resolution EVF and fully-articulated touchscreen

 

Reasons to Avoid

24 MP sensor may limit cropping flexibility for wildlife or large prints

Rolling shutter still visible in some fast-motion 6K modes

Battery life is average for its class

Heavier than competing hybrid bodies like the Canon R8 or Sony a7C II

No built-in cooling, which can limit long 6K recording sessions

 

Specifications
  • Sensor: 24.5 MP full‑frame partially‑stacked CMOS
  • Processor : EXPEED 7
  • Autofocus: 493-Point Phase-Detection AF
  • Video: 6K N‑RAW (to 60p), 4K up to 120p, FHD up to 240p

This is currently one of my favorite all-around mirrorless cameras. The partially-stacked sensor delivers flagship-level performance at a reasonable price, and the 6K internal recording capability is genuinely impressive for video work. I keep reaching for this camera when testing accessories for photo and video work.

Nikon’s almost-flagship hybrid camera features a partially-stacked sensor technology that reduces rolling shutter and allows for 6K internal recording. This camera has a great price-to-performance ratio.

Ultimate
What We Think

The Nikon Z8 is a full-frame mirrorless camera featuring a 45.7-megapixel stacked CMOS sensor, paired with Nikon’s EXPEED 7 image processor. It supports up to 120 fps continuous shooting, RAW video recording up to 8.3K/60p, subject-detection for nine object types and 3D-tracking, and is built for durability in varied shooting environments. 

Reasons to Buy
  • 120fps burst shooting with 1,000+ frame buffer for never missing critical action
  • Internal 8K 60p and 4K 120p recording without external recorders
  • 30% smaller and lighter than Z 9 while delivering identical image quality
Reasons to Avoid
  • No built-in vertical grip like the Z 9
  • High price point still requires serious investment
  • Battery life shorter than Z 9 due to smaller body
Specifications
  • Sensor: 45.7 MP full‑frame stacked CMOS
  • Processor : EXPEED 7
  • Autofocus: Same AF system family as Z9
  • Video: Up to 8.3K/60p N‑RAW, 4K up to 120p, 8K/30p
  • Stabilization: 5.5-axis IBIS (up to 6 stops)
  • Burst Rate: 120fps (Raw, 1,000+ frames)
  • Build: Weather-sealed magnesium alloy (-10°C rated)
Show more

This camera has all of Nikon’s most advanced technology shrunken down to fit in a more compact form than the flagship Z9. I’ve used it extensively for both high-resolution photography and 8K video work, and it’s the best camera in the Nikon lineup if you’re not doing daily pro work, where the Z9 might be better. That said, the smaller size and weight compared to the Z9 make it a perfect camera for portraits, weddings, and any shoot where you want a nearly-perfect Nikon camera, but don’t like the larger size of the Z9.

It has a 45.7MP stacked sensor performance with advanced video capabilities—internal 8K recording using Nikon’s N-RAW codec, which is great for color adjustments in post-processing.

The Z8 autofocus is the same as that found on the more expensive Z9 system, and the AF is fast and reliable. If you’re dreaming of the top-end performance of the Z9, but don’t need the built-in vertical grip, this is the camera to beat.

Best
Stock image of the Nikon Z5 II
What We Think

The Nikon Z5 II is a full-frame mirrorless camera with a 24.3-megapixel CMOS sensor and the EXPEED 6 processor. It supports 4K UHD recording up to 60 fps (with a 1.7× crop) and Full HD at 120 fps. The camera includes 5-axis in-body image stabilization, a 273-point hybrid autofocus system with subject detection, and dual UHS-II SD card slots. It features a 2.36-million-dot EVF, 3.2-inch tilting touchscreen, weather-sealed magnesium alloy body, and USB-C power delivery. Connectivity options include Wi-Fi and Bluetooth for wireless transfer and tethering.

