Fujifilm’s X-series cameras are unique for a few reasons. The first is that Fujifilm has embraced an analog-era look and feel to its cameras. Dials and switches look like they came right off of 1970s film cameras, and the body matches that retro look.

The second reason Fujifilm cameras are unique is that the X-series is built entirely around the APS-C sensor size. This choice allows Fujifilm to make smaller, lighter cameras than full-frame cameras. The compact bodies and old-school design make them particularly good for times when you’d like your camera to blend in, like street and travel photography.

Fujifilm customers swear by the colors the sensor produces, and the simulation presets for older film-era Fujifilm film stocks like Provia, Ektachrome, and more.

In this guide, the Imaging Resource Staff and I bring you all of the best Fujifilm cameras, no matter your shooting style or need.

Fujifilm also makes the GFX medium-format camera linup, buit those models aren’t included in this guide as they’re for a specific type of photographer, and they’re a different category of product.

Our Picks at a Glance

Key Takeaways

Fujifilm’s mirrorless lineup continues to balance strong image quality with distinctive design and excellent color science that provide film simulation “looks” that make images resemble Fujifilm’s historic print and slide films of the analog era.

The X-S20 is built for hybrid creators who need dependable stills and video in a small body, while the X-T30 II keeps classic controls in an affordable, compact form. The X-T5 represents the core of Fujifilm’s APS-C system, pairing a 40-megapixel sensor with traditional dials and a well-rounded shooting experience. The X-H2S focuses on speed, offering advanced autofocus and high frame rates for sports and wildlife work.

Best Picks by Category

• Best Camera for Travel and Everyday Shooting: Fujifilm X-T30 II
• Best Hybrid Camera for Creators: Fujifilm X-S20
• Best All-Around APS-C Camera: Fujifilm X-T5
• Best Camera for Speed and Action: Fujifilm X-H2S

Fujifilm X-H2S Camera

What We Think

This camera is Fujifilm’s speed and video flagship, and I’ve been consistently impressed with its performance for fast-action photography. The stacked sensor eliminates rolling shutter issues, and the build quality matches anything in the professional camera market. For Fujifilm users who need maximum performance, this is the camera to pick.

Fujifilm’s flagship camera features advanced stacked sensor technology that virtually eliminates rolling shutter while also enabling fast burst shooting performance. Professional build quality and comprehensive video features make it suitable for demanding applications.

Reasons to Buy

• Stacked sensor technology nearly eliminates rolling shutter artifacts while enabling exceptional burst shooting speeds for sports and wildlife photography.
• Professional-grade build quality with comprehensive weather sealing provides reliability for demanding commercial and outdoor applications.
• Advanced video features, including high frame rates and professional codecs, rival dedicated video cameras in a compact mirrorless package.

Reasons to Avoid

• Premium pricing for APS-C format may be difficult to justify when full-frame alternatives offer similar features at comparable costs.
• A complex feature set may overwhelm casual photographers who don’t require advanced professional capabilities and extensive customization options.
• APS-C sensor format limits low-light performance compared to full-frame alternatives in challenging shooting conditions.

Specifications

• Sensor: 26.1MP APS-C X-Trans Stacked CMOS
• Processor: X-Processor 5
• Video Resolution: 6.2K 30p, 4K 120p
• Continuous Shooting: 15 fps (mechanical), 40 fps (electronic)

• Stabilization: 7-stop IBIS
• Viewfinder: 5.76m-Dot OLED EVF
• LCD: 3″ 1.62m-Dot vari-angle touchscreen
• Battery Life: Approx. 720 shots (CIPA)

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This camera is Fujifilm’s speed and video flagship, and I’ve been consistently impressed with its performance for fast-action photography. The stacked sensor eliminates rolling shutter issues, and the build quality matches anything in the professional camera market. For Fujifilm users who need maximum performance, this is the camera to pick.

Fujifilm’s flagship camera features advanced stacked sensor technology that virtually eliminates rolling shutter while also enabling fast burst shooting performance. Professional build quality and comprehensive video features make it suitable for demanding applications.

Fujifilm X100VI

What We Think

The Fujifilm X100VI combines classic design with top performance, making it a great camera for street and travel photographers. Its 40.2MP X-Trans 5 sensor and fast X-Processor 5 deliver stunning detail and color straight out of camera, while in-body image stabilization keeps handheld shots razor-sharp.

The hybrid optical/electronic viewfinder gives a truly immersive shooting experience, and its fixed 23mm f/2 lens produces beautiful cinematic images. Despite its compact size, it captures 6.2K video and handles low-light scenes with surprising confidence, perfect for photographers who want top-tier image quality in a pocketable, all-in-one design.

Reasons to Buy

• Distinctive fixed 35mm-equivalent f/2 lens delivers excellent optical quality with a unique character that enhances creative photography.
• Unique hybrid viewfinder combines optical and electronic viewing for versatile composition options and traditional shooting experience.
• Premium build quality and classic aesthetics provide operation that many Fujifilm users say inspires creative photography.

