However, next week the company could have more good news for those photographers: According to Photo Rumors, “Zeiss is rumored to announce a new Otus mirrorless lens next week. I am not sure about the focal length, but since we already have the 50mm f/1.4 and 85mm f/1.4…, the remaining options are a 28mm or a 100mm. Stay tuned for updates.”

As we previously mentioned, there’s an important reason Zeiss is introducing these new lenses: The original lineup of Otus lenses (28mm, 55mm, 85mm, and 100mm) was designed to work on DSLRs, not mirrorless cameras. The new line of Otus lenses, however, has been optimized for the latest full-frame mirrorless mounts from Sony (E mount), Canon (RF mount), and Nikon (Z mount). 

It’s worth noting that Zeiss hasn’t explicitly stated that they’ll introduce a 28mm or a 100mm Otus prime, next week or in the future. However, as many in the industry note, such as DP Review, “Given that the original Otus line had 28mm and 100mm options and some of the wording in the company’s press release, we wouldn’t be surprised if we see more lenses in the Otus ML line in the future.”

Zeiss says both lenses provide photographers with “creative freedom through its exceptional optical performance and ultimate precise focus.” Like the previous Otus line-up of pricey lenses for DSLRs, the two new lenses are also expensive, are manual focus-only lenses, and lack built-in optical image stabilization. But they are designed to have exceptional image quality.

Note: Although you can still only preorder the Zeiss Otus 85mm f/1.4 ML for $2,999 at B&H Photo (it will be on sale “later in 2025”), you can now order the Zeiss Otus 50mm f/1.4 ML lens at B&H Photo and other retailers for $2,500

It will be interesting to see what the price point is on the new lens should it be introduced next week.

Other Zeiss Photographic and Cine Lenses 

Zeiss Camera Lenses

• ZEISS 18mm f/2.8 Batis Series Lens for Sony E
• ZEISS Touit 2.8/12 Wide-Angle Camera Lens for Sony E-Mount
• ZEISS Touit 1.8/32 Camera Lens for Fujifilm X-Mount
• ZEISS Milvus 35mm f/2 Full Frame Camera Lens for Canon EF
• Carl Zeiss Biogon T* 2.8/21ZM Lens (Silver)
• Sony 16-80mm f/3.5-4.5 Carl Zeiss Vario-Sonnar T* DT Zoom Lens

Zeiss Cine Lenses

• ZEISS Compact Prime CP.3 Large Format Cinema Lens, 135mm T2.1, EF-Mount
• Cinematics Customized CZS Planar T* 85/1.4 ZE Cine Lens for Canon DSLR
• Cinematics Version2 Customized Wide-Angle Full Frame Cine Lens 35mm f/1.4 ZE
• Cinematics V2 Customized Cine Lens Zeiss Distagon T* 18mm f/3.5 ZE
• Cinematics Cine Lens PL Mount 50mm 1.4 Fixed Lens for RED Scarlet, Sony F55, ARRI

The post Zeiss Could Unveil A New Otus Prime Lens Next Week appeared first on Imaging Resource.

As we noted in an earlier story, this autofocus portrait lens has been well-regarded, thanks to its combination of sharp optics, smooth bokeh, and a compact all-metal build. Its optical formula consists of 10 elements in seven groups, including one extra-low dispersion element and four high-index elements to suppress chromatic aberrations and boost sharpness. The prime lens also has a nine-bladed diaphragm and even supports advanced subject detection modes—including eye, animal, and vehicle AF—on compatible cameras.

But specifications and features aside, what most photographers like is that it’s a very good prime at an inexpensive price point!

Pricing & Availability 

It’s currently available on Amazon, and is listed for $199.00. My guess is that it will be available soon on the company’s store website. 

• TTArtisan Finally Brings Budget-Friendly AF 75mm f/2 Portrait Lens to Fujifilm X-Mount
• TTArtisan AF 75mm f/2 Lens (Nikon Z)
• TTArtisan AF 75mm f/2 Lens (Sony E)
• TTArtisan AF 75mm f/2 Lens (L-Mount)

The post TTartisan Offers Its 75mm AF Lens f/2.0 In Silver  appeared first on Imaging Resource.