Reasons to Buy
  • Excellent autofocus with subject detection for people, animals, vehicles, and airplanes
  • Outstanding low-light performance with usable images up to ISO 12,800
  • Compact and lightweight body ideal for travel
  • 5-stop in-body image stabilization
  • Dual card slots (CFexpress Type B/XQD and SD UHS-II)
  • Clean 4K video with 10-bit N-Log recording
  • Flip-out LCD perfect for vlogging and self-recording
  • Excellent battery life and menu system
  • Pro-level features at an accessible price point
Reasons to Avoid
  • Electronic shutter limited to 10 fps (5 fps mechanical)
  • Video features don’t match the Z6 III for serious videographers
  • 24-megapixel resolution is lower than that of some competitors ‘
Specifications
  • Sensor: 24.5MP Full-Frame BSI CMOS
  • Processor: EXPEED 7
  • Video Resolution: 4K 60p
  • Continuous Shooting: 30 fps (electronic)
  • Stabilization: 7.5-stop VR
  • Viewfinder: 3.69m-Dot OLED EVF
  • LCD: 3.2″ 2.1m-Dot vari-angle touchscreen
  • Battery Life: Approx. 360 shots (CIPA)
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I am a huge fan of this camera, and it’s one of the bodies I keep in my testing lab. We use this a lot when testing camera accessories. While I liked the original Z5, the autofocus felt slow. The Z5 II is the camera I think the Nikon Z5 should have been, and it’s one of my favorites. It’s fast, the image quality is great, and it has excellent video features.

Image stabilization is rated at 7.5 stops, which is one of the best stabilization performances in the camera market, so you can handhold video with no problems in most cases.

The tradeoffs aren’t big ones for the target customers. There’s no electronic shutter, so there’s no truly silent shooting. Capturing video at 4K/60p requires a crop, but that’s a video format and framerate most users won’t need.

Ultimate
What We Think

The Nikon Z9 is Nikon’s professional flagship full-frame mirrorless camera, built around a 45.7-megapixel stacked CMOS sensor and the EXPEED 7 processor. It eliminates a mechanical shutter entirely, relying on a fast readout stacked sensor to achieve silent operation and minimal rolling shutter. The camera supports internal 8K/60p RAW recording and 4K up to 120p, with 10-bit N-Log and H.265 compression. It features a 493-point autofocus system with subject detection for people, animals, and vehicles, and includes 5-axis in-body stabilization. The body is weather-sealed magnesium alloy with dual CFexpress Type B slots, a 3.2-inch tilting touchscreen, and integrated vertical controls.

Reasons to Buy

Stacked sensor eliminates mechanical shutter and reduces rolling shutter

8K internal RAW recording without external recorder

Durable pro body with integrated vertical grip

Blackout-free viewfinder during continuous shooting

Advanced AF system handles complex tracking subjects

 

Reasons to Avoid

Stacked sensor eliminates mechanical shutter and reduces rolling shutter

8K internal RAW recording without external recorder

Durable pro body with integrated vertical grip

Blackout-free viewfinder during continuous shooting

Advanced AF system handles complex tracking subjects

 

Specifications
  • Sensor: 45.7 MP full‑frame stacked CMOS
  • Processor: EXPEED 7
  • Autofocus: Advanced AF with extensive phase coverage and subject detection
  • Video: Up to 8.3K/60p N‑RAW, 4K up to 120p, internal 10‑bit / ProRes RAW in some modes

This is the camera for Nikon users who want absolutely everything the company has to offer. Having tested it at major sporting events, it outperforms every Nikon camera I’ve ever used in terms of speed, reliability, and professional features. If budget isn’t the primary concern, this is Nikon’s ultimate camera.

Nikon’s flagship professional camera delivers performance for the most demanding applications. The integrated vertical grip design and controls provide the ability to capture stills and videos in portrait mode.

This camera flagship features Nikon’s most advanced technology in one body, and it’s less expensive than some competitors’ flagship systems

image of Nikon Z fc
What We Think

The Nikon Z fc combines classic film-camera style with the speed and image quality of Nikon’s modern Z system. Its manual dials for ISO, shutter, and exposure compensation make it engaging to shoot with, while its 20.9-megapixel sensor and reliable autofocus system keep image quality up to modern expectations. It’s a camera that prioritizes shooting experience as much as technical output.

Compact and stylish, the Z fc is great for travel or street photography. It’s compatible with both Nikon’s growing DX lenses and legacy F-mount glass via adapter. It doesn’t include IBIS, but its image quality, handling, and portability make it one of Nikon’s most enjoyable cameras for everyday photography.