Reasons to Avoid

• Fixed lens limits focal length flexibility compared to interchangeable lens systems, requiring different shooting approaches for varying subjects.
• Extraordinary popularity creates supply shortages that make purchasing difficult without significant waiting periods or premium pricing.
• Single SD card slot provides no backup option, which may concern photographers shooting important events or commercial applications.

Specifications

• Sensor: 40.2MP APS-C X-Trans CMOS 5 HR
• Lens: 23mm f/2 (35mm equivalent)
• Video Resolution: 6.2K 30p, 4K 60p
• Continuous Shooting: 11 fps (mechanical), 20 fps (electronic)

• Stabilization: 6-stop IBIS
• Viewfinder: Hybrid OVF/EVF
• LCD: 3″ 1.62m-Dot tilting touchscreen
• Battery Life: Approx. 450 shots (CIPA)

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This camera has become a cult classic. I’ve owned three versions of this camera, and they’ve gone with me all over the world. The combination of premium build quality, a high-quality 35mm-equivalent lens, and Fujifilm’s colors and film simulation profiles creates an experience that’s different from other cameras.

The challenge is actually finding one in stock due to demand.

Fujifilm X-T5

What We Think

The Fujifilm X-T5 packs professional performance into a classic, lightweight body that feels great in hand. It’s a great rival to many much larger full-frame systems thanks to its 40.2MP APS-C X-Trans 5 sensor that delivers exceptional detail and color accuracy,.

With 7-stop in-body image stabilization and a powerful X-Processor 5, it handles everything from high-speed bursts to 6.2K video with ease. The traditional dials make it a joy to use, giving you full creative control without diving into menus. Ideal for travel, portrait, and landscape photographers, the X-T5 proves that you don’t need a heavy camera to capture world-class images.

Reasons to Buy

• Exceptional 40MP resolution provides incredible detail for landscape photography and commercial shoots, and maintains good high-ISO performance.
• Fujifilm’s renowned color science and film simulation modes set Fujifilm apart from competitors with distinctive aesthetic options.
• Classic control layout with physical dials makes many photographers find it more intuitive than digital interfaces.

Reasons to Avoid

• The high-resolution sensor produces sharp images, but it has more noise in high ISO shooting than other Fujifilm cameras as a result of the increased pixel density.
• Video features, while capable, are not as advanced as dedicated hybrid cameras from other manufacturers in the same price range.
• Premium pricing reflects the advanced features and may be challenging for budget-conscious photographers to justify.

Specifications

• Sensor: 40.2MP APS-C X-Trans CMOS 5 HR
• Processor: X-Processor 5
• Video Resolution: 6.2K 30p, 4K 60p
• Continuous Shooting: 15 fps (mechanical), 20 fps (electronic)

• Stabilization: 7-stop IBIS
• Viewfinder: 3.69m-Dot OLED EVF
• LCD: 3″ 1.84m-Dot tilting touchscreen
• Battery Life: Approx. 580 shots (CIPA)

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This camera represents what I consider Fuji’s best balance of resolution, performance, and analog design. In my review at its launch, I said I liked how the 40MP sensor provides incredible detail with Fujifilm’s “color science,” and the analog control layout makes it genuinely enjoyable to use for both photography and video.

Fujifilm’s cameras include film simulations that make your images look like its film from the ’70s and ’80s, one of the biggest draws for Fujifilm cameras.

Advanced features like pixel-shift high resolution mode allow you to take super-high-resolution photos. This camera represents the pinnacle of APS-C technology.

Fujifilm X-S20 camera

What We Think

The Fujifilm X-S20 is a compact powerhouse built for creators who want pro-level performance without the bulk. It features a 26.1MP X-Trans CMOS 4 sensor and the fast X-Processor 5, delivering sharp images, rich colors, and impressive low-light results.

With advanced subject detection autofocus and 7-stop in-body stabilization, it’s equally capable for stills and 6.2K video. The intuitive grip and vari-angle touchscreen make it a perfect fit for vloggers, travelers, and hybrid shooters. Lightweight yet powerful, the X-S20 brings Fujifilm’s signature image quality and film simulations to a highly portable body that’s ready for anything.

Reasons to Buy

• Conventional control layout appeals to photographers transitioning from other camera brands and offers familiar operation.
• Excellent battery life exceeds many mirrorless cameras and reduces the need for frequent battery swaps during extended sessions.
• Compact form factor with weather sealing provides durability and portability for travel and outdoor photography applications.

Reasons to Avoid

• A single SD card slot provides no backup option for critical shooting scenarios.
• Traditional control layout sacrifices some of Fujifilm’s distinctive tactile appeal that draws users to the brand.
• Limited to APS-C format, which may not satisfy photographers looking to upgrade to full-frame systems.

Specifications

• Sensor: 26.1MP APS-C X-Trans CMOS 4
• Processor: X-Processor 5
• Video Resolution: 6.2K 30p, 4K 60p
• Continuous Shooting: 8 fps (mechanical), 20 fps (electronic)

• Stabilization: 7-stop IBIS
• Viewfinder: 2.36m-Dot OLED EVF
• LCD: 3″ 1.84m-Dot vari-angle touchscreen
• Battery Life: Approx. 800 shots (economy mode)

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I think this is a great camera for photographers who want Fujifilm image quality and colors but prefer a more conventional control layout similar to other more “traditional” brands.