The MovinkPad Pro 14 has a 14-inch OLED touchscreen with 2800 x 1800 resolution and a top refresh rate of 120Hz, which can deliver rich detail and fluid motion for illustration and design. The tablet also comes with an Android 15 operating system, a Snapdragon 8s Gen 3 processor (with an octa-core CPU), 12GB of RAM, and 256GB of storage. Creatives will appreciate its performance power: Wacom claims the MovinkPad Pro 14 can handle “complex workflows beyond illustration,” including 3D modeling and animation.” What creatives should also like is that Wacom claims the new tablet has “100% coverage of both DCI-P3 (CIE1931) (typ) and sRGB (CIE1931) (typ)” color gamut ranges. Wacom says the tablet also has a peak brightness of 900 nits with HDR support.

Like most of Wacom’s products, the Wacom MovinkPad Pro 14 is focused on creative and artistic tasks, like digital drawing and painting, which focuses it more than traditional tablets like Apple iPads and other Android tablets. One feature that artists should enjoy is Wacom’s Premium Textured Glass, which not only has a slight coarse feel to replicate the feel of drawing on paper, but the company says the surface also comes with “its unique anti-glare, anti-reflection, and anti-fingerprint surface treatment.” The MovinkPad Pro 14 also includes a Wacom Pro Pen 3.

It comes with a Quick drawing function (which was introduced on the MovinkPad 11), which turns on the tablet quickly. But the MovinkPad Pro 14 is also debuting a new app: Wacom Lab, which has a mode that lets it connect to a PC or Mac via a wired USB-C connection or wirelessly. (Note: The Wacom Lab app is still in beta testing mode.) Other apps included with this new portable creative pad include Wacom Canvas, Wacom Tips, Wacom Shelf, and Clip Studio Paint (a six-month license).

Features & Specifications

Here’s a quick rundown of the main features and specifications on the Wacom MovinkPad Pro 14:

• Display Size: 14 inches
• Resolution: 2880 x 1800
• Viewing Angle: 170 degrees (85/85)H; 170 degrees (85/85)V
• Aspect Ratio: 16:10
• Contrast Ratio: 100,000:1
• Processor: Snapdragon 8s Gen3
• Memory: 12GB
• Storage: 256GB (with expandable storage via a microSD card slot)
• Wireless Connectivity: Wireless LAN IEEE802.11a/b/g/n/ac/ax, Bluetooth
• Operating System: Android 15
• Connectivity: USB Type-C port (USB2.0) x1
• Pen: Battery-free Wacom Pro Pen 3 (8192 pressure levels)
• Pen Tilt Angle: 60 degrees
• Multi-Touch: Yes (10 fingers)
• Battery Type: Lithium-ion battery
• Mic, Speakers: Dual microphones, Stereo speakers
• Sensors: G-sensor, e-compass, ambient light sensor, GNSS, GPS
• Dimension: 12.7 x 8.3 x 0.2 inches
• Weight: 25.6 ounces

Pricing & Availability

Wacom says the MovinkPad Pro 14 will be available soon. You can pre-orders it now on Wacom’s e-store or at other online retailers, including B&H.

The post Wacom Introduces Its Latest All-in-one Portable Creative Pad Tablet: MovinkPad Pro 14 appeared first on Imaging Resource.

The 10mm lens, which according to the company’s website in China, will have a full-frame equivalent angle of view of approximately 15mm lens, but has been designed in such a way as to avoid the usual dramatic distortion, such as conspicuous curving of straight lines throughout the image. This should make it valuable for landscape and architecture photography, as well as fashion and fine art.

Key Features & Technical Specifications

This non-fisheye lens will also come with dust seals. Here are a few additional technical specifications we could find on the new lens:

• Optical Construction: 11 elements in 10 groups
• Aperture: f/2.8
• Controls: AF-MF switch
• Material: Metal body

Pricing & Availability

The lens will be compatible with mounts on Sony E APS-C cameras and Fujifilm X APS-C cameras. No word on when the lens will show up on U.S. retail websites. According to the company’s social media pages, the lens will first retail at 899 Chinese Yuan and then cost 999 Chinese Yuan, which converts to $126 and $140, respectively.