Reasons to Buy
  • Older autofocus system
  • Modest battery life
  • Limited video options (no 4K)
Reasons to Avoid
  • 24.3 MP full-frame CMOS sensor
  • 5-axis IBIS; Full HD 1080p video
  • Tilting LCD; Weight: ~599 g; E-mount
Specifications
  • Sensor: 20.9 MP APS-C (DX) CMOS
  • Video: 4K UHD 30p/25p/24p, Full HD up to 120p
  • LCD: 3.0-inch vari-angle TFT
  • Connection: USB-C
  • Weight: ~445 g (with battery and card), ~390 g (body only)
  • Mount: Nikon Z mount
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This is Nikon’s homage to its early film photography days. There’s a more expensive full-frame version of this camera, but the APS-C sensor allows this camera to be smaller than cameras in Nikon’s lineup.

This camera appeals to photographers who appreciate a classic design without sacrificing modern features. As someone who grew up in the film era, I particularly like this camera’s look.

Our testing has shown it delivers the same excellent image quality as other Z-mount APS-C cameras while offering a retro experience that many photographers find inspiring and enjoyable to use. If you’re deciding between Fujifilm and Nikon because of the interface, I think this is a great choice.

Nikon’s retro-styled APS-C camera combines a classic film camera look with modern mirrorless technology. Built around the same 20.9MP sensor as the Z50, the Z fc offers comprehensive manual controls in a design that pays homage to Nikon’s film camera heritage.

Budget
Stock photo of the Nikon Z30
What We Think

The Nikon Z30 is an APS-C mirrorless camera designed for vloggers and content creators who need interchangeable lenses and better image control than a smartphone can provide. It uses a 20.9-megapixel DX-format CMOS sensor paired with the EXPEED 6 processor and records 4K UHD video up to 30 fps with no crop. The camera includes a fully articulating touchscreen, eye- and face-detection autofocus, built-in stereo microphones, and USB-C power delivery for extended shooting. It lacks an electronic viewfinder but remains lightweight and compact for handheld or tripod-mounted use.

Reasons to Buy

Compact and lightweight body ideal for vlogging

No crop in 4K recording

Fully articulating screen with good touch response

Reliable autofocus with eye detection

USB-C power delivery for long shooting sessions

Reasons to Avoid

No in-body image stabilization

No viewfinder for traditional shooting

Single card slot with slower UHS-I speeds

Limited weather sealing

Shorter battery life compared to larger Z bodies

Specifications
  • Sensor: 20.9MP APS-C CMOS
  • Lens mount: Nikon Z
  • Video: 4K/30p, Full HD 120p
  • Screen: 3.0-inch vari-angle LCD
  • Audio: Stereo mics; 3.5mm mic input; headphone jack
  • Stabilization: Digital only
  • Dimensions: 128 × 73.5 × 59.5 mm (5.04 × 2.89 × 2.34 in)
  • Weight: 405 g (0.89 lbs) with battery and card
Show more

If you’re a creator or photo enthusiast who wants to join Team Nikon but doesn’t want to have to master controls just to take a photo, this is the camera I recommend. It strikes a nice balance between simplicity and capability.

The Z30 is particularly appealing for users transitioning from smartphones to dedicated cameras. I also have suggested this camera to creators wanting to get started on YouTube and social video creation without spending a fortune.

The lack of an Electronic Viewfinder (EVF) will limit the appeal for some shooters, but for video use, not having a viewfinder is not as much of an issue as it is for stills. This camera also lacks Nikon’s excellent In-Body Image Stabilization (IBIS), which limits its use in low light and for high-speed subjects where moving the camera quickly is important. Used in a studio or with a tripod out in the field, it’s a great, affordable choice.

There are fewer Nikon lenses for this APS-C format than for Nikon’s full-frame cameras, which may limit long-term growth in Nikon’s system.

Comparision Chart

Nikon Z30$650-75020.9MP APS-C4K/30p, 1080p/60pCreator-focused, no EVF
Nikon Z fc$900-100020.9MP APS-C4K/30p, 1080p/60pRetro design, physical controls
Nikon Z6 III$2400-260024.5MP FF Partial Stack6K/60p, 4K/120p internalRevolutionary sensor tech
Nikon Z5 II$1200-140024.5MP Full-Frame4K/60p crop, 4K/30p FFEnhanced AF, 7.5-stop IBIS
Nikon Z8$3900-410045.7MP FF Stacked8K/60p, 4K/120p N-RAWHigh-res professional
Nikon Z9$5400-560045.7MP FF Stacked8K/60p, 4K/120p N-RAWFlagship professional/f

Frequently Asked Questions (FAQ)

What’s the difference between full-frame, APS-C, and Micro Four Thirds sensors?