Our testing has shown it delivers the same excellent image quality as other X-series cameras while offering better ergonomics for some users.

Built around the same 26.1MP sensor as Fujifilm’s higher-end models, the X-S20 provides excellent performance for both photography and video. Battery life is also very good, making it a nice choice for all-day shooting.

The X-S20 can shoot up to 6.2K/30p and 4K/60p, making it one of the best video cameras in Fujifilm’s lineup.

Fujifilm X-T30 II

What We Think

The Fujifilm X-T30 II packs impressive performance into a small, stylish body that’s ideal for enthusiasts and travelers. It uses the same 26.1MP X-Trans CMOS 4 sensor and X-Processor 4 found in Fujifilm’s higher-end cameras, producing beautiful color, detail, and dynamic range.

Fast autofocus with face and eye detection makes it reliable for portraits and action, while 4K video recording adds versatility for creators. Despite its compact size, it handles like a classic camera with tactile dials and an intuitive layout. The X-T30 II is perfect for photographers who want Fujifilm’s film-like look and pro-level results in a travel-friendly package.

Reasons to Buy

• Exceptional image quality with Fujifilm’s color science and film simulation modes provide distinctive images straight from the camera.
• Compact size and classic control layout make it portable and enjoyable to use for extended shooting sessions.
• The advanced autofocus system delivers reliable performance for both photography and video applications.

Reasons to Avoid

• A single SD card slot offers no backup option, which may be a problem for photographers shooting important events or professional applications.
• Limited weather sealing compared to higher-end Fujifilm models makes it more susceptible to damage in heavy rain or dusty, sandy environments.
• Battery life is not superb, so it requires carrying spare batteries for extended shooting sessions or intensive video recording.

Specifications

• Sensor: 26.1MP APS-C X-Trans CMOS 4
• Processor: X-Processor 4
• Video Resolution: 4K 30p, Full HD 240p
• Continuous Shooting: 30 fps (electronic), 8 fps (mechanical)

• Stabilization: Digital (video only)
• LCD: 3″ 1.62m-Dot tilting touchscreen
• Battery Life: Approx. 390 shots (CIPA)
• Connectivity: Wi-Fi, Bluetooth

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This is my pick for a Fujifilm camera for photographers who want its exceptional image quality in a compact, affordable package. It delivers performance that rivals more expensive cameras and has the same retro-styling as Fujifilm’s other bodies.

Built around a 26.1MP X-Trans sensor with advanced autofocus capabilities, the compact size makes it ideal for travel and street photography.

Fujifilm X-M5

What We Think

The Fujifilm X-M5 brings in-body stabilization and 6.2K open-gate video to the X-series’ compact form factor. It uses the same 26-megapixel X-Trans sensor as Fuji’s flagship models, capturing sharp, color-accurate images with impressive dynamic range. The addition of IBIS makes it more versatile for handheld shooting, especially in low light.

It’s small enough for everyday carry but capable of producing results suitable for professional projects. With access to Fuji’s wide lens lineup and signature Film Simulations, the X-M5 strikes a rare balance between creative flexibility and portability.

Reasons to Buy

• Ultra-compact design makes it highly portable while maintaining access to Fujifilm’s large X-mount lens ecosystem.
• Same advanced sensor and image quality as more expensive Fujifilm models without the premium pricing.
• Simplified controls and smartphone-style operation make it accessible for users transitioning from phone cameras.

Reasons to Avoid

• No electronic viewfinder significantly limits usability in bright outdoor conditions and traditional photography applications.
• Limited manual controls may frustrate photographers who want to learn advanced techniques or prefer tactile operation.
• A single SD card slot provides no backup option for important shooting scenarios.

Specifications

• Sensor: 26.1MP APS-C X-Trans CMOS 4
• Processor: X-Processor 5
• Video Resolution: 6.2K 30p, 4K 60p
• Continuous Shooting: 30 fps (electronic)

• Stabilization: Digital only
• LCD: 3″ 1.84m-Dot vari-angle touchscreen
• Battery Life: Approx. 450 shots (CIPA)
• Connectivity: Wi-Fi, Bluetooth

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This camera serves as Fujifilm’s most compact interchangeable lens option, and I’ve found it good for users who want the flexibility of the X-mount system in the smallest possible package. Its design prioritizes portability, making it particularly suitable for casual photography and travel scenarios.

Fujifilm’s ultra-compact mirrorless camera is designed for casual users, but it still has Fujifilm’s color reproduction and image quality. The X-M5 ditches the electronic viewfinder to achieve its small size, but having only the LCD screen to compose and review images might be a limitation, especially since the screen isn’t always clearly visible in bright sunlight.

This is the interchangeable lens version of the fixed-lens X100 series, which we list above.

Comparision Chart

Frequently Asked Questions (FAQ)

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Sigma has announced three new lenses for mirrorless cameras, including a pair of full-frame “I series” primes and an APS-C prime lens. All three lenses promise high performance in a compact form factor.