The post 7Artisans AF 10mm f/2.8 APS-C Rectilinear Lens Is Announced And Available In Asia appeared first on Imaging Resource.

“The Tamron Trinity is now complete for Nikon Z camera users,” said Tamron. This lens joins two other Tamron G2 zooms for a “trinity” of lenses.

The wider Tamron 16-30mm f/2.8 Di III VXD G2 (Model A064) zoom lens and the wide-to-tele Tamron 28-75mm f/2.8 Di III VXD G2 (Model A063) zoom lens. What’s key is that, unlike some other camera brands, Nikon Z-Mount has been lacking a third-party selection of high-quality, lightweight, portable zoom lenses.

Features & Technical Specifications

Part of what’s made this model popular is that it’s a fast-aperture telephoto zoom sold at a reasonable price. Like several of Tamron’s more recent lenses, it features the company’s VXD technology, which is a voice-coil extreme-torque drive, which is a linear motor-focus mechanism that delivers excellent quietness and responsiveness for high-speed, high-precision auto-focusing whether shooting stills or video.

Pricing & Availability

The new Nikon-version of the 70-180mm F/2.8 Di III VC VXD G2 (Model A065) will be available on October 23, 2025 for $1,149. You can pre-order the lens at select retail outlets, such as B&H.

Tamron 70-180mm f/2.8 Di III VC VXD G2 Zoom for Nikon

What We Think

The Tamron 70-180mm F2.8 VC G2 is a fast-aperture telephoto zoom lens that blends strong optical performance with portability and stability. Designed for full-frame mirrorless cameras, it incorporates Tamron’s VC (Vibration Compensation) stabilization system for sharper results when shooting handheld. Despite its constant F2.8 aperture, it remains one of the smallest and lightest lenses in its class, making it well-suited for travel, events, and everyday use.

 

The lens maintains excellent image quality throughout the zoom range and offers a close minimum focusing distance of 11.8 inches (0.3 m) at the wide end, allowing creative close-up compositions. Its autofocus system uses Tamron’s VXD (Voice-coil eXtreme-torque Drive) linear motor for quiet, fast, and precise focusing performance—ideal for both stills and video work.

 

The 70-180mm F2.8 VC G2 is compatible with Tamron Lens Utility software, enabling users to customize certain lens behaviors for still or video shooting. Built with a focus on operability and durability, it includes a scratch-resistant finish, moisture-resistant construction, and a fluorine-coated front element to protect against dirt and smudges.

Key Specifications

• • Mount: Nikon Z mount

• • Focal Length: 70-180mm

• • Optical Construction: 20 elements in 15 groups

• • Maximum Aperture: f/2.8

• • Minimum Aperture: f/22

• • Length: 6.2 inches (from the front end of the lens to the lens mount face)

• • Weight : 30.5 oz.

• • Minimum Object Distance: 11.8 inches (Wide) and 33.5 inches (Tele)

• • Optical Image Stabilization: Yes

• • Filter Size: Ø67mm

• • Maximum Diameter: Ø83mm

• • Aperture Blades: 9 (circular diaphragm)

• • Standard Accessory: Flower-shaped hood, Front cap, Rear cap

Specifications

• :

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• Shop at B&H Photo

Watch Our Review of the Tamron 16-30mm G2 Lens for Sony

Other Tamron Lens Stories on Imaging Resource

Here are some additional stories on Tamron lenses that we’ve recently covered:

• Tamron 16-30mm f/2.8 Di III VXD G2 (Model A064) lens
• Tamron 28-75mm f/2.8 Di III VXD G2 (Model A063) lens
• Tamron 28-75mm f/2.8 Di III VXD G2 (Model A063) Hands-on Review
• One of my all-time favorite lenses for video has a welcome price cut on Amazon
• Tamron Is Developing Its 18-300mm APS-C All-In-One Zoom For Both Nikon Z And Canon RF Mounts

The post Tamron 70-180mm f/2.8 Di III VC VXD G2 Completes The Tamron Trinity For Nikon Z appeared first on Imaging Resource.