Full-frame sensors (36mm x 24mm) provide the best low-light performance and shallowest depth of field, making them ideal for professional applications and challenging lighting conditions. APS-C sensors offer an excellent balance of image quality, portability, and cost, with a crop factor that provides extra reach for wildlife and sports. Micro Four Thirds sensors prioritize compact size and exceptional stabilization, with a 2x crop factor that makes telephoto lenses much smaller and more affordable than full-frame equivalents.a

How important is weather sealing for mirrorless cameras?

Weather sealing provides crucial protection for photographers working in challenging conditions, from light rain to dusty environments. Cameras like the OM System models and professional Canon and Nikon bodies offer comprehensive protection that allows shooting in conditions that would damage unprotected cameras. However, casual photographers may not need extensive weather sealing, and basic splash resistance is often sufficient for most situations

Do I need the highest resolution camera for professional work?

Resolution requirements depend on your specific applications. Portrait and commercial photographers often benefit from 45-61MP cameras for maximum detail and cropping flexibility. In contrast, sports and wildlife photographers may prefer lower resolution cameras with faster burst rates and better high-ISO performance. Most professional work can be accomplished excellently with 24-33MP cameras, which offer a better balance of file size, processing speed, and image quality.

What’s the advantage of mirrorless cameras over DSLRs?

Mirrorless cameras offer several key advantages: electronic viewfinders show exactly how your final image will appear, silent shooting modes enable discrete photography, advanced autofocus systems provide superior subject tracking, and compact size makes them more portable. Additionally, features like focus peaking, zebras for exposure, and real-time histogram display provide immediate feedback that DSLRs cannot match

How do I choose between different camera manufacturer systems?

Consider lens ecosystem, color science preferences, and existing gear when choosing manufacturers. Sony offers the most comprehensive mirrorless camera lineup with excellent autofocus and the largest third-party lens selection. Canon provides outstanding color science, growing RF lens selection, and amazing professional support. Nikon delivers exceptional value with recent video-focused releases and reliable build quality. Panasonic leads in professional video features and unlimited recording capabilities. Fujifilm offers unique color science, premium build quality, and engaging tactile controls. OM System provides the best weather sealing and computational photography features in compact packages. Leica represents ultimate craftsmanship for users who prioritize premium materials and distinctive character over value.

What accessories are essential for mirrorless cameras?

Essential accessories include extra batteries (mirrorless cameras use more power than DSLRs), fast memory cards rated for your camera’s video capabilities, a sturdy tripod or travel tripod for stability, and lens filters for creative control. Consider a camera strap or grip for better handling, lens cleaning supplies for maintenance, and a camera bag or case for protection. External flash or LED panels improve lighting, while remote releases enable sharp long exposures and self-portraits.

How much should I budget for lenses with a new mirrorless camera?

Budget at least as much for lenses as you spend on the camera body, and often more for serious photography. A basic lens kit (wide-angle zoom, standard zoom, telephoto) typically costs $1500-3000 for quality options, while professional lenses can cost $1000-3000 each. Third-party manufacturers like Sigma, Tamron, and Tokina offer excellent alternatives at lower prices. Consider starting with one versatile zoom lens and adding specialized lenses as your photography develops.

What’s the learning curve for switching from DSLR to mirrorless?

The transition is generally straightforward, with most controls and concepts remaining similar. Electronic viewfinders may require adjustment, but they provide immediate feedback that many photographers prefer once adapted. Battery life management becomes more important, menu systems vary between manufacturers, and some photographers need time to adapt to silent shooting modes. Most DSLR users find mirrorless cameras intuitive within a few weeks of regular use.

Do mirrorless cameras work well for professional video production?

Many mirrorless cameras now offer professional video features, including 4K/8K recording, professional codecs, unlimited recording times, and advanced autofocus systems. Cameras like the Panasonic S1 II, Sony a7S III, and Canon R5 Mark II provide capabilities that rival dedicated video cameras. However, consider your specific workflow needs: professional productions may still require dedicated video cameras for features like built-in ND filters, advanced monitoring options, and specialized professional connectivity.

Are expensive cameras always better than budget options?

Not necessarily. Expensive cameras offer advanced features like faster burst rates, better low-light performance, weather sealing, and professional build quality, but budget cameras often deliver excellent image quality for most uses. Consider your actual shooting needs: a $600 camera may produce results indistinguishable from a $6000 camera for casual photography. At the same time, professional work may require the reliability and features that only expensive cameras provide.