Starting with the full-frame lenses, the Sigma 17mm f/4 DG DN Contemporary and the Sigma 50mm f/2 DG DN Contemporary. These “I series” lenses feature all-metal barrels and will be available in E-mount and L-mount versions.

The 17mm f/4 DG DN C is the widest “I series” lens and should be well-suited to landscape, interior, and architectural photography. The super-compact ultra-wide prime weighs just 225 grams and is only 48.8 millimeters long.

Sigma 17mm f/4 DG DN Contemporary

The metal lens includes a knurled focus ring, aperture ring, and lens hood, promising superior usability and “feel.” The lens ships with a metal magnetic lens cap alongside a traditional snap-on plastic cap.

With a minimum focus distance of 12cm, the 17mm f/4 can deliver good close-up images with a max magnification ratio of 1:3.6. The close focusing ability will also make the lens useful for vlogging, allowing photographers to capture wide-angle selfie video at arm’s length with ease.

The Sigma 17mm f/4 DG DN C will be available later this month for $599 through Sigma and its authorized retailers.

Joining four existing f/2 I series primes, the 50mm f/2 adds the “classic” standard focal length to the series. It joins 20mm, 24mm, 35mm, and 65mm f/2 lenses. All f/2 I series lenses include an arc-type AF/MF switch and a stylized ring on the barrel.

Sigma 50mm f/2 DG DN Contemporary

Like the 17mm lens, the new 50mm f/2 DG DN C lens includes knurled aperture and focus rings, plus a knurled metal lens hood.

Compared to Sigma’s 50mm f/1.4 DG DN Art lens, the 50mm f/2 DG DN C lens is 37 percent shorter and 48 percent lighter.

The lens promises swift, accurate, and quiet autofocus performance for photo and video applications.

The Sigma 50mm f/2 DG DN C lens will be available later this month for $639 in E-mount and L-mount. The f/2 I series lens is about $200 cheaper than Sigma’s 50mm f/1.4 DG DN A lens.

Rounding out today’s new lenses is the Sigma 23mm f/1.4 DC DN Contemporary lens for APS-C mirrorless cameras. The lens will launch first for E-mount and L-mount this month, with an X mount version arriving this summer.

The 23mm lens offers a 35mm equivalent focal length, which is a very popular wide standard focal length for portraits, street photography, and even landscapes.

Sigma 23mm f/1.4 DC DN Contemporary

The lens weighs just 340g and is 77mm long. Its filter diameter is 52mm.

Autofocus is driven by a quiet, high-speed stepping motor and its maximum magnification ratio is 1:7.3. Sigma promises high-end imaging performance, with excellent flare and ghosting resistance.

Sigma has also announced that Nikon Z mount versions of its existing Sigma 16mm f/1.4 DC DN C ($499), 30mm f/1.4 DC DN C ($399), and 56mm f/1.4 DC DN C ($499) prime lenses will be available this month.

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The Fujifilm X-T5 uses the same 40-megapixel backside-illuminated APS-C CMOS image sensor as the flagship X-H2. The cameras share more than their sensors. They also include identical imaging pipelines altogether. The cameras differ most dramatically regarding continuous shooting performance, video features, and design. The X-T5 looks much like its predecessor, the X-T4, including dedicated shutter speed, ISO, and exposure compensation dials. It’s a more traditional X Series camera than the X-H2 and will likely appeal to many existing Fuji shooters.

As I work on my full Fujifilm X-T5 Hands-on Review, we wanted to update our X-T5 Gallery. Within the gallery are many new real-world shots captured with the XF 16-80mm and XF 150-600mm zoom lenses. The new sample images were shot at a wide range of ISO settings, but if you want to check out our standardized lab test shots for even better pixel-peeping, click here.

Fujifilm X-T5 with XF 150-600mm F5.6-8 R LM WR OIS lens at 579mm (868mm equiv.), F10, 1/105s, ISO 125. This image has been edited.

So far, the X-T5 has been extremely impressive. While I enjoy the design of the X-H2S – and thus the identical body of the X-H2 – I have long been a fan of the physical dials on the X-T series cameras. It’s an enjoyable camera to use. Helping make the X-T5 especially fun is the superb 40-megapixel APS-C image sensor – the highest-resolution APS-C sensor on the market. The X-T5 delivers great image quality, with impressive sharpness and surprisingly good dynamic range. As always, Fujifilm’s excellent Film Simulations are on full display. It’s effortless to get excellent JPEG images straight from the camera, largely thanks to the Film Simulations.

Despite packing many pixels onto the sub-full-frame sensor, the X-T5 also performs admirably at higher ISO settings. Even at ISO 6,400 and above, the camera does a good job capturing detail without presenting excessive visual noise.

Fujifilm X-T5 with XF 16-80mm R WR OIS lens at 16mm (24mm equiv.), F4.5, 10s, ISO 8000. This image has been edited.

Image quality doesn’t mean much if a camera’s autofocus system can’t keep pace. Fortunately, the X-T5 performs well here, too. Even though the camera isn’t quite as swift overall as the pricier X-H2, the X-T5’s autofocus system is practically as good. The AI-powered subject detection features perform well, too.