• Brand: Epson
• Printer Type: Single-function color printer
• Printing Technology: Inkjet (includes 10 Epson UltraChrome PRO10 Ink (50 ml) cartridges )
• Maximum Cut-sheet Paper Size: 17 x 22 inches
• Display Included: Yes
• Top Printing Resolution: 5760 x 1440 dpi maximum resolution
• Display Size and Type: 4.3-inch Touchscreen
• Connectivity: USB (SuperSpeed USB 3.0), 100Base-T Ethernet, Wireless – 2.4 GHz (802.11n) and 5 GHz (IEEE 802.11 b/g/n/ac), Wi-Fi Direct, AirPrint, and Epson Print Layout mobile app for iOS
• Weight: 35.3 lbs.
• Dimensions: 24.2 x 35.6 x 20.5 inches (in printing configuration) and 24.2 x 14.5 x 7.8 inches (in storage configuration).

Epson SureColor P900: Bottom Line

Inkjets have a bad reputation among everyday users-and with good reason. Most consumer models, especially those that rely on expensive cartridges, struggle with reliability, speed, and print quality. But professional photo inkjet printers are a different story. Designed for photographers and artists, these machines prioritize color accuracy, fine detail, and archival output. While some creatives still prefer outsourcing prints, many rely on dedicated photo printers to bring their work to life with precision.

That was my experience with the Epson SureColor P900, a desktop photo printer that impressed me with its thoughtful design, excellent print quality, and surprising versatility.

But there was one incredibly special moment with the P900 that I’ve never had reviewing a printer, or, for that matter, any other tech product, but it’s what won me over on just how good the SureColor P900 is.

The SureColor P900 is excellent. This past November, on a beautiful, sunny Saturday on Shelter Island, my daughter and son-in-law got married. While the event itself was fantastic, and the photographer they hired did a great job, like many parents in this digital age, we received hundreds of digital JPEGs from the event. Also, like parents of this era, we haven’t gotten any prints from the wedding.

So, one of my first thoughts when I was asked to test the SureColor P900 was to see how this printer handled the images shot by the wedding photographer.

Since I don’t have the rights to publish the photo, I’ll describe one particular shot: It’s a beautifully elegant black-and-white photo of my daughter on the morning of her wedding day, dressed in white and looking down at a dark brick floor, seemingly lost in thought. Behind her, there’s a light gray wall, with windows that look out onto a very light gray, sun-drenched world. In the center of her dress, it seemed the light from that very sunny day had made its way inside and created a sort of diamond-shaped spot of sunlight in the center of her dress.

This photo, of my daughter throwing her graduation cap into the air, was printed out on the Epson SureColor P900 inkjet photo printer using Epson’s Metallic photo glossy paper.

What’s funny is that I had already viewed this image on my laptop screen many times over the past several months. But when I picked up the finished print from the P900’s printer tray and looked at it, the print took my breath away. In truth, it reminded me of when I was in junior high school, and my photography friend showed me how to develop a black-and-white print. Watching the output from the P900 was just as magical as standing in that safe-light colored room in the late 1970s and watching that image emerge from a blank sheet of paper.

And the magic was that the SureColor P900 was able to make that lovely digital JPEG file into an even more beautiful physical object, an incredibly powerful 8 ½ x 11-inch inkjet photo of my daughter on her wedding day. With that photo, I felt the Epson printer just hit it out of the park!

This image of my daughter’s cat was printed out on the Epson SureColor P900 inkjet photo printer using Epson’s Ultra Premium Photo Paper Luster.

Epson SureColor P900: Setting Up And Getting Started

But I really can’t base an entire printer review on just one photo, no matter how good I think it is. So, was there anything else that won me over?

I found several elements that I like about this inkjet printer, starting with its very simple setup.