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Nikon Z5 II – Hands-On First Impressions With Nikon’s New Powerhouse Mirrorless https://www.imaging-resource.com/news/nikonz5iifirstlook/ https://www.imaging-resource.com/news/nikonz5iifirstlook/#respond Thu, 03 Apr 2025 00:02:49 +0000 https://www.imaging-resource.com/nikonz5iifirstlook/ Nikon has unveiled the Z5 II, an “affordable” mirrorless camera with features that rival the new Z6 III. The Z5 II has advanced still and video capabilities and a price of $1700, which is $1000 less than the Z6 III sticker price. If you’d like to read the full and specifications for the Nikon Z5 […]

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Nikon has unveiled the Z5 II, an “affordable” mirrorless camera with features that rival the new Z6 III. The Z5 II has advanced still and video capabilities and a price of $1700, which is $1000 less than the Z6 III sticker price.

If you’d like to read the full and specifications for the Nikon Z5 II, you can find that in our news coverage of the launch.

I had a chance to meet with Nikon and shoot the Z5 II at the WPPI tradeshow in Las Vegas, and I was impressed with both the powerhouse camera and Nikon’s overall trajectory.

The Nikon Z5 II should prove to be a powerful hybrid camera, and I’m looking forward to spending a lot of time with it. We’ve been testing both the Z6 III and Z8, and in my time with the Z5 II it felt like a more compact version of both cameras.

Many of the internals of the Z5 II are borrowed from the Zf, a camera that has had a mixed reaction. The photo and video capabilities of the Zf have been lauded, but some of the design and operation feels out of place with the retro styling.

Like the Z5 before it, the Z5 II has a modern mirrorless design, with no anachronistic ties to the past. It is compact yet comfortable to hold. The controls are easily accessible, and operation is as smooth as the Z6 III and Z8/Z9.

Nikon’s first few mirrorless cameras were part of a transitional phase to transition photographers from its legendary SLRs to the new platform. The Nikon Z6 and Z7 were durable and capable but weren’t on par with what came before.

The company started hitting its stride with the flagship Z9 and the subsequent Z8, which put Nikon’s Z-system on par with its legacy cameras and competitors’ offerings.

Now, Nikon has entered an era of releasing updates to its key cameras that are so much improved over the previous model that it can seem like they share only the name and the body with their predecessors. The Z6 III performs so much better and has so many more features than the Z6 II that it might have been better to ditch the Z6 moniker.

First Impressions of the Nikon Z5 II

These are my initial impressions of the Z5 II. We will provide a full review once we have more time to work with the camera.

One note: During my brief time with the camera, I didn’t have the opportunity to test its video capture feature set. On paper, the Z5 II is a videographer’s dream. It can capture 4K 30 with no crop and 4K 60 with a 1.5x crop. Impressively, the Z5 II can capture N-Log and N-RAW and record both to the internal SD card slots.

Our Nikon First Look Hands-on Video

Low Light, No Problem for the Nikon Z5 II

The WWPI tradeshow primarily serves wedding and portrait photographers, and the bright, sunny skies are the backdrop to the workshops. Any cameras on display at WPPI can take an incredible portrait in bright light, but not all of them can produce stellar results when the lights go off.

With the new Backside Illuminated (BSI) sensor in the Z5 II and its claimed low-light capabilities, I decided to take the camera to a more secluded, darker location to test its capabilities. The Rio Hotel hosted the show, and it has a particularly odd, nearly empty shopping section near one of the towers.

In that section is a strange KISS museum and video game arcade. Or maybe it’s a video game arcade with a KISS museum? In any case, it’s a location free of the type of WPPI attendee that might be able to spot a not-yet-released camera.

I concentrated on the arcade’s low-light autofocus capabilities and the image quality the new BSI sensor yields. I also wanted to see how the color shifts caused by the combination of LED and neon lights would affect the arcade’s functionality.

Some frequencies of LEDs threw off early mirrorless cameras, resulting in improper metering, blown-out highlights, and problems with focus. The Z5 II excelled in the dark environment.

Since the camera was a prerelease model, I couldn’t open or share raw files but wouldn’t do much to these images. From a creative standpoint, I wanted the LED colors to be a component of the shots. I particularly liked the hues the pink and purple lights cast.