Fujifilm X-T5 with XF 16-80mm R WR OIS lens at 65mm (98mm equiv.), F13, 1.8s, ISO 125. Acros Film Simulation.

So far, so good with the Fujifilm X-T5. It’s a stylish camera that’s much more than a pretty face. It’s the best and most sizable upgrade ever in the X-T series, thanks primarily to the excellent, higher-resolution image sensor and improved autofocus system. Stay tuned to Imaging Resource for our Fujifilm X-T5 Hands-on Review. In the meantime, head over to our updated Fujifilm X-T5 Image Gallery.

– Fujifilm X-T5 Overview – Gallery – Lab Samples –Â Â

The post Fujifilm X-T5 Gallery Updated: New real-world shots from Fujifilm’s 40MP mirrorless camera appeared first on Imaging Resource.

Sigma has launched its first lenses for Nikon’s Z Mount system, bringing some of Sigma’s popular lenses to Nikon’s mirrorless cameras.

The three lenses Sigma has announced are all F1.4 prime lenses designed for APS-C mirrorless cameras: the Sigma 16mm F1.4 DC DN Contemporary, Sigma 30mm F1.4 DC DN Contemporary, and the Sigma 56mm F1.4 DC DN Contemporary.

These lenses are already available for five other mounts: Sony E-mount, Canon EF-M mount, Fujifilm X Mount, Micro Four Thirds, and L-Mount. The three lenses for Z Mount will be released simultaneously, although exact release information isn’t available.

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Regrding special features, the AF algorithms for each lens has been optimized specifically for Nikon Z cameras. Further, the lenses are compatible with AF-C and in-camera aberration correction. The lenses will be released under a special licensing agreement with Nikon for the use of its Z Mount. It’s always great to see a company license its mount to provide its customers additional lens options. In this case, three lenses that have no direct first-party counterpart.

Aside from the new mount, not much else about the Z Mount versions of the Sigma primes has changed.

The Sigma 16mm F1.4 DC DN C, which delivers a 24mm equivalent focal length on APS-C cameras, features 16 elements across 13 groups and includes a nine-bladed aperture diaphragm. The lens has a 1:9.9 maximum magnification ratio, and like the other two lenses, the 16mm F1.4 DC DN C includes a stepping motor to deliver quick and quiet autofocus performance. The 16mm F1.4 DC DN C weighs 420 grams (14.8 ounces), and is 94.3 millimeters (3.7 inches) long. The lens has a 67mm filter thread. Assuming the same pricing as the other mount versions, the lens will cost around $450 for Nikon Z. However, the price and availability have yet to be confirmed.

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The 30mm F1.4 DC DN (45mm equivalent) prime includes nine elements organized across seven groups. Like the 16mm lens, it also features a nine-bladed rounded aperture diaphragm. To save time so does the Sigma 56mm F1.4 DC DN C. The 30mm F1.4 has the best maximum magnification ratio of the trio at 1:7, so none of them are designed for close-up photography. The 30mm prime is the lightest of the three lenses. It’s 75.3mm (3 in.) long and weighs 285g (10.1 oz.). It has a 52mm filter thread. Again assuming similar pricing, the lens will likely cost around $340.

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Rounding out the trio is the Sigma 56mm F1.4 DC DN C. The lens incorporates 10 elements in six groups. Its 56mm focal length delivers a typical “portrait” field of view, matching an 85mm lens on a full-frame camera. The lens weighs 295g (10.4 oz.) and is 61.5mm (2.4 in.) long. Its filter thread is 55mm. Customers should expect the lens to cost about $480.

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Sigma has not announced plans for future Z Mount lenses. However, Sigma has continued to expand its Fujifilm X Mount offerings, so perhaps a similar plan is in the works for the Z Mount. Time will tell.

In the meantime, you can learn much more about the three Sigma lenses via the links below.

• Sigma 16mm F1.4 DC DN Contemporary Hands-on Review
• Sigma 30mm F1.4 DC DN Contemporary Specifications
• Sigma 56mm F1.4 DC DN Contemporary Hands-on Review

Image credits: Sigma. Product images are not to scale.Â

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Tamron has announced the development of the 11-20mm F2.8 Di III-A RXD (Model B060) for Fujifilm X-Mount APS-C cameras.

The Tamron 11-20mm F2.8 Di III-A is an ultra wide-angle zoom lens that delivers a 16.5-30mm equivalent focal length range. The lens has been available in Sony E-mount for Sony APS-C mirrorless cameras since 2021. We wrote in our review that “The Tamron 11-20mm F2.8 Di III-A RXD (Model B060) lens is a great option for APS-C Sony shooters. The lens offers an ultra-wide-angle field of view and constant F2.8 aperture, differentiating it from Sony’s own offerings in the category. The lens also has strong performance, to boot.” We also gave the lens an award of distinction in the ultra wide-angle lens category in the 2021 Camera of the Year Awards.

While Tamron hasn’t stated the precise dimensions and weight for the new X-Mount version of its 11-20mm zoom lens, it’s safe to say it’ll be very similar to the E-mount version. That lens weighs just 335 grams (11.8 ounces) and is 86.2 millimeters (3.4 inches) long. It uses a 67mm filter thread.