Setup begins with Epson’s Start Here guide, which walks you through unpacking the printer and verifying you have all the included items: the P900 itself, 10 ink cartridges, power cord, maintenance box, disc tray, and warranty pamphlet. Be sure to remove all blue tape and packing materials, and don’t open the ink cartridges until you’re ready to install them.

Connect the power cable, turn on the printer, and use the control panel to set your language, date, and time. Install the ink cartridges and allow about 15 minutes for the printer to charge the ink system. Then download the P900 drivers and choose your connection method: Wi-Fi, USB, or Ethernet.

The Epson P900’s 4.3-inch touchscreen LCD lets you access a variety of different printer settings.

Epson SureColor P900: Touchscreen LCD

The 4.3-inch LCD is also a nice feature, and it’s quite easy to use. It gives you access to functions, including printer and paper settings, your print history, the ability to turn the printer’s interior light on and off, maintenance settings, and network connection status. It can also display ink and maintenance box levels and allows you to select the paper size and type setting.

Epson SureColor P900: Performance In Printing Color And Black-And-White Prints

The maximum size you can print on the P900 using cut-sheet photo paper is 17 x 22 inches. But you can very easily adjust the two edge guides to print smaller-sized prints, down to prints as small as 3.5 x 5 or 4 x 6 inches.

All print sizes allow you to print borderless photos, as well. And if you’re using Epson-brand photo paper, you can use the touchscreen LCD to set the appropriate type and size of the paper you’re printing on, which allows you to optimize print quality.

One of the nice features of the P900 is that it offers several quality and speed settings, allowing you to produce a print that prioritizes either print quality or speed. To change the quality of your prints or the printing speed, you’ll need to open the printer’s driver, which you installed when setting up your computer. However, when I tested both the color and black-and-white using different settings, I didn’t find any difference in detail or print quality between the three different color settings. Still, there were significant differences in the time it took each to print:

• The Standard setting with the high-speed setting checked took 5 minutes and 15 seconds to print a 13 x 19-inch photo print.
• The High-Quality setting with the high-speed setting checked took 8 minutes and 23 seconds to print a 13 x 19-inch photo print.
• The High Quality setting without the high-speed setting checked took 16 minutes and 23 seconds to print a 13 x 19-inch photo print.

I also tested how quickly the Neutral black-and-white setting took to print in the driver’s advanced black-and-white mode:

• The default setting with the high-speed setting checked took 4 minutes and 11 seconds to print a 13 x 19-inch photo print.
• High Quality setting without the high-speed setting checked took 7 minutes and 10 seconds to print a 13 x 19-inch photo print.

This image was printed out on the Epson SureColor P900 inkjet photo printer using Epson’s Legacy Platine Paper.

Epson SureColor P900: Printing On Various Epson Papers

I enjoyed printing on Epson’s various paper stocks. Epson’s Ultra Premium Photo Paper Luster has a somewhat glossy and slightly textured surface, but it has a more shimmering effect. I also like how some of my more colorful images looked on it’s Metallic glossy photo paper. However, some of my images also looked great on it’s Legacy and Signature Worthy papers, many of which have a matte or satin finish. I particularly liked how some of my portraits looked on Epson’s Legacy Etching and Legacy Platine papers.

For best results, Epson recommends that you enter the type of Epson paper you’re using into the printer. On the SureColor P900, it’s pretty simple to search for the paper you’re using on the touchscreen LCD, which keeps a list of your frequently used papers, too.

But one commonly asked printing question is, “Can you use photo paper from another brand on an Epson photo printer?” On the company’s website, Epson warns against it. “For digital photos that look and feel like traditional photos, choose one of the EPSON Premium Photo papers…. Other brands of paper, which claim to be compatible with all brands of inkjet printers, may not be compatible with EPSON ink. These papers may give you lower-quality color images. The ink may also not dry properly, because the ink doesn’t bind properly to the media, causing smearing and pages sticking together.”

I guess that you’ll have success with some paper stocks and not with others. However, I did try to print some images on photo paper from another brand (HP’s Premium Plus Photo Paper), and I had decent results.