Autofocus was instantaneous, instantly locking onto subjects. With the statue of Gene Simmons, eye detection even picked the right spot despite being surrounded by the iconic black makeup. The AF locked on quickly despite a shallow aperture and low light for non-human” subjects, such as the edges of the motorcycle handlebars.

The only place I felt the color overwhelmed the sensor was in a portrait of me taken by my Nikon contact, with a heavy red cast on my face. This would be correctable in a raw file, but it is expected under these conditions.

Despite the color baked in by the JPEG output, I’m impressed with how well it locked onto my eyes. Being the only subject makes eye detection easier, but there’s a lot going on in that photo, and the lighting is awful.

Even though I only shot a hundred photos, I’m very happy with the outcome. When we get the camera for our extensive testing, more photos and thoughts will come.

I’ll also test the Z5 II’s video capabilities, including using it as a dedicated studio camera for budget-conscious creators.

Quick Overview of Nikon Z5 II Features

For complete specs for the Nikon Z5 II, check out our full news coverage.

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The Nikon Z5 II maintains the same compact size and weight as its predecessor but introduces a host of internal upgrades. It features a 24.5-megapixel full-frame BSI CMOS sensor and the powerful EXPEED 7 image processor, enabling continuous shooting speeds of up to 14 frames per second in RAW and 30 frames per second in JPEG.

Autofocus performance, inherited from the Z8 and Zf, shows significant improvement. It features advanced subject recognition, including bird detection, while pixel shift shooting enables ultra-high-resolution image capture-perfect for landscape and travel photography.

The Z5 II supports internal N-RAW video recording, offering uncropped 4K at 30p and 10-bit DX-cropped 4K at 60p. It can record up to 125 minutes in 10-bit H.265, with support for SDR, HLG, and N-Log tone modes. The camera comes with a fully articulating rear LCD screen that supports selfie mode, making it a great option for content creators. It also includes a dedicated Picture Control button on the top plate for quick access to image settings. Dual SD card slots offer accessible, consumer-friendly storage, prioritizing affordability over pro-tier formats like CFexpress.

Nikon Z5 II Purchase Thoughts

For newcomers to the Nikon mirrorless platform-whether from another camera brand or from Nikon’s DSLR lineup-the Z5 II is an excellent first camera. The $1700 price is only a tad above $1500, what I consider the sweet spot of enthusiast camera value.

Existing Nikon shooters could easily use the Z5 II as a high-performance backup for critical shoots like weddings and events. I would have no problem using a Z6 III or Z8 as my primary body, and a Z5 II as a secondary. Before the release of the Z5 II, I’d have gone for a Z8 as my primary body, and a Z6 III as the secondary shooter.

For video-centric creators, the Z5 II probably has everything you need whether for a YouTube studio or a gig. If it performs as well as I suspect for video, I could easily see using a Nikon Z5 II for A-roll and another for B-roll.

Where to Preorder the Nikon Z5 II

The Nikon Z5 II is available from major camera retailers like B&H and Adorama.

Affiliate links may earn Imaging Resource a commission on qualifying purchases

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Nikon Z5II Brings Pro-Level Processing to Entry-Level Full-Frame Mirrorless https://www.imaging-resource.com/news/nikon-z5ii-brings-pro-level-processing-to-entry-level-full-frame-mirrorless/ https://www.imaging-resource.com/news/nikon-z5ii-brings-pro-level-processing-to-entry-level-full-frame-mirrorless/#respond Thu, 03 Apr 2025 00:02:07 +0000 https://www.imaging-resource.com/nikon-z5ii-brings-pro-level-processing-to-entry-level-full-frame-mirrorless/ Nikon has unveiled the Z5 II, the second-generation full-frame mirrorless camera designed as an entry point into the FX-format Z system. The camera is powered by Nikon’s advanced EXPEED 7 image processor-the same one used in the Z8 and Z9-offering major improvements in autofocus performance and low-light capabilities. This update brings many professional-level features to […]

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Nikon has unveiled the Z5 II, the second-generation full-frame mirrorless camera designed as an entry point into the FX-format Z system. The camera is powered by Nikon’s advanced EXPEED 7 image processor-the same one used in the Z8 and Z9-offering major improvements in autofocus performance and low-light capabilities. This update brings many professional-level features to Nikon’s most affordable full-frame model.

We previously tested the original Nikon Z5 and found it to be a great gateway into full-frame mirrorless photography. With the Z5 II, Nikon introduces higher-end technology into a more accessible package, redefining what users can expect in this category without outright replacing the Z5.