Tamron 11-20mm F2.8 Di III-A RXD (E-mount version)

Assuming the same optical design, the X-Mount version will also include 12 elements in 10 groups, including a pair of glass-molded aspherical elements, an eXtra low dispersion (XLD) element, and two low dispersion (LD) elements. The lens can focus as close as 0.15 meters (5.9 in.), resulting in a max magnification ratio of 1:4. The lens also includes Tamron’s Rapid eXtra-silent stepping Drive (RXD) autofocus system, promising good performance for still photography and video.

Sony A7R IV with Tamron 11-20mm F2.8 Di III-A RXD lens at 20mm (30mm equiv.), F2.8, 13s, ISO 5000. This image has been edited.Â

Tamron hasn’t announced pricing and availability information for the new X-Mount lens. The 11-20mm F2.8 Di III-A RXD for E-mount costs $829.

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Fujifilm is on a roll this year! After two big flagship X Series announcements earlier this year, the company is back with yet another update to a very popular camera line: the X-T series. The all-new Fujifilm X-T5 features big changes both inside and out compared to the much-loved X-T4 predecessor. Unlike the higher-end X-H2 and X-H2S, the X-T5 maintains a classic Fuji body design with retro-inspired ISO and Shutter Speed dials. However, the X-T5 has receied design and ergonomics changes, including a larger grip, a revised LCD panel and a larger EVF, to name a few.

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More notable updates are under the hood, with the X-T5 gaining the impressive 40MP X-Trans sensor that we see in the flagship X-H2. Alongside that new sensor, the camera has the same imaging processor, too, so this enthusiast-grade camera essentially has the same imaging pipeline as Fuji’s top-of-the-line high-res camera. The camera also features improved in-body image stabilization with up to seven stops of correction, plus the new 160-megapixel Pixel-Shift high-res shooting mode featured in the X-H2, as well.

ISO 125

We’ve just received our Fujifilm X-T5 review sample, and of course, the first stop is a trip to our testing lab for First Shots. Seeing as the camera shares the imaging pipeline of the X-H2, it’s no surprise to see if they have the same ISO range. The native ISO range spans a fairly modest ISO 125 up to ISO 12,800. However, this can be expanded down to a low ISO of 64 and up to ISO 51,200 — a very wide range for an APS-C camera.

100% JPEG NR5D Crop

To see how the all-new X-T series camera performs across its full ISO range, head over to our Fuji X-T5 Samples Page. There we have two image series to browse through. The first one — labeled “NR5D” — has JPEG images with the camera’s default level of in-camera noise reduction processing applied. Then, the “NR1” series has JPEGs with the lowest possible setting of NR processing allowed. In both cases, though, we have RAW files available for download to test out yourself. As always, you can use our Comparometer tool to see these X-T5 test shots side by side with nearly every other camera we’ve tested.

– Fujifilm X-T5 Sample Images – Fujifilm X-T5 Preview –

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Sigma has announced a new flavor of their compact 18-50mm F2.8 APS-C-format zoom, this time for Fujifilm X-mount cameras. Following the 16mm F1.4 DC DN, 30mm F1.4 DC DN and 56mm F1.4 DC DN prime lenses for X Mount, this new 18-50mm F2.8 lens will be Sigma’s first zoom lens designed for X-mount mirrorless cameras. Sigma originally released this 18-50mm Contemporary-series lens back in October 2021 for Sony E-mount and L-mount cameras, but they have slowly begun to expand their optical offering for the popular Fujifilm X Series.

Much like the other mount varieties, this X-mount version of the 18-50mm provides a versatile 27-75mm-equivalent zoom range and a bright, constant F2.8 aperture, making it an excellent all-around lens for landscapes, portraiture and general snapshots as well as a good option for low-light shooting. And despite the bright aperture design, the lens is surprisingly small and compact. Although essentially the same lens as its E-mount and L-mount counterparts, the specs provided by Sigma show slight differences in size and weight, but they are extremely minor. The X Mount version weighs in at just 285g (10.1 oz) and measures 76.8mm (3 in) in length and 61.6mm (2.4 in) in diameter, which makes it currently the smallest and lightest F2.8 APS-C zoom lens with AF on the market.

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In terms of optical layout, the 18-50mm F2.8 is comprised of 13 elements situated into 10 groups and includes one SLD (Special Low Dispersion) element and three aspherical elements to help suppress chromatic aberration and ensure sharp image quality across the frame. The lens also includes Sigma’s Super Multi-Layer Coating, which promises minimized flare and ghosting.

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Other features include a 7-bladed circular aperture diaphragm, a 55mm filter thread size and a rugged build‚ using Sigma’s Thermally Stable Composite (TSC) material. The lens, despite its compact size, feels solidly built yet very lightweight and also includes a dust- and moisture-resistant design with a gasket around the lens mount.