Editor’s note: I have been printing with Epson printers for decades, and have reviewed dozens of brands and styles of paper. None have caused any issues, and many photo papers have produced better images than Epson’s papers in my testing.

High-end paper manufacturers even provide printer profiles for it’s papers, ensuring the print settings match the paper specifications.

If Epson printers only performed well with its paper stocks, this would be a major limitation, and change our purchase recommendations.

Epson SureColor P900: Where It Falls Short

While I found there’s a lot to like about the Epson SureColor P900, it’s not flawless. For instance, it’s large and bulky, occupying a significant amount of space, especially in a small studio. Naturally, an 11-inch by 17-inch printer has to be large to accommodate the printer, but the size is worth noting.

I also found the plastic back paper feed and front output tray (also made of plastic) to be somewhat flimsy. I wish they were made of sturdier material. Another gripe I had was that it wasn’t always easy to locate a particular print or paper setting. Should I check on the LCD? Or maybe it’s somewhere in the driver settings?

However, these are minor quibbles. Overall, the printer produces excellent-quality prints at a reasonable price.

This image of a blue Easter egg was printed out on the Epson SureColor P900 inkjet photo printer using Epson’s Ultra Premium Photo Paper Luster.

Should you buy the Epson SureColor P900?

Epson’s SureColor printer line has long been known for exceptional image quality, reliability, and a good balance of price and performance. The SureColor P900 is no different, and it improves upon Epson’s printers with improved image quality.

With only two manufacturers in the high-end printer space, consumer choice is limited. The Epson SureColor P900 is a nearly flawless printer, making it a great choice for photographers seeking high-end output.

This image of a model posing underneath a San Diego highway was printed out on the Epson SureColor P900 inkjet photo printer using Epson’s Ultra Premium Photo Paper Luster.

 

 

 

The post Epson SureColor P900 Inkjet Photo Printer Review – Versatile And Easy To Use appeared first on Imaging Resource.

Key Features of the M.ZUIKO DIGITAL Prime Lens II Series:

M.ZUIKO DIGITAL 17mm F1.8 II

• 34mm full-frame equivalent wide-angle lens.
• Bright f/1.8 aperture for beautiful bokeh and excellent low-light performance.
• IPX1-rated weather sealing for reliable performance in harsh conditions.
• Lightweight design at approximately 112g.
• Available in late February 2025.
• MSRP: $549.99 (US) / $769.99 (CAD).

M.ZUIKO DIGITAL 25mm F1.8 II

• Standard 50mm full-frame equivalent lens with a natural perspective.
• Bright f/1.8 aperture for sharp images and subject isolation.
• IPX1-rated weather sealing for durability.
• Weighs approximately 156g.
• Available in late February 2025.
• MSRP: $499.99 (US) / $699.99 (CAD).

Optical and Build Enhancements

OM SYSTEMS has said that both lenses feature advanced optical coatings and precision-engineered elements to reduce ghosting, flaring, and chromatic aberrations. The ZERO (Zuiko Extra-low Reflection Optical) coating enhances clarity even in challenging OM SYSTEMS also sayd th elenses have combination of portability, durability, and optical precisio. The 17mm F1.8 II and 25mm F1.8 II are ideal for photographers seeking high-quality prime lenses that can withstand the elements. Whether capturing wide-angle cityscapes or portrait photography with a natural perspective, these lenses provide excellent image quality in a compact form factor.

M.ZUIKO DIGITAL 17mm F1.8 II and M.ZUIKO DIGITAL 25mm F1.8 II Pricing and Availability

According to OM SYSTEM, the M.ZUIKO DIGITAL 17mm F1.8 II and M.ZUIKO DIGITAL 25mm F1.8 II are available for preorder now through authorized retailers.

The company states that both lenses will officially begin shipping in late February 2025. The 17mm F1.8 II has a suggested retail price of $549.99 (US) / $769.99 (CAD), while the 25mm F1.8 II is $499.99 (US) / $699.99 (CAD).