Nikon Z5 II – Our First Impression Hands On Preview

I had the opportunity to go hands-on with the Nikon Z5 II in Las Vegas. You can find my detailed first impressions in my article, along with a first-look hands-on video below.

Key Nikon Z5 II Updates: EXPEED 7 and Improved Autofocus

The standout feature of the Z5 II is its use of Nikon’s EXPEED 7 processor, which significantly enhances autofocus speed and accuracy. Subject detection and tracking are now up to three times faster than in the original Z5, thanks to deep-learning-based detection algorithms.

The autofocus system now recognizes up to nine subject types-including people, animals, vehicles, and aircraft-and introduces 3D Tracking AF, a feature borrowed from the Z8 and Z9. This marks the first time Nikon has included AF-A mode in a full-frame mirrorless camera, allowing the camera to switch seamlessly between single and continuous autofocus based on subject movement.

For action and wildlife photographers, the Z5 II supports burst shooting at 14 fps with the mechanical shutter and up to 30 fps using the electronic shutter. The camera also features Pre-Release Capture, which buffers images up to one second before the shutter is fully pressed, ensuring crucial moments aren’t missed.

Low Light Handling and Stabilization

With its back-illuminated CMOS sensor, the Z5 II improves texture detail and reduces noise in low-light environments. Nikon claims autofocus can function in lighting as low as -10 EV. The native ISO range extends from 100 to 64,000, expandable to ISO 204,800. For video, ISO maxes out at 51,200.

The camera’s in-body 5-axis stabilization is rated for up to 7.5 stops at the center of the frame. A new Focus-Point VR feature tailors stabilization to the active autofocus area, helping to maintain sharpness for off-center subjects.

Long-exposure photographers will benefit from extended shutter speeds up to 900 seconds (15 minutes), a dedicated Starlight View Mode for composing shots in dark environments, and a Warm Color Display Mode to preserve night vision.

Nikon Z5 II Build and Usability

Maintaining a compact form factor similar to its predecessor, the Z5 II features a magnesium alloy chassis for dust and weather resistance. The fully articulating 3.2-inch rear LCD offers flexible viewing angles, and the electronic viewfinder now reaches 3000 nits of brightness-six times brighter than comparable models, according to Nikon.

The grip design and body layout remain familiar, offering dual SD card slots and ports for both headphones and microphones.

Picture Controls and Color Customization

A new dedicated Picture Control button provides instant access to Nikon’s in-camera color settings, which include 31 built-in styles. Additional color profiles can be downloaded through Nikon’s Imaging Cloud platform, and users can create and apply custom color styles using NX Studio’s Flexible Color Picture Control tools.

Video Capabilities

While the Z5 II is primarily a stills camera, Nikon has improved its video features to appeal to content creators. The camera records 4K UHD at 30p with full sensor readout and 4K/60p with a 1.5x crop. Full HD video supports up to 120p for smooth slow-motion footage.

For the first time in a Nikon camera, N-RAW can be recorded directly to an SD card. The camera also supports 12-bit N-RAW, 10-bit H.265, and 8-bit H.264 recording, along with N-Log and compatibility with RED-developed LUTs.

A Hi-Res Zoom function is available in Full HD, providing up to 2x digital zoom without noticeable quality loss. Additionally, a new Product Review Mode automatically shifts focus between a user’s face and objects they hold up, a feature previously seen in the Nikon Z30.

The Z5 II can also function as a high-quality USB webcam via UVC/UAC and includes built-in microphone and headphone jacks for enhanced audio capture.

Other Nikon Z5 II Features

  • Dual UHS-II SD card slots

  • Pixel Shift shooting for up to 96MP composite images (via NX Studio)

  • Rich Tone Portrait and Skin Softening modes

  • Bird detection autofocus mode

  • Support for Adobe Lightroom + 1TB Creative Cloud storage with registration (limited-time promotion)

Nikon Z5 II Price and Availability

The Nikon Z5 II is set for release in April 2025. Pricing options are as follows:

We’ll be testing the Z5II in the coming weeks to see how Nikon’s newest entry-level full-frame mirrorless camera stacks up in real-world use.

Sample Images

Nikon Z5 II sample image.

Nikon Z5 II Sample Image.

Nikon Z5 II sample image.

Nikon Z5 II sample image

Nikon Z5 II sample image

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