Check out our earlier hands-on look at the L-mount version of the Sigma 18-50mm F2.8 DC DN lens, plus sample images

Powering its focusing system, the Sigma 18-50mm F2.8 DC DN Contemporary lens has a stepping motor AF system, which provides both fast and quiet focusing performance. According to Sigma, this version includes X-mount-specific focusing algorithms for AF drive and communications with Fuji cameras, which allows for not only high-speed AF on Fujifilm X Series cameras but also compatibility with AF-C (continuous) focusing on Fuji cameras and in-camera aberration correction (when used with supported cameras). Other focusing features include a close-focusing distance of just 12.1cm (4.8 in) and a 1:2.8 maximum magnification ratio‚ at 18mm, allowing for excellent close-up shooting. The minimum focus at 50mm increases to 30cm (11.9 in) and to a 1:5 magnification ratio.

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The Sigma 18-50mm F2.8 DC DN Contemporary lens for FUJIFILM X Mount will go on sale in‚ early December 2022 for a retail price of $549. Sigma also notes that their‚ Mount Conversion Service will be available to convert other mount versions of Sigma 18-50mm F2.8 DC DN C lenses to FUJIFILM X Mount.

L-mount version: Hands-on First Impressions – Gallery Images

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After releasing the flagship X-H2S and X-H2 cameras this year, Fujifilm is back with yet another camera, returning to the very popular X-T series. The Fujifilm X-T5 is the most powerful X-T series camera yet, and the highest-resolution one, to boot. Featuring the same 40-megapixel X-Trans CMOS 5 HR sensor as the X-H2, the X-T5 offers a significant megapixel bump over the 26MP sensor featured in the X-T3 and X-T4. Paired with the latest high-speed image processing engine, X-Processor 5, and improved autofocus, the X-T5 promises high-end performance.

While the camera’s features are exceedingly modern, the camera’s design remains retro-inspired. The classic X Series design is here, including dedicated dials for ISO, shutter speed, and exposure compensation. While the styling remains the same, the X-T5 is about 50g lighter than the X-T4 and slightly smaller. The X-T4 also includes a redesigned grip, better EVF, and improved controls.

The Fujifilm X-T5 includes dedicated dials for direct access to major exposure settings

The star of the show is the new sensor. While we don’t yet have the X-T5 in hand, the imaging pipeline is the same as the X-H2, so you can check out our X-H2 real-world images and lab test shots to get an idea of what sort of imaging performance the X-T5 will deliver. The X-T5 includes the same Pixel Shift Multi-Shot feature, allowing 160MP composite images, and features 19 of Fujifilm’s renowned Film Simulations.

Fujifilm X-T5

To ensure sharp images, the X-T5 includes a five-axis in-body image stabilization system that promises up to seven stops of compensation. The autofocus system incorporates the same Subject Detection AF and improved algorithms as the X-H2S and X-H2, promising improved autofocus performance across the board. You can also freeze action better thanks to the max electronic shutter speed of 1/180,000s.

Video users will be pleased to know the X-T5 offers major improvements. The max resolution is now at 6.2K/30p, rather than 4K. Further, the X-T5 supports internal 4:2:2 10-bit recording, F-Log2 and oversampled 4K footage. If you record externally to an Atomos HDMI device, it’s possible to record 12-bit Apple ProRes RAW at 6.2K/30p. When using a Blackmagic Design Video Assist 12Gs, you can record Blackmagic RAW at 6.2K/30p.

At first glance, the X-T5 looks like the X-T4. However, it’s slightly smaller, 50g lighter, its buttons are larger, its command dials are improved, it has a new front grip design and the EVF has more magnification and improved usability.

There are many more details to learn about the new Fujifilm X-T5, so head to our overview for the full breakdown. The Fujifilm X-T5 will be available in late November for $1,699.95 body only. Kits including the XF 18-55mm F2.8-4 R LM OIS and XF 16-80mm F4 R OIS WR will also be available for $2,099.95 and $2,199.95, respectively.

– Fujifilm X-T5 Overview –

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The Fujifilm X-H2S includes many incredible features, including a brand-new stacked 26.1MP X-Trans CMOS 5 HS image sensor, up to 40 frames per second continuous shooting, AI-powered subject detection, and more video features than any previous X Series camera. While that’s all amazing on paper, how does the promised performance translate in the field? We’ve spent a lot of time going hands-on with Fujifilm’s new flagship camera, and our Hands-on Review is ready for your enjoyment.

The first thing I noticed when using the X-H2S is how different it is from a camera like the X-T4, and even the original X-H1. Fujifilm has gone with a traditional SLR-inspired design, including a regular mode dial. Gone are the dedicated dials for shutter speed, ISO or exposure compensation. In many cases, this change makes the camera easier and faster to use but will likely upset some longtime Fujifilm fans. However, Fujifilm insists that its product lineup will continue to offer something for everyone, including fans of manual dial controls. In the case of the X-H2S, it’s all about speed, so it made sense to ditch the more typical Fujifilm-style controls.

The Fujifilm X-H2S has a traditional mode dial and large top display

When I say speed, I mean “super speed.” Thanks to the stacked image sensor and improved processing power, the X-H2S can shoot full-resolution 26.1MP images at up to 40 frames per second with full AF and AE. If you prefer a mechanical shutter to the electronic one, speeds are capped at 15 fps. In either case, the camera’s high-speed readout is fantastic.