The post OM SYSTEM Expands Prime Lens Lineup With M.ZUIKO DIGITAL 17mm F1.8 II and 25mm F1.8 II – Information and Preorder appeared first on Imaging Resource.

What could make this a stand-out wide-angle lens, according to Nikon, is that its f/1.2 maximum aperture will emphasize “the main subjects with soft and beautiful bokeh, a dramatic shallow depth-of-field, and the realistic expression of textures.” It’s a lens that can be ideal for many different genres, including wedding, fashion, still life, and fine-art photography.

According to the press release, it appears that it will be a handy lens for shooting still photos and for capturing video. Nikon says that the new lens has a “fast and accurate AF drive for both stills and video through the use of stepping motors.”

Nikkor Z 35mm F/1.2 S Lens Availability, Pricing and Preorder

The new Nikon Nikkor Z 35mm f/1.2 S prime lens will be available by the end of February 2025, for $2,799.95, but you can preorder it now.

Other Claimed Nikkor Z 35mm f/1.2 S Features and Technical Specifications

• Maximum aperture: f/1.2
• Maximum reproduction ratio: 0.2x
• Minimum focusing distance: 1.0 foot
• Filter attachment size: 82mm

The lens also includes two L-Fn buttons, to which you can assign various functions, plus a clickless control ring, silent focusing, and stable exposure, as well as suppressed focus breathing for better quality videography.

Nikkor Z 35mm F/1.2 S Lens: Optical Construction

For this kind of pricey Nikon Nikkor lens, it’s important to understand its optical construction, which means you’re paying attention to what types of glass elements go into the lens, what coatings are on those elements, and how its exterior is constructed (is it weather sealed to keep out moisture and dust?). These are important considerations for many pro photographers and enthusiasts, who might be shooting with this lens every day and in many different types of environments and weather.

The Nikkor Z 35mm F/1.2 S lens has 17 lens elements in 15 groups as well as a rounded 11-blade diaphragm, which, Nikon says, “creates unique bokeh and striking image quality.” The lens also has three ED glass elements and one aspherical ED element, which, Nikon says, enables the lens to effectively reduce false color aberrations and other types of distortion. Nikon has also applied different lens coatings, including a Meso Amorphous Coat, Nano Crystal Coat, and ARNEO Coat, to “minimize ghosting and flare and provide outstanding optical performance.”

Nikon says it also has superior dust and drip-resistant performance, by sealing various parts of the lens, including movable parts of the lens barrel.

It’s no surprise that the lens will be larger and heavier than its 35mm F/1.4 brand sibling, but it should still be easy to use handheld and is relatively portable: It weighs 2.3 lbs.(or 1060 grams), which can be a bit heavy for some. It’s also 3.5 inches (or 90 mm) in diameter and measures 5.9 inches (or 150mm) in length.

By contrast, the 35mm F/1.4mm lens weighs 14.7 ounces (or 415 grams), has a 3-inch (or 74.5 mm) diameter, and is 3.5 inches (or 88.5mm) in length.

Nikkor Z 35mm F/1.2 S Lens Availability, Pricing and Preorder

The new Nikon Nikkor Z 35mm f/1.2 S prime lens will be available by the end of February 2025, for $2,799.95, but you can preorder it now at B&H.

The post Nikon Introduces Nikkor Z 35mm f/1.2 S – Features, Price, and Pre-Order appeared first on Imaging Resource.

It’s been six years since Zeiss last introduced a new lens for still photography, which in tech years is like dog years. In other words, it’s been a long, long time: What was last introduced? In April 2019, Zeiss debuted the OTUS 100mm f/1.4 prime lens for DSLRs. But since then, it’s introduced no lenses designed for any cameras. But that appears to be changing: According to Zeiss’ Instagram and website, on February 25th, Zeiss will be releasing a new OTUS Zeiss lens.

Why an OTUS lens, instead of Batis, Loxia, or Touit? It was noted in a caption for an image of an owl on Zeiss’ Instagram page. Also, apparently “Otus” is the genus of scops owls, which is depicted in the image. But other than those cryptic clues, we don’t really know.

Editor’s Note: All of the product names are bird species. Otus is owl, Batis are cute fluffy birds, Loxia is a species that includes the rare crossbill, and Touit is a species of parakeet. If you know, you know.Â

Zeiss’ Legacy and Why the New OTUS Lens is Evolving

Zeiss has had an excellent record of producing very high quality lenses for film, digital, and cinema cameras. Here’s a short list of Zeiss lenses that many photographers feel are excellent quality lenses:

Zeiss Otus 100mm f1.4
Read our Review
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Zeiss Otus 28mm f1.4
Read our Review
Check Price or Purchase

Zeiss Otus 85mm f1.4
Read our Review
Check Price or Purchase

Zeiss Batis 40mm f2 CF
Read our Review
Check Price or Purchase

Zeiss 25mm Batis f2
Read our Review
Check Price or Purchase

Zeiss Batis 85mm f1.8
Read our Review
Check Price or Purchase

Of course, since so much time has passed since the last lens was introduced, it’s likely that this new lens will differ significantly from the older OTUS models. For instance, it appears the new lens will be built for Sony’s E-mount full-frame mirrorless cameras. Zeiss produced the previous crop of OTUS lenses for an older system-either the 35mm (full-frame) Nikon DSLR mount or Canon DSLR mount.

Pricing and Availability

At press time, there’s been no news on the name of the lens, how much the lens will cost, its features and specifications, nor its availability. However, we hope to learn more news on February 25, 2025.

The post A New Zeiss Lens Is Expected Next Week, First for Company in Six Years appeared first on Imaging Resource.

Unfortunately, Canon will only be selling this model in Asia, at least for now.

Canon PowerShot V1 Features and Specifications

One reason the new PowerShot V1 is so intriguing is that it comes with a brand-new type of imaging sensor: a 22-megapixel, 1.4-inch CMOS image sensor, which is larger than the more commonly used 1-inch sensors found in most vlogging cameras. Since it’s an advanced point-and-shoot camera, it has a fixed, non-interchangeable zoom lens, which also has wide-angle capabilities: When shooting photos, it has the 35mm-equivalent of a 16-50mm zoom, and when capturing video, that range is 17-52mm. To frame your photos and video, it comes with a 3.0-inch swiveling touchscreen (with 1.04 million dots).

It’s also equipped with Canon’s powerful Dual Pixel CMOS AF II, which includes eye-detection technology for people and animals. It also has an electronic shutter (with a top shutter speed of 1/16,000 of a second) and a mechanical shutter (with a top shutter speed of 1/2,000 of a second).

In terms of video performance, videographers will like that it can shoot more than two hours of 4K-resolution video (at 30 frames per second) without cropping or cropped 4K video (at 60 fps). One of the reasons it can shoot for such a long length of time is that it’s designed with a cooling fan to avoid overheating. Canon says the PowerShot V1 also uses both optical (lens-based) image stabilization and electronic image stabilization to capture smooth, jitter-free video footage. (Only optical IS is used with photos.) It will also ship with a windscreen accessory, which helps prevent audio distortion, and also has Wi-Fi and Bluetooth connectivity.

It doesn’t have every bell and whistle, though. For instance, it lacks an electronic viewfinder, which can be handy for framing your shots when bright sunlight might wash out your display.

Here are some additional features and specs for the Canon PowerShot V1:

• Imaging Sensor: 22-megapixel, 1.4-inch CMOS image sensor
• Processor: Canon’s DIGIX X image processing engine
• Maximum Aperture: f/2.8 (wide); f/4.5 (telephoto)
• Lens Construction: 9 elements in 8 groups
• Exposure Compensation: ±3 stops (in 1/3-stop increments)
• Captures both JPEGs and RAW files: Yes
• Hot Shoe: Yes
• Electronic Viewfinder: No
• Built-in Flash: No

Pricing & Availability

The Canon PowerShot V1, which will be available in late April, is listed on the Canon Japan website for 148,500 Yen, or about $990, which is relatively pricey for a vlogging camera. (The Canon PowerShot V10 costs about a third of that at $350).

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