Fuji X-H2S with XF 150-600mm F5.6-8 R LM OIS WR lens at 274mm (411mm equiv.), F6.4, 1/2500s, ISO 5000. This image has been edited to taste.

Fast shooting speeds don’t mean much if the camera’s autofocus system can’t keep up. The X-H2S’s AF system is very good, delivering accurate, reliable autofocus in many situations. The camera also incorporates new AI-powered subject detection, which worked very well for wildlife photography, including birds and mammals. While the AI AF isn’t perfect in every situation, it’s excellent overall, and I used it extensively alongside Fujifilm’s new XF 150-600mm F5.6-8 R LM OIS WR lens. Click here if you’d like to read my review of that exciting new telephoto zoom lens.

Fuji X-H2S with XF 150-600mm F5.6-8 R LM OIS WR lens at 378mm (567mm equiv.), F7.1, 1/50s, ISO 2500. This image has been edited to taste.

While I’m primarily a stills photographer, I was still very impressed by the X-H2S’s video performance. 4K video quality is excellent across a wide range of ISO settings. Low-light performance in general was a highlight during my time with the X-H2S. The camera performs well at high ISO settings across video and still photos.

Fuji X-H2S with XF 150-600mm F5.6-8 R LM OIS WR lens at 150mm (225mm equiv.), F5.6, 1/1000s, ISO 2500. This image has been edited to taste.‚

There’s much more to say about the Fujifilm X-H2S, and you can read all about my experience with the camera in our full Fuji X-H2S Review. It may be Fujifilm’s best X Series camera, and it’s worth checking out for any photographer who demands the utmost speed, performance and image quality.

Fuji X-H2S with XF 16-80mm F4 R OIS WR lens at 26mm (39mm equiv.), F11, 1/7s, ISO 160. This image has been edited to taste.

â‚€‚¢ Fujifilm X-H2S Review â‚€‚¢ Gallery â‚€‚¢

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It’s here! After some brief hands-on time with a couple of prototype samples in New York City, our production-level review sample of the new Fujifilm X-H2 is here and in the lab for testing. I’ve already started doing some shooting out in the field with this new 40MP X-Trans camera — so be on the lookout for an updated gallery soon — but I have just returned from our testing lab for our classic First Shots series of sample images. Time to see how this high-resolution APS-C camera looks across its full ISO range!

Though physically identical to the earlier Fuji X-H2S in terms of its design, this “non-S” version opts for a completely different sensor. The X-H2 uses an all-new 40.2-megapixel X-Trans CMOS HR sensor, making it currently the highest-resolution APS-C camera on the market. The X-H2S, meanwhile, opts for a similar 26.1MP resolution as most of the rest of Fuji’s current-generation X Series cameras, like the X-T4 or X100V, except it uses a high-speed stacked design for increased performance. The X-H2 also uses the same new-general X Processor 5 imaging processor, giving the camera a largely similar array of features as its high-speed sibling.

Base ISO 125 – Default NR processing

However, the 40MP sensor in the X-H2 gives it a slightly different ISO range, with a different base ISO than the X-H2S. Base sensitivity here is ISO 125 with extended low ISOs doing down to ISO 64. The maximum native ISO is the same as the X-H2S, at ISO 12,800, along with expanded high sensitivities up to ISO 51,200. The X-H2 also has another cool trick, one not shared with the X-H2S: Pixel Shift Multi-Shot mode. Like the medium-format GFX cameras with IBIS, the X-H2 can utilize its in-body image stabilization system to create higher-resolution composite images. In the case of X-H2, the camera can be used to create 160-megapixel still images. The camera captures 20 individual frames, moving the sensor by half a pixel each time, and then you create the composite image off-camera using Fuji’s Pixel Shift Combiner desktop software.

As usual for our First Shots series of sample images, we have two series of RAW+JPEG pairs. One with the camera’s default level of in-camera JPEG noise reduction processing (files labeled NR5D in this case) and then a set with the camera’s lowest level of noise reduction applied. The X-H2 doesn’t allow us to turn it off completely, but NR1-labeled images are with the camera’s lowest possible NR setting.

100% Crop – Base ISO 125 – Default NR processing

We’ve also shot an ISO series with the new 160MP Pixel-Shift Multi-Shot mode, however the Fujifilm Pixel Shift Combiner desktop software has not yet been updated to work with the raw files from the X-H2. We reached out to Fujifilm to inquire about a new version of the compositing software, and we will update our Samples Page with these high-res sample images as soon as we can.

In the meantime, if you’re curious to see how the 40MP X-H2 looks across its full ISO range, head over to our Fuji X-H2 Samples Page for our ISO series of test images. And, if you would like to compare these images side-by-side with all the other cameras we’ve lab-tested over the years, head over to our handy Comparometer tool.

– Fuji X-H2 Preview – Lab Samples – Gallery (BETA) –

The post Fujifilm X-H2 First Shots: How’s the image quality from this 40MP APS-C camera? appeared first on Imaging Resource.